An artistamp or artist's stamp is a postage stamp-like art form used to depict or commemorate any subject its creator chooses. Artistamps are a form of Cinderella stamps in that they are not valid for postage, but they differ from forgeries or bogus Illegal stamps in that typically the creator has no intent to defraud postal authorities or stamp collectors.
Ruud Janssen is a Dutch Fluxus and mail artist currently living in Breda in the Netherlands.
Mail art, also known as postal art and correspondence art, is an artistic movement centered on sending small-scale works through the postal service. It developed out of what eventually became Ray Johnson's New York Correspondence School and the Fluxus movements of the 1960s. It has since developed into a global, ongoing movement.
Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
Judith Hoffberg was a librarian, archivist, lecturer, a curator and art writer, and editor and publisher of Umbrella, a newsletter on artist's books, mail art, and Fluxus art.
The Chinese Culture Center of San Francisco is a community-based, non-profit organization established in 1965 as the operations center of the Chinese Culture Foundation located in Hilton San Francisco Financial District, at 750 Kearny Street, 3rd Floor, San Francisco, California, United States.
Matt Mignanelli is an American artist best known for his large-scale abstract paintings. Mignanelli lives and works in New York City.
Artpool Art Research Center is an archive, research space, specialist and media library in Budapest, Hungary, dedicated to international contemporary and avant-garde arts, such as Artist's books, artistamp, mail art, visual poetry, sound poetry, conceptual art, fluxus, installation, performance.
The Walter and McBean Galleries were located at in Russian Hill, as part of the former San Francisco Art Institute's Chestnut campus. It has presented an influential program of exhibitions highlighting innovative work by emerging artists and experimental work by more established artists, from throughout the United States and abroad.
Guy Bleus is a Belgian artist, archivist and writer. He is associated with olfactory art, visual poetry, performance art and the mail art movement.
Anna Banana is a Canadian artist known for her performance art, writing, and work as a small press publisher. She has been described as an "entrepreneur and critic", and pioneered the artistamp, a postage-stamp-sized medium. She has been prominent in the mail art movement since the early 1970s, acting as a bridge between the movement's early history and its second generation. As a publisher, Banana launched Vile magazine and the "Banana Rag" newsletter; the latter became Artistamp News in 1996.
Kour Pour is a British-born American artist, who is of British and Iranian-descent. His artwork is inspired by living between different cultures and he works primarily in painting and printmaking. Pour is best known for a series of carpet paintings. He lives in Los Angeles.
Kristan Kennedy is an American artist, curator, educator and arts administrator. Kennedy is co-artistic director and curator of visual art at the Portland Institute for Contemporary Art (PICA). She is based in Portland, Oregon, and has exhibited internationally, working with various media including sculpture and painting.
Ginny Lloyd is an American artist, noted for her work with mail art, photocopy art, performance art and photography. She organized the Copy Art Exhibition in San Francisco in 1980 with programming devoted to promoting xerography. Her work was included in the exhibition, From Bonnard to Baselitz: A Decade of Acquisitions by the Prints Collection 1978–1988 and listed annually since 1992 in Benezit Dictionary of Artists.
Chuck Welch, also known as the CrackerJack Kid or Jack Kid, was born in Kearney, Nebraska in 1948. He wrote "Eternal Network: A Mail Art Anthology", with a foreword by Ken Friedman, which was published and edited by University of Calgary Press in 1995. The Eternal Network and the Crackerjack Kid were mentioned in a review of mail art titled "Pushing the Envelope" in 2001, and the archivist and curator Judith Hoffberg wrote about him in her publication Umbrella. His awards include a Fulbright Grant and NEA Hilda Maehling Fellowship.
Geri Montano, otherwise known as Geralyn Marie Montano, is a contemporary American artist who incorporates themes of Native American heritage, feminism, and societal issues into her work.
Matthew Schreiber is an American artist who is known for his work in holography and for his large scale laser light sculptures. Matthew Schreiber produces work in a wide variety of mediums, including drawing, performance, sculpture, video, and light. Recurring subjects within Schreiber's work center on novelty, the occult, and spectacle by using tools of physics, technology and perception. He has exhibited his work internationally, and most recently at large music festivals, an example of which can be found in his 2018 installation at Dark MOFO in Tasmania, in which Schreiber created a massive laser-light installation that completely immersed viewers.
Inside/Out: New Chinese Art was an exhibition held 15 September 1998 to 3 January 1999 held in association with Asia Society and the San Francisco Museum of Modern Art. The exhibition was presented simultaneously at Asia Society in New York and P.S.1 Contemporary Art Center. It was curated by Gao Minglu and featured artists from mainland China, Taiwan and Hong Kong with artworks from the 1980s to 1990s.
Reiko Tomii is a Japanese-born art historian and curator based in New York. Specializing in Japanese modern and conceptual art in its global context during the postwar period, Tomii is one of the art historians publishing in the English language on postwar Japanese art. Tomii helped organize the first North American retrospective on the work of Yayoi Kusama (1989), and collaborated closely with curator Alexandra Munroe to produce the seminal exhibition and book Japanese Art after 1945: Scream Against the Sky (1994). In 2017, Tomii's book Radicalism in the Wilderness: International Contemporaneity and 1960s Art in Japan was awarded the Robert Motherwell Book Award by the Dedalus Foundation. Tomii is also co-founder and co-director of the postwar Japanese art research collective PoNJA-GenKon.
Kala Art Institute is a community arts non-profit organization, artist residency, art classes, and an art gallery, founded in 1974, and located in two locations in Berkeley, California.
