John Hughes (born 1961) is a Sydney-based Australian writer and retired teacher. His first book of autobiographical essays, The Idea of Home, published by Giramondo in 2004, was widely acclaimed and won both the New South Wales Premier's Literary Awards for Non-Fiction (2005) and the National Biography Award (2006). In 2022, Hughes faced accusations of plagiarism in his 2021 book The Dogs.
Hughes was born in Cessnock, New South Wales to a father of Welsh descent and a mother who was of Ukrainian descent. Hughes wrote that as a second generation Australian, he "lived in two worlds as a child": [1] one world the routine, real world of Cessnock and the second the exotic foreign world of his European family's past. The sense that he was 'foreign' became central to his sense of self. [1] He felt connected to an imagined past of his grandparents. As a child stories were told to him of how his grandparents fled Kiev during the Second World War and had walked on foot across Europe to Naples. [1] From Naples, they emigrated to Australia. The text in "The Idea of Home" is devoted to the stories of this journey passed down from Hughes' grandfather, and their impact on a young John Hughes.
Hughes undertook a medical degree, but shortly realised it was not for him. He switched to an undergraduate arts degree at Newcastle University in the late 1970s, [2] and at the end of his Honours year, was offered the Shell Scholarship to Cambridge. His preconceived notions of Europe as a place vastly more sophisticated than his provincial Cessnock prompted him to go. However, as he spent more time in England, and struggled through a PhD on Coleridge, he realised that his ideas were wrong, and that provincialism was, if not as obvious, certainly still as potent in what was considered the centre of the academic world. After this, he gave up his "life of letters", [2] as he called it, and returned to Australia.
Back in Sydney, he unsuccessfully tried to teach at his old university, Newcastle, but his failure at Cambridge haunted him. He did, however, complete a PhD thesis at UTS, called "Memory and Forgetting". [2] In 1995, Hughes took a position in the English Department of Sydney Grammar School, [3] where he is Senior Master in English and Senior Librarian. He runs Sydney Grammar's Creative Writing Group and Extension Two English at the school. As well as his interest in longer forms, Hughes has been published in HEAT Magazine, edited by Ivor Indyk. [4]
Hughes was accused of plagiarising significant sections of his 2021 book The Dogs by The Guardian . Guardian Australia identified close to 60 similarities between Hughes' book and The Unwomanly Face of War by Svetlana Alexievich. Hughes admitted the plagiarism, although he said it was unintentional. [5]
The Unwomanly Face of War: Somebody betrayed us … The Germans found out where the camp of our partisan unit was.[W]e were saved by the swamps where the punitive forces didn't go. For days, for weeks, we stood up to our necks in water.
The Dogs: Someone betrayed us … The Germans found the camp. We were saved by the swamps. For days we stood up to our necks. Mud and water.
The Unwomanly Face of War: The baby was hungry … It had to be nursed … But the mother herself was hungry and had no milk.The Dogs The baby was hungry. But she was hungry too and had little milk.
The Unwomanly Face of War: The baby cried. The punitive forces were close … With dogs … If the dogs heard it, we’d all be killed. The whole group – thirty of us … You understand?[W]e can’t raise our eyes. Neither to the mother nor to each other …The Dogs: [T]he Germans were close … we could hear the dogs. If the dogs heard it … ? There were thirty of us … No one could look at me … No one … You understand …
Hughes acknowledged he had unwittingly copied large sections of Svetlana Alexievich's nonfiction book The Unwomanly Face of War. [5] His publisher Upswell Publishing initially stood by his claims that he had forgotten his original source material because he had "never written a book like The Dogs before that has taken so many different forms over so many years". [6] Alexievich said that such actions were "outrageous" and her translators have similarly expressed their disbelief at the claim that the plagiarism was unintentional. Her translators said "Such things don't happen by coincidence: not with such specific words, sequences, voicing," and said the incident deserved public attention and reproach. [5]
Further investigations found that other parts of Hughes' novel copied classic texts including The Great Gatsby, Anna Karenina, and All Quiet on the Western Front. [7] [8]
The Great Gatsby
“He smiled understandingly – much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced – or seemed to face – the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favour. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.”
The Dogs
“She smiled at me then, one of those rare smiles with a quality of eternal reassurance in it that you might come across once in your life, if you were lucky. It faced – or seemed to face – the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favour. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.”
All Quiet on the Western Front (published in 2005 in translation by Brian Murdoch)
“Haie Westhus is carried off with his back torn open; you can see the lung throbbing through the wound with every breath he takes”…
“We see men go on living with the top of their skulls missing; we see soldiers go on running when both their feet have been shot away”…
The Dogs
"She saw a man carried off with his back torn open, the lung throbbing through the wound."
"She saw men go on living with the top of their skulls missing. She saw soldiers go on running when both their feet had been shot away." [7]
Hughes said: "I don't think I am a plagiarist more than any other writer who has been influenced by the greats who have come before them...This new material has led me to reflect on my process as a writer. I've always used the work of other writers in my own. It's a rare writer who doesn't ... It's a question of degree. As T.S. Eliot wrote in The Sacred Wood, 'Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.' That great centrepiece of modernism, The Wasteland, is itself a kind of anthology of the great words of others. Does this make Eliot a plagiarist? Not at all, it seems. You take, that is, and make something else out of it; you make it your own.” [7]
Hughes' publisher Terri-ann White at Upswell had initially stood by his claims of an accidental mistake, but distanced herself from Hughes after the new findings. [9] She stated, "When I read the manuscript of The Dogs, I was instantly attracted to the character of Michael Shamanov, a dissolute and very flawed middle-aged man dealing with his aged mother who wanted her life to end. Although I have read most of the books now revealed as being quoted without attribution in The Dogs, I sincerely did not recognise them folded into a new text. That's a trust thing, I think. They formed part of this narrative; I don’t have the kind of mind that can sift through the strands of a long novel to hear discord. Besides, it is a book about discord and discomfort between people. (In literary publishing we do not use software tools to track plagiarism.) I was affronted when John Hughes wrote, in his rejoinder in The Guardian yesterday: I wanted the appropriated passages to be seen and recognised as in a collage." [10]
In response to this statement, Hughes apologised and said that "In my piece on influences I never intended to imply that I had knowingly passed off other writers words as my own," Hughes said. "I sought only to try to clarify as far as I am able how something like this might happen to a fiction writer."
The novel was subsequently removed form the Miles Franklin Award long list. [11]
This autobiographical collection of essays was written over a ten-year period. [3] It is a collection of five interlinked essays where Hughes describes his relationship with the Ukrainian heritage of his mother and grandfather and his childhood experience of growing up as a second generation Australian. [1] The essays are also about how the idea of Europe he developed as a young man clashed with the reality he found in Cambridge and when he travelled though Europe.
A manuscript written by an Australian art historian is discovered by his son. Claiming to have found a series of lost paintings by Piero della Francesca in Arezzo, the father's manuscript moves between Renaissance Italy and post-Revolutionary Russia – at its core is the relationship the father has with an ageing Russian émigrée who, haunted by the ghost of her murdered son, claims to have nursed the poet Osip Mandelstam in his final days. The remnants of the father's manuscripts, notebooks and diaries are brought together through the son's commentary resulting in a deeply philosophical novel about translation between languages, cultures and, ultimately, the translation of the father into the son. [12]
Michael Shamanov is a man running away from life's responsibilities. His marriage is over, he barely sees his son and he has not seen his mother since banishing her to a nursing home two years earlier. A successful screen writer, Michael's encounter with his mother’s nurse leads him to discover that the greatest story he has never heard may lie with his dying mother.
The book was shortlisted for the Victorian and New South Wales Premier’s Literary Prizes, and the Miles Franklin Award in 2022. It was withdrawn from competition due to findings of plagiarism.
{{cite web}}
: CS1 maint: bot: original URL status unknown (link){{cite web}}
: CS1 maint: bot: original URL status unknown (link){{cite web}}
: CS1 maint: numeric names: authors list (link)John Maxwell Coetzee FRSL OMG is a South African and Australian novelist, essayist, linguist, translator and recipient of the 2003 Nobel Prize in Literature. He is one of the most critically acclaimed and decorated authors in the English language. He has won the Booker Prize (twice), the CNA Literary Award (thrice), the Jerusalem Prize, the Prix Femina étranger, and The Irish Times International Fiction Prize, and holds a number of other awards and honorary doctorates.
Stella Maria Sarah Miles Franklin, known as Miles Franklin, was an Australian writer and feminist who is best known for her novel My Brilliant Career, published by Blackwoods of Edinburgh in 1901. While she wrote throughout her life, her other major literary success, All That Swagger, was not published until 1936.
The Miles Franklin Literary Award is an annual literary prize awarded to "a novel which is of the highest literary merit and presents Australian life in any of its phases". The award was set up according to the will of Miles Franklin (1879–1954), who is best known for writing the Australian classic My Brilliant Career (1901). She bequeathed her estate to fund this award. As of 2016, the award is valued at A$60,000.
Timothy John Winton is an Australian writer. He has written novels, children's books, non-fiction books, and short stories. In 1997, he was named a Living Treasure by the National Trust of Australia, and has won the Miles Franklin Award four times.
Richard Miller Flanagan is an Australian writer, who has also worked as a film director and screenwriter. He won the 2014 Man Booker Prize for his novel The Narrow Road to the Deep North.
Australian literature is the written or literary work produced in the area or by the people of the Commonwealth of Australia and its preceding colonies. During its early Western history, Australia was a collection of British colonies; as such, its recognised literary tradition begins with and is linked to the broader tradition of English literature. However, the narrative art of Australian writers has, since 1788, introduced the character of a new continent into literature—exploring such themes as Aboriginality, mateship, egalitarianism, democracy, national identity, migration, Australia's unique location and geography, the complexities of urban living, and "the beauty and the terror" of life in the Australian bush.
Cessnock is a city in the Hunter Valley of New South Wales, Australia, about 52 km (32 mi) by road west of Newcastle. It is the administrative centre of the City of Cessnock LGA and was named after an 1826 grant of land called Cessnock Estate, which was owned by John Campbell. The local area was once known as "The Coalfields", and it is the gateway city to the vineyards of the Hunter Valley, which includes Pokolbin, Mount View, Lovedale, Broke, Rothbury, and Branxton.
David George Joseph Malouf is an Australian poet, novelist, short story writer, playwright and librettist. Elected a Fellow of the Royal Society of Literature in 2008, Malouf has lectured at both the University of Queensland and the University of Sydney. He also delivered the 1998 Boyer Lectures.
Frank Thomas Moorhouse was an Australian writer who won major national prizes for the short story, the novel, the essay and for script writing. His work has been published in the United Kingdom, France and the United States, and translated into German, Spanish, Chinese, Japanese, Serbian and Swedish.
Monica Elizabeth Jolley AO was an English-born Australian writer who settled in Western Australia in the late 1950s and forged an illustrious literary career there. She was 53 when her first book was published, and she went on to publish fifteen novels, four short story collections and three non-fiction books, publishing well into her 70s and achieving significant critical acclaim. She was also a pioneer of creative writing teaching in Australia, counting many well-known writers such as Tim Winton among her students at Curtin University.
Gerald Murnane is an Australian novelist, short story writer, poet and essayist. Perhaps best known for his 1982 novel The Plains, he has won acclaim for his distinctive prose and exploration of memory, identity, and the Australian landscape, often blurring fiction and autobiography in the process. The New York Times described Murnane in 2018 as "the greatest living English-language writer most people have never heard of", and he is regularly tipped to win the Nobel Prize in Literature.
Anna Funder is an Australian author. She is the author of Stasiland, All That I Am, the novella The Girl With the Dogs and Wifedom.
Marion May Campbell is a contemporary Australian novelist and an academician.
Catherine Ruth Jennings was an Australian poet, essayist, memoirist, and novelist.
The National Biography Award, established in Australia in 1996, is awarded for the best published work of biographical or autobiographical writing by an Australian. It aims "to encourage the highest standards of writing biography and autobiography and to promote public interest in those genres". It was initially awarded every two years, but from 2002 it has been awarded annually. Its administration was taken over by the State Library of New South Wales in 1998.
This article presents a list of the historical events and publications of Australian literature during 2005.
This article presents a list of the historical events and publications of Australian literature during 2004.
Greg McLaren is an Australian poet. Born in Kurri Kurri, he moved to Sydney in 1990 where he studied at the University of Sydney and in 2005 he was awarded a PhD in Australian Literature. His thesis was on Buddhist influences on the Australian poets Harold Stewart, Robert Gray and Judith Beveridge. As well as poetry, he has published reviews and criticism.
Omar bin Musa is a Malaysian-Australian author, poet, rapper, and visual artist from Queanbeyan, New South Wales. He has released four hip hop records, four books of poetry, and the novel Here Come the Dogs, which was long-listed for the Miles Franklin Award and the International Dublin Literary Award. Musa was named one of the Sydney Morning Herald's Young Novelists of the Year in 2015.
Fiona Kelly McGregor is an Australian writer, performance artist, and art critic whose third novel, Indelible Ink, won the 2011 The Age Book of the Year Award.