Jolie Detta | |
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Background information | |
Birth name | Jolie Detta Kamenga Kayobote |
Also known as | Evangeliste Myriam |
Born | c. 1968 [1] Kinshasa, Congo-Leopoldville (modern-day Democratic Republic of the Congo) |
Origin | Congolese |
Genres | Congolese rumba, soukous, and gospel |
Occupations |
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Instrument(s) | Guitar, vocals |
Years active | 1980s–present |
Labels |
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Jolie Detta Kamenga Kayobote (born c. 1968), professionally known as Jolie Detta or Evangeliste Myriam, is a Congolese singer-songwriter, dancer, and evangelist. She made her music debut with Choc Stars between 1983 and 1984. [2] [3] [4] [5] [6]
In 1985, Detta joined Tabu Ley's Orchestre Afrisa International [7] [8] [9] and then Franco Luambo's Ok Jazz in 1986, where she gained national recognition as the lead vocalist in the band's Extended Play (EP) Le Grand Maitre Franco et son Tout Puissant O.K. Jazz et Jolie Detta, in collaboration with Franco and Simaro Lutumba. [10] [11] [8] The EP included breakout singles "Massu," "Cherie Okamuisi Ngai," "Layile," and "Likambo Ya Somo Lumbe," which brought her into the spotlight with a debut tour to Kenya with OK Jazz the same year. [10] [4] She later rejoined Choc Stars and recorded successful releases before joining Bozi Boziana's newly established ensemble Orchestre Anti-Choc in 1988 after Choc Stars disbanded. [12] [13] Anti-Choc's album La Reine de Sabah, released at the end of 1988, and its eponymous lead single, composed by Boziana, was named the Best Song of the Year and earned her the Best Voice of the Year for her performance. [14] [11]
From the 1990s to the 2000s, Detta devoted herself to Christian music, switching to gospel, and relocated to Luanda, Angola. [4] [10] [15]
Jolie Detta Kamenga Kayobote was born in 1968 in Léopoldville, formerly part of the Belgian Congo (now the Democratic Republic of the Congo). [11] [16] According to the Daily Nation , her parents were a Greek father and a Congolese mother. [4] [17] In 1983, Detta joined the soukous band Choc Stars in Kinshasa and contributed to the band's tracks as a chanter and leading vocalist. She caught the attention of Tabu Ley Rochereau and Franco Luambo during her performances when the duo were recording their two albums under Choc Stars label (Choco Choc Choc). She joined Tabu Ley's Afrisa International in 1985 and took the sobriquet "Samantha Ley." [7] [18] [8] [9]
Following her successful stint with Afrisa, she went on to join Franco's OK Jazz. [9] [19] [20] [5] In mid-1986, she was featured in Franco's EP Le Grand Maitre Franco et son Tout Puissant O.K. Jazz et Jolie Detta, which is a blend of Congolese rumba and soukous and includes collaboration with Simaro Lutumba. [10] The EP features four tracks: "Massu," "Cherie Okamuisi Ngai," "Layile," and "Likambo Ya Somo Lumbe," and was produced by Franco's Edipop Production and Disques Espérance, a subsidiary of SonoDisc. [10] [21] "Massu" lyrics prominently features Detta's mellow voice with Franco's backing her up in the line "Matongi elekaki biso mbeka eh," followed by a more rhythmic sebéne segment characterized by swirling guitars and substantial brass percussion sections. [10] [22] "Layile," also composed by Franco, incorporated Franco's and Malage de Lugende's vocal input. Malage married into Detta's indispensable vocals. [10] The two songs are considered amongst "the most memorable" within OK Jazz's discography. [3]
Detta's association with the band concluded following the release of the two songs with some attributing her "premature" departure to a disagreement over remuneration issues with Franco. Franco, however, attributed her departure to her inability to handle the fame that came with the songs. [10] She rejoined Choc Stars, made a few contributions, and later joined Boziana's newly established ensemble Orchestre Anti-Choco in 1988 after Choc Stars disbanded. [12] [13] [5] Detta went on to do a number of duets with Boziana and later won The Best Voice of the Year for her performance on the Band's album La Reine de Sabbat, released in 1989. [10] [11] She later found her footing as a solo in the 1990s and 2000s as a gospel artist. [4] [11]
Congolese music is one of the most influential music forms of the African continent. Since the 1930s, Congolese musicians have had a huge impact on the African musical scene and elsewhere. Many contemporary genres of music, such as Kenyan Benga and Colombian Champeta, have been heavily influenced by Congolese music. In 2021, Congolese rumba joined other living traditions such as Jamaican reggae music and Cuban rumba on UNESCO's "intangible cultural heritage of humanity" list.
François Luambo Luanzo Makiadi was a Congolese singer, guitarist, songwriter, bandleader, and cultural revolutionary. He was a central figure in 20th-century Congolese and African music, principally as the bandleader for over 30 years of TPOK Jazz, the most popular and influential African band of its time and arguably of all time. He is referred to as Franco Luambo or simply Franco. Known for his mastery of African rumba, he was nicknamed by fans and critics "Sorcerer of the Guitar" and the "Grand Maître of Zairean Music", as well as Franco de Mi Amor by female fandom. AllMusic described him as perhaps the "big man in African music". His extensive musical repertoire was a social commentary on love, interpersonal relationships, marriage, decorum, politics, rivalries, mysticism, and commercialism. In 2023, Rolling Stone ranked him at number 71 on its list of the 250 Greatest Guitarists of All Time.
OK Jazz, later renamed TPOK Jazz, was a Congolese rumba band from the Democratic Republic of the Congo established in 1956 and fronted by Franco. The group disbanded in 1993, but reformed in 1996.
Zaïko Langa Langa is a Congolese rumba band formed in Kinshasa, in December 1969. Established by D.V. Moanda, Henri Mongombe, Marcellin Delo and André Bita, the band evolved from the Orchestre Bel Guide National, which is seen as Zaïko's predecessor.
Sam Mangwana, is a Congolese-born musician, born to Angolan parents. He was the frontman of his bands Festival des Maquisards and African All Stars. Mangwana was a member of François Luambo Makiadi's seminal band TPOK Jazz, and Tabu Ley Rochereau's bands African Fiesta, African Fiesta National and Afrisa International.
Marie-Claire Mboyo Moseka, known professionally as M'bilia Bel, is a Congolese singer and songwriter. Dubbed the "Queen of African Rumba" and "Queen Cleopatra", she is regarded as one of the most influential figures in 20th-century Congolese and African popular music. Her music is a blend of traditional Congolese rumba, soukous, rap, and zouk, with lyrics that often delve into themes of love, politics, hedonism, militancy, jealousy, sentimentality, and education.
Pascal-Emmanuel Sinamoyi Tabu, better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of Orchestre Afrisa International, as well as one of Africa's most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with Mobutu, marked Africa's 20th century history." He was dubbed "the African Elvis" by the Los Angeles Times. After the fall of the Mobutu regime, Tabu Ley also pursued a political career. His musical career ran parallel to the other great Congolese rhumba bandleader and rival Franco Luambo Makiadi who ran the band TPOK Jazz throughout the 1960s, 1970s and '80s.
Joseph Kiambukuta Londa, known as Josky Kiambukuta, was a Congolese performing artist, singer, songwriter and composer. As a member of TPOK Jazz he played alongside Franco during their most popular period in the mid-1960s until the late 1980s.
The Orchestre Stukas was a Congolese soukous band of the 1970s. It was based in Kinshasa, Zaire. At the apex of their popularity, the Stukas were led by singer and showman Gaby Lita Bembo.
DodoliKidima or simply Dodoli is a Congo DR soukous guitarist. He is best known for his high speed solos, for which he has been nicknamed la machine a coudre.
Simaro Massiya Lutumba Ndomanueno, known as Simaro, was a Congolese music rhythm guitarist, songwriter, poet, composer, and bandleader. He was a member of the seminal Congo music band TPOK Jazz, which dominated the music scene in the Democratic Republic of the Congo (DRC) from the 1960s to the 1980s.
Ndombe Opetum, popularly known as Pepe Ndombe, was an Odemba recording artist, composer, and vocalist, in the Democratic Republic of the Congo (DRC). He was once a member of the seminal soukous band TPOK Jazz which dominated the Congolese music scene from the 1960s through the 1980s.
Michel Boyibanda was a Congolese soukous recording artist, composer, and vocalist. He was once a member of the Congolese Rumba band TPOK Jazz, led by François Luambo Makiadi, which dominated the Congolese music scene from the 1950s through the 1980s.
Georges Kiamuangana Mateta, known professionally as Verckys, was a Congolese saxophonist, composer, producer, bandleader, and record executive. A significant figure in the evolution of 20th-century Congolese and African popular music, he is referred to as "Verckys", "Vévé", "the man with the iron lungs" and "Wazola Nzimbu". Kiamuangana was the second Congolese artist to establish and independently manage a record label, Éditions Vévé, through which he brought many Congolese musicians to prominence, including Zaïko Langa Langa, Koffi Olomide, Empire Bakuba, Afrisa International, OK Jazz, Langa Langa Stars, Victoria Eleison, Historia Musica, Orchestre Kiam, and others.
Empompo "Deyesse" Loway, was a Congolese soukous recording artist, composer and saxophonist. He was a member of the soukous band TPOK Jazz, led by Franco Luambo, which dominated the Congolese music scene from the 1950s through the 1980s.
Mavatiku Michelino Visi, commonly known as Michelino, is a soukous recording artist, composer, guitarist and vocalist, in the Democratic Republic of the Congo (DRC). He was a member of the Congolese band African Fiesta Nationale, which was later renamed Afrisa International, led by Congolese music superstar, Tabu Ley. Later, in the early 1970s, Michelino left Afrisa and joined TPOK Jazz, led by François Luambo Makiadi, which dominated the Congolese music scene from the 1950s through the 1980s.
Defao was a Congolese singer-songwriter. He was a member of the prominent soukous groups Grand Zaiko Wawa and Choc Stars.
Non Stop Dancing is the debut studio album by the Congolese rumba band Zaïko Langa Langa. Produced by Mfumu Muntu Bambi, it was released on the Zaire Music label in late 1974.
Bakunde Ilondjoko, known as Bakunde Ilo Pablo, was a Congolese drummer, musician and composer best known for being a long-time member of Zaïko Langa Langa. His drumming was characterized by his powerful hitting and mastery of the hi-hat.
The Statue of Franco Luambo is a 2.97-meter-tall bronze sculpture depicting Congolese rumba musician Franco Luambo designed by Congolese sculptor Alfred Liyolo Limbe M'Puanga. Strategically located in the Kalamu commune at the Place des Artistes, within the Matonge neighborhood, the statue was inaugurated by Prime Minister Matata Ponyo Mapon on 12 October 2015.