Related Research Articles
The Royal Canadian Academy of Arts (RCA) is a Canadian arts-related organization that was founded in 1880.
William Goodridge Roberts (1904–1974) was a Canadian painter known for his landscape paintings, still lifes, figure paintings and interiors. He was also a teacher.
William Ronald Smith, known professionally as William Ronald, was an important Canadian painter, best known as the founder of the influential Canadian abstract art group Painters Eleven in 1953 and for his abstract expressionist "central image" paintings. He was the older brother of painter John Meredith (1933–2000).
John Hamilton Bush was a Canadian abstract painter. A member of Painters Eleven, his paintings are associated with the Color Field movement and Post-painterly Abstraction. Inspired by Henri Matisse and American abstract expressionist painters like Helen Frankenthaler and Morris Louis, Bush encapsulated joyful yet emotional feelings in his vibrant paintings, comparing them to jazz music. Clement Greenberg described him as a "supreme colorist", along with Kenneth Noland in 1984.
George Agnew Reid was a Canadian artist, painter, influential educator and administrator. He is best known as a genre painter, but his work encompassed the mural, and genre, figure, historical, portrait and landscape subjects.
Robert Houle is a Saulteaux First Nations Canadian artist, curator, critic, and educator. Houle has had an active curatorial and artistic practice since the mid-1970s. He played an important role in bridging the gap between contemporary First Nations artists and the broader Canadian art scene through his writing and involvement in early important high-profile exhibitions such as Land, Spirit, Power: First Nations at the National Gallery of Canada. As an artist, Houle has shown both nationally and internationally. He is predominantly a painter working in the tradition of Abstraction, yet he has also embraced a pop sensibility by incorporating everyday images and text into his works. His work addresses lingering aspects of colonialism and their effects on First Nation peoples. Houle often appropriates historical photographs and texts, repurposing and combining them with Anishnaabe language and traditionally used materials such as porcupine quills within his works.
Victor Llewellyn Child (1897–1960) was a Canadian painter, etcher and newspaper illustrator. A senior pen-and-ink commercial artist at the Toronto Telegram for much of his professional career, in private life he produced landscapes and portraits in watercolours and oils.
Clarence Alphonse Gagnon, LL. D. was a French Canadian painter, draughtsman, engraver and illustrator. He is known for his landscape paintings of the Laurentians and the Charlevoix region of eastern Quebec.
Frederick Stanley Haines, more commonly known as Fred S. Haines, was a Canadian painter. An accomplished and versatile artist, he is well known for his watercolours, oil paintings, gouaches, engravings and prints. He was a colleague and friend of the Group of Seven.
Owen 'Poe' Staples was a Canadian painter, etcher, pastelist, political cartoonist, author, musician and naturalist.
Manly Edward MacDonald was a Canadian impressionistic painter who was born in Point Anne, close to Belleville, Ontario.
Dorothy Stevens was a Canadian etcher, portrait painter, printmaker, illustrator and teacher, perhaps the most accomplished Canadian etcher of her day. She is known for the prints she made of factory workers during World War I. She exhibited in Canada, the United States, England and France.
John A. Schweitzer is a Canadian artist known for mixed-media collage incorporating text. He was awarded the Queen Elizabeth II Golden Jubilee Medal in 2002, first place at the international exhibition Schrift und Bild in der modernen Kunst in 2004, and an Honorary Doctor of Laws from The University of Western Ontario in 2011. He was elected to the Royal Canadian Academy of Arts (RCA) in 2003 and to the Ontario Society of Artists (OAS) in 2006. His work is found in the collections of the National Gallery of Canada, Canadian Museum of History, Art Gallery of Ontario, Musée national des beaux-arts du Québec, Musée d'art contemporain de Montréal, Montreal Museum of Fine Arts, Glenbow Museum, Winnipeg Art Gallery, Beaverbrook Art Gallery, The Rooms Art Gallery of Newfoundland and Labrador, and the National September 11 Memorial & Museum.
David Gerry Partridge, was a Canadian painter, etcher, sculptor, educator and past President of the Royal Canadian Academy of Arts. He was best known for creating works made of nails driven into plywood to different heights forming representational or abstract sculptures which became known as "Nailies".
Frederick Sproston Challener (1869–1959), also known as F.S. Challener, was a Canadian painter of murals as well as an easel painter of oils and watercolours and a draftsman in black-and-white and pastel. He also did illustrations for books and commercial art. He "easily ranks with the first few mural decorators in Canada", wrote Newton MacTavish, author of The Fine Arts in Canada
Robert Ford Gagen, also known as R. F. Gagen and as Robert F. Gagen, was a Canadian painter of seascapes and landscapes.
Otis Tamasauskas is a printmaker and educator.
John Martin (1904-1965) was a British-Canadian etcher and textile printer. His works are in the collections of the Montreal Museum of Fine Arts, the National Gallery of Canada, and the Vancouver Art Gallery.
Walter R. Duff is known as a graphic artist and as a painter who worked in oil and watercolour. His subjects include portraits, buildings, still life and landscapes.
Lawrence Arthur Colley Panton or as he was known in his professional life L. A. C. Panton was a Canadian painter and educator.
References
- ↑ Collins, John B., "John William Hurrell Watts" Canadian Dictionary of National Biography. vol. 14, University of Toronto/Université Laval, 2003–, accessed October 16, 2017. http://www.biographi.ca/en/bio/watts_john_william_hurrell_14E.html
- 1 2 3 4 5 Burant, Jim (2022). Ottawa Art & Artists: An Illustrated History. Toronto: Art Canada Institute. ISBN 978-1-4871-0289-0.
