John M. Stephens

Last updated
John M. Stephens
Born
John Morley Stephens

November 17, 1932
DiedJune 18, 2015(2015-06-18) (aged 82)
Occupation Cinematographer, camera operator

John Morley Stephens (born November 17, 1932 Valparaiso, Indiana died Huntington Beach, California June 18, 2015) was an American cinematographer. He was noted for his innovative work on the 1966 film Grand Prix , for which he pioneered the use of a number of camera mounts and developed the first remotely operated pan-and-tilt-head camera. [1] For this latter invention, he received a Technical Achievement Award from the Society of Operating Cameramen in 1994. [2]

Contents

Biography

Stephens learned how to use a camera when he served in the United States Navy in the 1950s. Working as a photographer in Sun Valley, Idaho, he entered film work as an assistant cameraman and stills photographer on Bus Stop (1956) and South Pacific (1958). [3]

As a cinematographer, Stephens was known for his work on such films as Billy Jack , Blacula , Martin Scorsese's Boxcar Bertha , and William Friedkin's Sorcerer . He also shot the memorable bicycle chase for Steven Spielberg's E.T. the Extra-Terrestrial , though he did not receive on-screen credit for his work. He was also the second unit director and cameraman for John Landis' comedy Three Amigos and the aerial photographer for Phil Alden Robinson's acclaimed Field of Dreams . From the late 1980s onward, he more prominently worked as a second unit director of photography, most notably on Martin Brest's Midnight Run and James Cameron's Titanic .

Stephens died in Orange County, California on June 18, 2015. He was 82. [4]

Partial filmography

As camera operator

As cinematographer

As second unit director of photography

Related Research Articles

<i>Grand Prix</i> (1966 film) 1966 American action film by John Frankenheimer

Grand Prix is a 1966 American sports drama film directed by John Frankenheimer, produced by Edward Lewis, and written by Robert Alan Aurthur with uncredited story contributions by Frankenheimer and rewrites by William Hanley. It stars an international ensemble cast, including James Garner, Eva Marie Saint, Yves Montand, Brian Bedford, Jessica Walter, Françoise Hardy and Antonio Sabàto. Toshiro Mifune has a supporting role as a race team owner, inspired by Soichiro Honda. The picture was photographed in Super Panavision 70 by Lionel Lindon, and presented in 70mm Cinerama in premiere engagements. Its unique racing cinematography is one of the main draws of the film.

Stanley Cortez, A.S.C. was an American cinematographer. He worked on over seventy films, including Orson Welles' The Magnificent Ambersons (1942), Charles Laughton's The Night of the Hunter (1955), Nunnally Johnson's The Three Faces of Eve (1957), and Samuel Fuller's Shock Corridor (1963) and The Naked Kiss (1964).

Kazimierz Prószyński Polish inventor

Kazimierz Prószyński, born in Warsaw, Poland, was a Polish inventor active in the field of cinema. He patented his first film camera, called Pleograph, before the Lumière brothers, and later went on to improve the cinema projector for the Gaumont company, as well as invent the widely used hand-held Aeroscope camera.

James Wong Howe Chinese-born American film director and cinematographer

Wong Tung Jim, A.S.C., known professionally as James Wong Howe (Houghto), was a Chinese-born American cinematographer who worked on over 130 films. During the 1930s and 1940s, he was one of the most sought after cinematographers in Hollywood due to his innovative filming techniques. Howe was known as a master of the use of shadow and one of the first to use deep-focus cinematography, in which both foreground and distant planes remain in focus.

Haskell Wexler American filmmaker

Haskell Wexler, ASC was an American cinematographer, film producer, and director. Wexler was judged to be one of film history's ten most influential cinematographers in a survey of the members of the International Cinematographers Guild. He won the Academy Award for Best Cinematography twice, in 1966 and 1976 in five nominations.

Douglas Kirkland is a photographer based in the United States.

<i>The Cameraman</i> 1928 film

The Cameraman is a 1928 American silent comedy film directed by Edward Sedgwick and an uncredited Buster Keaton. The picture stars Keaton and Marceline Day.

Archie Stout American cinematographer

Archibald Job Stout, ASC was an American cinematographer whose career spanned from 1914 to 1954. He enjoyed a long and fruitful association with John Ford, working as the principal cinematographer on Fort Apache (1948) and second unit cinematographer on She Wore a Yellow Ribbon (1949) and The Quiet Man (1952), becoming the only 2nd unit cinematographer to receive an Oscar. In a wide-ranging career, he also worked on such films as the original version of The Ten Commandments (1923) and several Hopalong Cassidy and Tarzan films. His last film was the airborne disaster movie The High and the Mighty in 1954.

Clifford Stine

Clifford Stine, ASC, was a cinematographer known for working on western and horror movies. He often received the unusual screen credit of 'special photography' for his special visual effects work such as The Incredible Shrinking Man

James Honeyborne

James Honeyborne is the creative director of Freeborne Media, he previously worked as an executive producer at the BBC Natural History Unit where he oversaw some 35 films, working with multiple co-producers around the world. His projects include the Emmy Award and BAFTA-winning series Blue Planet II, the Emmy Award-nominated series Wild New Zealand with National Geographic, and the BAFTA-winning BBC1 series Big Blue Live with PBS.

Frederick Beauregard Phillips, also known as Fred Philipps, was a Hollywood make-up artist. After his early MGM Studios work under Jack Dawn and William J. Tuttle, he did a pioneering stint at the Star Trek TV series, and created the formula for Spock's ears. In 1980 Phillips was nominated for a Saturn Award for best makeup on the film Star Trek: The Motion Picture.

Walter Riml was an Austrian cameraman and actor.

William George Wilson American cinematographer

William G. Wilson was an American cinematographer and Director of Photography (DP) who filmed hundreds of championship sporting events during a career that spanned more than 50 years. Wilson filmed baseball, football, basketball, ice hockey, golf, boxing, horse-racing and auto racing. His pioneering work in television news-filming for WFIL-TV in Philadelphia, the first ABC affiliate station in the nation, set early standards for filming news and sports. During World War II, Wilson served as a combat cameraman and aviator with the United States Marine Corps, filming major action in the South Pacific on the ground and in the air.

László Schäffer, was a Hungarian cinematographer. Born in Uzhhorod, Kingdom of Hungary, Austria-Hungary, currently a part of the Ukraine, he worked mostly in Germany in the 1920s.

Jayanan Vincent is an Indian cinematographer. He is the son of cinematographer and director, A. Vincent, and elder brother to Ajayan Vincent. He is known for his work in Malayalam, Tamil, Telugu, and Hindi films and he is a member of the Indian Society of Cinematographers (ISC). He won two Nandi Awards.

George Ernest American actor

George Ernest was an American actor and Office of Strategic Services (OSS) combat photographer/cameraman during World War II. He appeared in more than 60 films between 1930 and 1942.

Army Film and Photographic Unit

The Army Film and Photographic Unit was a subdivision of the British armed forces set up on 24 October 1941, to record military events in which the British and Commonwealth armies was engaged. During the war, almost 23 percent of all AFPU soldiers were killed in action; the AFPU was disbanded in 1946.

Eduard Admetlla i Lázaro Catalan scuba diving pioneer and underwater filmmaker

Eduard Admetlla i Lázaro was a Spanish scuba diving pioneer, underwater cameraman and photographer, designer of underwater camera housings, designer of a self-contained underwater breathing apparatus (scuba), tester of scuba diving gear for the Nemrod trade mark, writer, director of TV series, explorer and broadcaster.

Paul Beeson, B.S.C. was a British cinematographer. He was initially at Ealing Studios before going on to work on films for various other companies. He worked on over three hundred feature films, including 74 where he was director of photography.

Peter Hannan is an Australian cinematographer who spent the majority of his career in Great Britain.

References

  1. Stone, Matt (2014). James Garner's Motoring Life: Grand Prix the movie, Baja, The Rockford Files, and More. North Branch, MN: CarTech, Inc. p. 37. ISBN   978-1613251362 . Retrieved June 26, 2015.
  2. Twohy, Jennifer (7 February 2014). "Marilyn and Me, John Stephens on filming Bus Stop in Sun Valley". CanalBlog. SunValley.com (original). Retrieved 26 June 2015. John Stephens has gone where the action is," said the Society of Operating Cameramen in 1994 when it gave him the Technical Achievement Award for developing the first remotely controlled pan and tilt head camera on the Oscar-winning Grand Prix. "A top second unit cameraman and director he has photographed some of the most exciting images ever recorded on film. From breaking new ground on Grand Prix to the exciting bicycle chase in Steven Spielberg's ET, John has photographed the action from virtually every kind of vehicle, from lear jets to helicopters. (He has survived three helicopter crashes).
  3. p. 334 Lentz III, Harris M. Obituaries in the Performing Arts, 2015 McFarland, 3 May 2016
  4. "John Morley Stephens - Obituary". Legacy.com. 23 June 2015. Retrieved 26 June 2015.