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John Moran (born 1963) is an American musician and musicologist. [1] He specializes in historically informed performance of music from the seventeenth through the twentieth centuries on the cello and viola da gamba. He studied cello and baroque cello at the Oberlin Conservatory, baroque cello at the Schola Cantorum Basiliensis, and musicology at King's College London. He has performed and recorded with numerous groups in Europe, including Les Musiciens du Louvre, The Consort of Musicke, English Baroque Soloists. Since 1994 he has lived in the Washington, DC area. He is a regular member of REBEL, a New York based baroque ensemble and the music director of Modern Musick, a Washington period-instrument ensemble. He has also appeared with Opera Lafayette, the Washington Bach Consort, the Folger Consort, the Smithsonian Chamber Orchestra and Chamber Players. He teaches viola da gamba and baroque cello at the Peabody Conservatory, where he is also co-director of the Baltimore Baroque Band. [2] He is currently Vice-President of the Viola da Gamba Society of America. [3]
A musician is a person who plays a musical instrument or is musically talented. Anyone who composes, conducts, or performs music is referred to as a musician. A musician who plays a musical instrument is also known as an instrumentalist.
The cello ( CHEL-oh; plural cellos or celli) or violoncello ( VY-ə-lən-CHEL-oh; Italian pronunciation: [vjolonˈtʃɛllo]) is a string instrument. It is played by bowing or plucking its four strings, which are usually tuned in perfect fifths an octave lower than the viola: from low to high, C2, G2, D3 and A3. It is the bass member of the violin family, which also includes the violin, viola and the double bass, which doubles the bass line an octave lower than the cello in much of the orchestral repertoire. After the double bass, it is the second-largest and second lowest (in pitch) bowed string instrument in the modern symphony orchestra. The cello is used as a solo instrument, as well as in chamber music ensembles (e.g., string quartet), string orchestras, as a member of the string section of symphony orchestras, most modern Chinese orchestras, and some types of rock bands.
The Schola Cantorum Basiliensis (SCB) is a music academy and research institution located in Basel, Switzerland, that focuses on early music and historically informed performance.
The Washington Post has called his Bach "eloquent", and praised the "bravado" [4] of his Boccherini and the "nimble fluency [5] " of his Vivaldi, while the LA Times has written, "Cellist Moran projected vigorous and expressive bass lines." He is a contributor to the revised New Grove Dictionary of Music (2001), reviews books on musical topics for various journals, and is writing a historical monograph on the cello for Yale University Press. He is married to the violinist Risa Browder.
The Washington Post is a major American daily newspaper published in Washington, D.C., with a particular emphasis on national politics and the federal government. It has the largest circulation in the Washington metropolitan area. Its slogan "Democracy Dies in Darkness" began appearing on its masthead in 2017. Daily broadsheet editions are printed for the District of Columbia, Maryland, and Virginia.
Yale University Press is a university press associated with Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous.
The viol, viola da gamba[ˈvjɔːla da ˈɡamba], or (informally) gamba, is any one of a family of bowed, fretted and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid to late 15th century and were most popular in the Renaissance and Baroque (1600-1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a 6-course plucked instrument tuned like a lute that looked like but was quite distinct from the 4-course guitar.
Hille Perl is a German virtuoso performer of the viola da gamba and lirone. She is considered to be one of the world's finest viola da gamba players, specializing in solo and ensemble music of the 17th and 18th centuries. She has a particular interest in French Baroque repertoire for seven-string bass viola da gamba. She also performs Spanish, Italian, German, and modern repertoire for the instrument and has released many CDs.
David Schrader is an American harpsichordist, organist, and fortepianist. He is a professor at the Chicago College of Performing Arts at Roosevelt University where he teaches music history and conducts chamber music ensembles. Schrader was the organist at Church of the Ascension, Chicago for 35 years.
Vittorio Ghielmi is an Italian musician, conductor, composer. Compared by critics to Jasha Heifetz (“Diapason”) for his virtuosity, and described as “An Alchemist of sound” for the intensity and versatility of his musical interpretations, Vittorio Ghielmi attracted notice while still very young for his new approach to the viola da gamba and to the sound of early music repertoire. He is Professor for viola da gamba and Head of the Institut für Alte Musik at the Mozarteum Universität Salzburg and Visiting Professor at the Royal College of London. He is graduate at the Università Cattolica di Milano.
Jonathan Manson is a Scottish cellist and viol player. Born in Edinburgh, he studied cello with Jane Cowan and later went on to the Eastman School of Music in New York City, where he studied with Steven Doane and Christel Thielmann. He studied viola da gamba with Wieland Kuijken in The Hague.
Nigel North is an English lutenist, musicologist, and pedagogue.
Jaap ter Linden is a Dutch cellist, viol player and conductor. He specialises in performance of baroque and classical music on authentic instruments.
Kenneth Slowik is an American cellist, viol player, and conductor, Curator of Musical Instrument Collection at the National Museum of American History and Artistic Director of the Smithsonian Chamber Music Society. He took an interest in music and organology from an early age. He studied at the University of Chicago, the Chicago Musical College, the Peabody Conservatory, the Salzburg Mozarteum and, as a Fulbright Scholar, the Vienna Hochschule für Musik, guided by Howard Mayer Brown, Nikolaus Harnoncourt, Antonio Janigro, Edward Lowinsky, and Frederik Prausnitz.
August Wenzinger (1905–1996) was a prominent cellist, viol player, conductor, teacher, and music scholar from Basel, Switzerland. He was a pioneer of historically informed performance, both as a master of the viola da gamba and as a conductor of Baroque orchestral music and operas.
Wieland Kuijken is a Belgian musician and player of the viola da gamba and baroque cello.
Richard John Campbell was an English classical musician, best known as a founder member of the early music ensemble Fretwork and for his newer association with the Feinstein Ensemble, specialising in historically accurate performance of 18th-century music.
Markku Luolajan-Mikkola is a Finnish baroque cellist and viol player. Born in Helsinki, he studied cello with Arto Noras at the Sibelius Academy, where he received his diploma in 1983. Later, an interest in baroque music led him to summer courses wirh Laurence Dreyfus, and afterwards he went on to Royal Conservatory of The Hague where he studied viola da gamba with Wieland Kuijken and baroque cello with Jaap ter Linden, receiving postgraduate diplomas in viola da gamba and baroque cello in 1992.
Amy Domingues is an American viola da gamba player and cellist.
Alexander Israilevich Rudin is a Russian classical cellist and conductor.
Christophe Coin is a French cellist, viola da gamba player and conductor active in the field of historically informed performance. He is the cellist of the Quatuor Mosaïques and is the director of the Ensemble Baroque de Limoges.
Byron Schenkman is an American harpsichordist, pianist, music director, and educator. Schenkman has recorded over 40 CDs and has won several awards and accolades. He co-founded the Seattle Baroque Orchestra, and was its artistic director. Schenkman currently directs a baroque and classical chamber music concert series, Byron Schenkman & Friends, and performs as a recitalist and concert soloist. He also performs with chamber music ensembles, and is a teacher and lecturer.
Michael Pospíšil is a classical bass, specialising in historically informed performance. He is the founder and leader of the ensemble Ritornello which performs music of the 16th and 17th centuries for voices and a great variety of instruments.
Philippe Pierlot is a Belgian viola da gamba player and a conductor in historically informed performance. He is also an academic teacher at the royal conservatories of The Hague and Brussels.
François Fernandez is a French classical violinist who specializes in historically informed performance.