John Hartman | |
---|---|
Born | |
Education | B.A., McMaster University, Hamilton (1973), courses in fine art with George Wallace |
Known for | painter, graphic artist |
Website | http://www.johnhartman.ca |
John Hartman CM RCA (born 1950) is an Ontario-based painter and printmaker.
John Hartman, born in Midland, Ontario, was raised on the southern and eastern shores of Georgian Bay. [1] In the process of obtaining a degree at McMaster University in Hamilton which he finished in 1973, he took courses in fine art from instructor George Wallace who was enthusiastic about German Expressionism. He also was friendly with David Blackwood, then an art instructor, whom he had met when he attended Camp Hurontario, a boys’ camp. The poet Douglas LePan was also a friend and mentor. [2]
Hartman has said that the artists who inspired him include figures from art history such as J. M. W. Turner, Albrecht Altdorfer, Chaïm Soutine, Oskar Kokoschka and in Canada, David Milne and the Group of Seven, among others. In his art, he has favored an aerial view of the land, even renting planes to see the impact humans have made on landscape – their histories and memories. He sees cities as living organisms, combined with their geography so his narrative is a complex mixture. [2] In 2007, he said:
One of the things which astonished me was realizing the ways in which my Western civilization tended to regard itself as separate from the land, when it would have been much healthier to have conceived of the world as the Aboriginals do – as a huge and constantly changing organism and ourselves as part of it. [3]
Hartman's work has been discussed by critics along with that of David T. Alexander and others. He has been called an artist who, in the "true tradition of Canadian painters, is not afraid of visiting the far-flung edges of this country, pursuing subjects, painting them in his edgy style". [4]
His works are in the collections of many public galleries such as the McMichael Canadian Art Collection, Kleinburg; [5] Museum London, Ontario; [6] the Robert McLaughlin Gallery, Oshawa; [7] the Winnipeg Art Gallery; [8] and elsewhere.
Although Hartman has a lengthy exhibition history beginning with a solo exhibition at Trinity College, University of Toronto, in 1972, and with many shows nationally and internationally, largely in the 1980s, [5] it took Painting the Bay: Recent Work by John Hartman at the McMichael Canadian Art Collection in 1993, large-scale paintings of Georgian Bay, aerial views of thickly-painted landscape, to bring him to critical attention. In the skies of this series, Hartman painted stories about the places he depicted to achieve his concept of the land as being more than mere landscape.
Hartman continued to receive national exposure with the exhibition and book Big North: The Paintings of John Hartman, a major exhibition of Hartman`s works, organized by Museum London and the Tom Thomson Art Gallery which toured Canada between 1999 and 2002. [4] In 2003, he began to paint aerial views of cities as living organisms. These paintings made up the exhibition and book Cities curated by Stuart Reid which toured Canada and internationally from 2007 to 2009. In 2014, the Woodstock Art Gallery organized John Hartman: Many Lives Mark This Place with a book by Ian M. Thom, an exhibition of a series of 30 portraits of Canadian authors and the places that were important to them. The show travelled to the McMichael Canadian Art Gallery and elsewhere. [2] [9]
He is a member of the Royal Canadian Academy. [10] In 2020, he received the Order of Canada. [11] The John Hartman Award from the MacLaren Art Centre in Barrie, ON was established in 2016. In 2018, Olivia Whetung received the award. [12]
John Hartman lives and has his studio in Lafontaine, Ontario. [11]
At Waddington`s Canadian Fine Art Auction, November 13–18, 2021, Hartman`s Manitou Dock, 1993, a diptych, 182.9 x 304.8 cms, illustrated in John Hartman and Jean Blodgett, Painting the Bay: Recent Work by John Hartman (McMichael Canadian Art Collection: Kleinburg, Ontario, 1993) on page 25, estimated at $10,000-15,000, realized a price of $40,800. [13]
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.
Thomas John Thomson was a Canadian artist active in the early 20th century. During his short career, he produced roughly 400 oil sketches on small wood panels and approximately 50 larger works on canvas. His works consist almost entirely of landscapes, depicting trees, skies, lakes, and rivers. He used broad brush strokes and a liberal application of paint to capture the beauty and colour of the Ontario landscape. Thomson's accidental death by drowning at 39 shortly before the founding of the Group of Seven is seen as a tragedy for Canadian art.
Alexander Young Jackson LL. D. was a Canadian painter and a founding member of the Group of Seven. Jackson made a significant contribution to the development of art in Canada, and was instrumental in bringing together the artists of Montreal and Toronto. He helped found the Group of Seven in 1920. In addition to his work with the Group of Seven, his long career included serving as a war artist during World War I (1917–19) and teaching at the Banff School of Fine Arts, from 1943 to 1949. In his later years he was artist-in-residence at the McMichael Canadian Art Collection in Kleinburg, Ontario.
Lawren Stewart Harris LL. D. was a Canadian painter, best known as a leading member of the Group of Seven. He played a key role as a catalyst in Canadian art and as a visionary in Canadian landscape art.
Kleinburg is an unincorporated village in the city of Vaughan, Ontario, Canada. It is home to the McMichael Canadian Art Collection, an art gallery with a focus on the Group of Seven, and the Kortright Centre for Conservation. In 2001, the village and its surrounding communities had a population of 4,595; the village itself has 282 dwellings, with a population of 952. Kleinburg comprises a narrow section of hilly landscape situated between two branches of the Humber River. The historic village is bounded by Highway 27 on the west and Stegman’s Mill Road to the east. Kleinburg has subsumed the nearby hamlet of Nashville, but it has not itself been fully subsumed into the main urban area of Vaughan.
Franklin Carmichael was a Canadian artist and member of the Group of Seven. Though he was primarily famous for his use of watercolours, he also used oil paints, charcoal and other media to capture the Ontario landscapes. Besides his work as a painter, he worked as a designer and illustrator, creating promotional brochures, advertisements in newspapers and magazines, and designing books. Near the end of his life, Carmichael taught in the Graphic Design and Commercial Art Department at the Ontario College of Art.
The McMichael Canadian Art Collection (MCAC) is an art museum in Vaughan, Ontario, Canada. The museum is located on a 40-hectare (100-acre) property in Kleinburg, an unincorporated village in Vaughan. The property includes the museum's 7,900-square-metre (85,000 sq ft) main building, a sculpture garden, walking trails, and a cemetery for six members of the Group of Seven.
James Edward Hervey MacDonald (1873–1932) was an English-Canadian artist, best known as a member of the Group of Seven who asserted a distinct national identity combined with a common heritage stemming from early modernism in Europe in the early twentieth century. He was the father of the illustrator, graphic artist and designer Thoreau MacDonald.
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