Jon Savage | |
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 Savage in 2009 | |
| Born | Jonathan Malcolm Sage 2 September 1953 Paddington, London, England |
| Alma mater | University of Cambridge |
| Occupation(s) | Music journalist, broadcaster, writer |
Jon Savage (born Jonathan Malcolm Sage, 2 September 1953) [1] is an English writer, broadcaster and music journalist, best known for his definitive history of the Sex Pistols and punk music, England's Dreaming (1991).
Savage was born in Paddington, London. He read Classics at Magdalene College, Cambridge, graduating in 1975. [2] [3]
Becoming a music journalist at the dawn of British punk, he wrote articles on all of the major punk acts, publishing a fanzine called London's Outrage in 1976. A year later he began working as a journalist for Sounds , which was, at that time, one of the UK's three major music papers, along with the New Musical Express and Melody Maker . Savage interviewed punk, new wave and electronic music artists for Sounds. At that time, he also wrote for the West Coast fanzines Search & Destroy , Bomp! and Slash . In 1979 he moved to Melody Maker, and a year later to the newly founded pop culture magazine The Face . Throughout the decade, Savage wrote for The Observer and the New Statesman , providing high-brow commentary on popular culture.
His book England's Dreaming, a history of the rise of punk rock in the UK and the US in the mid- to late 1970s, was published by Faber and Faber in 1991. [4] [5] [6] It was used as the basis for a television programme, Punk and the Pistols, shown on BBC2 in 1995, and an updated edition in 2001 featured a new introduction which made mention of the Pistols' 1996 reunion and the release of the 2000 Pistols documentary film, The Filth and The Fury . A companion piece, The England's Dreaming Tapes, was published in 2009.
In July 1993, Kurt Cobain gave a dramatically candid interview to Jon Savage in which he freely discussed such controversial topics as Courtney Love, homosexuality, heroin and Cobain's relationship with his Nirvana bandmates.[ citation needed ]
Savage's book, Teenage: The Prehistory of Youth Culture, was published in 2007. It is a history of the concept of teenagers, which begins in the 1870s and ends in 1945 and aims to tell the story of youth culture's prehistory, and dates the advent of today's form of "teenagers" to 1945. [7] [8] [9] The book was adapted into a film by Matt Wolf.
In 2015, he published 1966, recalling the popular music and cultural turmoil of that year. [10] He also compiled and wrote the liner notes for a two-disc companion CD, Jon Savage's 1966: The Year the Decade Exploded (Ace Records). As of 2023, he continues to write on punk and other genres in a variety of publications, most notably Mojo magazine and The Observer Music Monthly . He wrote the introduction to Mitch Ikeda's Forever Delayed (2002), an official photobook of the Manic Street Preachers. Savage has appeared in the documentaries Live Forever and NewOrderStory .
Several compilation CDs based on his track lists have also been released, including England's Dreaming (2004) and Meridian 1970 (2005), the latter of which puts forward the argument that 1970 was a high-point for popular music, contrary to critical opinion. He curated the compilation Queer Noises 1961–1978 (2006), a collection of largely overlooked pop songs from that period that carried overt or coded gay messages. His most recent compilations have included the now deleted Fame, Jon Savage's Secret History Of Post-Punk 78–81 on Caroline True Records. His latest curated[ when? ] release on the same label is Perfect Motion, Jon Savage's Secret History Of Second Wave Psychedelia 1988–1993. Also a limited double-vinyl release, this collection posited late eighties/early nineties "Baggy" music as a slight return to the ethos of 60s psychedelia.
Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent labels.
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
The Sex Pistols are an English punk rock band formed in London in 1975. Although their initial career lasted just two and a half years, they became one of the most culturally influential acts in popular music. The band initiated the punk movement in the United Kingdom and inspired many later punk, post-punk and alternative rock musicians, while their clothing and hairstyles were a significant influence on the early punk image.
Buzzcocks are an English punk rock band that singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto formed in Bolton in 1976. During their career, the band combined elements of punk rock, power pop, and pop punk. They achieved commercial success with singles that fuse pop craftsmanship with rapid-fire punk energy; these singles were later collected on Singles Going Steady, an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece".
Pub rock is a subgenre of rock music that emerged in the early to mid-1970s in the United Kingdom. A back-to-basics movement, which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes at the time. Although short-lived, pub rock was played live in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub bands sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label.
Simon John Ritchie, better known by his stage name Sid Vicious, was an English musician, best known as the bassist for the punk rock band Sex Pistols. Despite dying in 1979 at the age of 21, he remains an icon of the punk subculture; one of his friends noted that he embodied "everything in punk that was dark, decadent and nihilistic."
Never Mind the Bollocks, Here's the Sex Pistols is the only studio album by English punk rock band the Sex Pistols, released on 28 October 1977 through Virgin Records in the UK and on 11 November 1977 through Warner Bros. Records in the US. As a result of the Sex Pistols' volatile internal relationships, the band's lineup saw changes during the recording of the album. Original bass guitarist Glen Matlock left the band early in the recording process, and while he is credited as a co-writer on all but two of the tracks, he only played bass and sang backing vocals on one track, "Anarchy in the U.K." Recording sessions continued with a new bass player, Sid Vicious, who is credited on two of the songs written by the band after he joined. While Vicious's bass playing appeared on two tracks, his lack of skill on the instrument meant that many of the tracks were recorded with guitarist Steve Jones playing bass instead. Drummer Paul Cook, Jones and singer Johnny Rotten appear on every track. The various recording sessions were led alternately by Chris Thomas or Bill Price, and sometimes both together, but as the songs on the final albums often combined mixes from different sessions, or were poorly documented who was present in the recording booth at the time, each song is jointly credited to both producers.
Shock rock is the combination of rock music or heavy metal music with highly theatrical live performances emphasizing shock value. Performances may include violent or provocative behavior from the artists, the use of attention-grabbing imagery such as costumes, masks, or face paint, or special effects such as pyrotechnics or fake blood. Shock rock also often includes elements of horror.
Rough Trade Records is an independent record label based in London, England. It was formed in 1976 by Geoff Travis who had opened a record store off Ladbroke Grove. It is currently run by co-managing directors Travis and Jeannette Lee and is affiliated to Beggars Group.
"Pretty Vacant" is a song by the English punk rock band the Sex Pistols. It was released on 1 July 1977 as the band's third single and was later featured on their only album, Never Mind the Bollocks, Here's the Sex Pistols, released during that same year. It is the first song written by the band.
Sex was a boutique run by Vivienne Westwood and her then-partner Malcolm McLaren at 430 King's Road, London between 1974 and 1976. It specialised in clothing that defined the look of the punk movement.
"Along Comes Mary" is a song composed by Tandyn Almer, originally recorded by American sunshine pop band the Association. It was the group's first hit, released in March 1966 as the lead single prior to their debut album, And Then... Along Comes the Association, which appeared in July.
"Transmission" is a song by English post-punk band Joy Division. Originally recorded in 1978 for the band's aborted self-titled album, it was later re-recorded the following year at a faster tempo and released by record label Factory as the band's debut single.
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. It initially flourished as an international movement of artists who applied the spirit of psychedelic rock to new styles. It has occasionally seen mainstream pop success but is typically explored within the alternative rock scene.
"Little Girl" is a song recorded by the California garage rock group the Syndicate of Sound, and written by Don Baskin and Bob Gonzalez of the band. It reached the US national pop charts in June 1966, peaking at #5 on Cash Box and #8 on Billboard.
Spiral Scratch is an EP and the first release by the English punk rock band Buzzcocks. It was released on 29 January 1977. It is one of the earliest releases by a British punk band. Spiral Scratch and the album Time's Up are the only Buzzcocks studio releases with original singer Howard Devoto, who left shortly after the EP's release to form one of the first post-punk bands, Magazine.
"Don't Look Back" was the Remains' last single on Epic Records. The song was composed by Billy Vera, who composed and recorded "Storybook Children" for Atlantic Records. "Don't Look Back" was released as Epic 10060 in 1966. Its B-side was "Me Right Now", composed by Barry Tashian, the Remains' leader.
Jonh Ingham is an English entrepreneur who has worked in music journalism, pop band and nightclub management, advertising, internet application development and management consultancy. In the mid-1970s he worked for the British pop music newspaper Sounds, and was a key journalist in the development of the punk rock pop and fashion music movement in the United Kingdom when he published the first press interview with the Sex Pistols.
Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
Little Girl is the debut album by the American garage rock band Syndicate of Sound. It was released in July 1966 by Bell Records. It blended both garage and psychedelic rock influences. The album was preceded by the single, "Little Girl".
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