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Jean Schwartz was a Hungarian-born Jewish American composer and pianist. He is best known for his work writing the scores for more than 30 Broadway musicals, and for his creation of more than 1,000 popular songs with the lyricist William Jerome. Schwartz and Jerome also performed together on the vaudeville stage in the United States; sometimes in collaboration with Maude Nugent, Jerome's wife, and the Dolly Sisters. Schwartz was married to Jenny Dolly from 1913 to 1921.
The Widow Jones is a musical comedy created by the writer John J. McNally as a star vehicle for the actress and singer May Irwin. The musical used song material by a variety of song writers which used a "Negro dialect". Premiering at the Boston Museum theatre and backed by the Boston producers Rich & Harris, the play toured in cities through the United States in 1895-1896; including two separate runs at Broadway's Bijou Theatre. The work is best remembered today for its Act 1 kiss scene which was re-created by Irwin with her co-star John C. Rice as a short film in Thomas Edison's The Kiss in 1896.
George Howells Broadhurst was an Anglo-American theatre owner/manager, director, producer and playwright. His plays were most popular from the late 1890s into the 1920s.
Stanislaus Stange (1862–1917) was a playwright, librettist and lyricist who created many Broadway shows in the fin-de-siecle era and early 20th century. After minor success as an actor, Stange made his career as a writer in the musical theatre, moving towards more varied theatrical work before his death.
Archibald Selwyn was a Canadian-American play broker, theater owner and stage producer who had many Broadway successes. He and his brother Edgar Selwyn were partners. They were among the founders of Goldwyn Pictures, later to be merged into MGM.
Max Freeman was a German actor, theater director, theater manager, playwright, and producer who was primarily active in the United States. After beginning his career in his native city of Berlin in 1868, Freeman eventually moved to the United States in 1871 where he began his career in America as the theatre manager for the Germania Theatre in New York City. He had a lengthy stage career as an actor in America from 1873 until his death in 1912. Known as the "godfather of comic opera", he particularly excelled in performances in roles from light operas and musical comedies, and was also responsible for directing and producing works from this genre on Broadway. He also directed and played parts in straight plays as well. His adaptation of Jacques Offenbach's Orfée aux enfers was performed for the grand opening of Broadway's Bijou Theatre in 1883, and his original musical play Claudius Nero, based on Ernest Erkstein's novel Nero, premiered at Niblo's Garden in 1890.
The Rogers Brothers was a comedy double-act consisting of brothers Gus Rogers (1869–1908) and Max Rogers (1873–1932). The duo toured widely in vaudeville circuits in the United States from 1885 until Gus's death in 1908. They also starred in several Broadway musicals; most of which were created for them by the playwright John J. McNally.
Philip Bartholomae was an American playwright, lyricist, screenwriter, and theatre director. He wrote many plays and musicals which were staged on Broadway in the 1910s and 1920s, several of which were adapted into films with screenplays by Bartholomae. His first successful play was Over Night (1911) which was also the first play he adapted into a film in 1915. His best known stage work, Very Good Eddie (1915), was a musical adaptation of Over Night which Bartholomae created in collaboration with Guy Bolton and composer Jerome Kern. It was a Broadway hit when it premiered, and enjoyed long running revivals on Broadway and the West End in the 1970s. That work received several nominations at the 30th Tony Awards and the 1976 Laurence Olivier Awards.
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Frederick J. Eustis, sometime referred to as F. J. Eustis, was an American composer, conductor, and theatre director. He is best remembered for writing music for several Broadway musicals.
Louis Harrison was an actor, playwright, comedian, lyricist, librettist, and theatre director. As both a performer and playwright, he was mainly active within the genres of musical theatre and light opera.
Ernest Albert, born Ernest Albert Brown, was an American painter, illustrator, muralist, and scenic designer. He was a prolific scenic designer, first in St. Louis and Chicago and then on Broadway. He is considered a major American landscape painter and was elected the first president of the Allied Artists of America in 1919.
When Knighthood Was in Flower is a play in four acts by Paul Kester. It is based on the 1898 novel of the same name by Charles Major. The work premiered on Broadway at the Criterion Theatre on January 14, 1901. It ran for a total of 176 performances; closing in June 1901. The original production was produced by Charles Frohman and used sets by Ernest Albert, Frank E. Gates and Edward A. Morange. The costumes were designed by Mrs. Charles Hone and Harper Pennington. The cast was led by Bruce McRae as Charles Brandon and Julia Marlowe as Mary Tudor among others.
The Errand Boy is a musical in two acts with lyrics by Edward P. Moore and a book by George Totten Smith. Created as a starring vehicle for vaudeville star Billy B. Van, the composer of the music for this work was never credited. Set in the town of Georges Mills, New Hampshire, the plot centers around the local errand boy Patsy Bolivar who becomes involved with a troupe of traveling performers stranded in his town.
Gates and Morange was a New York City based firm of designers and builders established in 1894 by brothers Frank E. Gates and Richard H. Gates, and the artist Edward A. Morange. The firm had a prolific career as scenic designers for Broadway from the 1890s through the 1930s; creating sets for more than 50 productions. The firm also created designs for trade shows, exhibitions, and businesses. While the organization's work as set designers ended after the mid-1930s, the firm continued to operate in other capacities until it closed in 1953.
Fritz in Tammany Hall is a musical in three acts with music by Jean Schwartz, lyrics by William Jerome, and a book by John J. McNally. The musical takes place in 1905 in New York City and on Long Island. It was a political spoof of New York City politics of that period.
Silvio Hein was an American composer, songwriter, conductor, and theatrical producer. He was a songwriter for Tin Pan Alley and composed the scores to fourteen Broadway musicals. His most successful stage work was the 1917 musical Flo-Flo which he created with the French librettist and playwright Fred de Gresac. His songs were also interpolated into musicals created by others, including The Little Duchess and Ziegfeld Follies. In addition to his work writing music, he also worked as both a conductor and producer on Broadway. In 1914 he was a founding member of the American Society of Composers, Authors and Publishers.
Owen Murphy was an American songwriter, film maker, and writer for radio, film, and theatre. He worked as a lyricist, composer, and playwright for Broadway musicals and as a songwriter for Tin Pan Alley in the 1920s and 1930s. As a film maker he was an early maker of industrial films. He also was a writer for comedian Joe Cook for both the stage and radio.
Under Two Flags is a play in five acts by Paul M. Potter. It is based on the 1867 Engliish novel of the same name by Ouida. It premiered at Broadway's Garden Theatre on February 5, 1901. It closed in June 1901 after 135 performances. The original production was produced by Charles Frohman and David Belasco. Belasco also directed the play which starred Campbell Gollan as the Marquis of Chateauroy, Francis Carlyle as Bertie Cecil, and Blanche Bates as Cigarette.
References
Citations
- 1 2 3 4 "JOHN J. M'NALLY, PLAYWRIGHT, DIES; Author of Many Plays for Rogers Brothers Succumbs in Brooklyn Home at 76.WROTE FOR MANY STARS A Graduate of Harvard Law School and Once Dramatic Critic of The Boston Herald". The New York Times . March 27, 1931. p. 24.
- 1 2 3 4 Fisher & Hardison Londré, p. 444
- ↑ Bordman & Norton, p. 161
- ↑ "BOSTON'S NEW PRODUCTIONS.; " The Widow Jones," "The Globe Trotter," and "Burmah."". The New York Times . September 3, 1895. p. 3.
- ↑ Bordman & Norton, p. 173
- ↑ Dietz, p. 289
- ↑ Dietz, p. 441
- ↑ Dietz, p. 442
- ↑ Dietz, p. 556
- ↑ Dietz, p. 195
Bibliography
- Gerald Martin Bordman, Richard Norton (2010). American Musical Theatre: A Chronicle. Oxford University Press. ISBN 9780199729708.
- Dietz, Dan (2022). The Complete Book of 1900s Broadway Musicals. Rowman & Littlefield Publishers. ISBN 9781538168943.
- Fisher, James; Hardison Londré, Felicia (2017). "McNally, John J.". Historical Dictionary of American Theater: Modernism. Rowman & Littlefield Publishers. ISBN 9781538107867.