Jonathan McCollum | |
---|---|
Born | |
Nationality | American |
Alma mater | University of Maryland, Tufts University, Florida State University Shogaku Zen Institute |
Known for | historical ethnomusicology, shakuhachi, Armenian music, Zen Buddhist ritual. |
Scientific career | |
Fields | ethnomusicology, musicology |
Institutions | Washington College |
Thesis | (2004, Ph.D.) |
Website | https://www.washcoll.edu/people_departments/faculty/mccollum-jon.php |
Jonathan McCollum, Professor of Music at Washington College in Chestertown, Maryland , is an ethnomusicologist and performer on the Japanese shakuhachi, [1] trombone, and bass trombone. He is the founding Chair of the Historical Ethnomusicology section of the Society for Ethnomusicology, and is known for his work on the music of Armenia [2] and Japan.
McCollum is especially known for theoretical contributions to the historiography of global music (historical ethnomusicology), and research studies into both the music of Armenia and the music of Japan, particularly Zen Buddhist ritual and shakuhachi flute tradition.
As a musicologist, McCollum has contributed extensively to academic journals, encyclopedias, and music reference works, including most recently the Bloomsbury Encyclopedia of Popular Music, the Sage International Encyclopedia of Music and Culture, and the New Grove Dictionary of Musical Instruments. He has also worked as a consultant for the Armenian Library and Museum of America, the Smithsonian Institution, and Folkways Alive! of the Canadian Centre for Ethnomusicology at the University of Alberta.
McCollum is the author of Armenian Music: A Comprehensive Bibliography and Discography (Scarecrow Press, 2004) [3] [4] [5] and has contributed to many other volumes. He has co-edited (with David Hebert) the books Theory and Method in Historical Ethnomusicology (Lexington Books, 2014) and Ethnomusicology and Cultural Diplomacy (Lexington Books, 2022). He and Hebert are co-editors of a book series for Rowman and Littlefield press, [6] The Lexington Series in Historical Ethnomusicology: Deep Soundings. [7]
McCollum holds the specialized Shihan 師範 (Master’s) license in shakuhachi performance and teaching, [8] with the professional name (natori) “Kenzen (研禅)” earned primarily through studies under Dai Shihan (Grand Master) Michael Chikuzen Gould. [9]
As a professional performer, McCollum has also contributed to virtual instrument sample libraries; he is the shakuhachi player for Stealth Wind software (on Unearthed Sampling’s Kontakt platform), which is widely used by professional soundtrack composers for videos and films. [10]
McCollum is a former student of John Drew, Professor of Trombone at Florida State University. McCollum works as a professional trombonist in the Washington, D.C. and Maryland areas.
McCollum holds the dharma name, Seichō. He is a fully transmitted teacher (sensei) with the White Plum Asanga and an ordained Sōtō Zen priest. He teaches at Clare Sangha in Baltimore, Maryland. [11]
Musicology is the scholarly study of music. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science.
A shakuhachi is a Japanese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the shakuhachi was developed in Japan in the 16th century and is called the fuke shakuhachi (普化尺八). A bamboo flute known as the kodai shakuhachi or gagaku shakuhachi (雅楽尺八) was derived from the Chinese xiao in the Nara period and died out in the 10th century. After a long blank period, the hitoyogiri shakuhachi (一節切尺八) appeared in the 15th century, and then in the 16th century, the fuke shakuhachi was developed in Japan. The fuke shakuhachi flourished in the 18th century during the Edo period, and eventually the hitoyogiri shakuhachi also died out. The fuke shakuhachi developed in Japan is longer and thicker than the kodai shakuhachi and has one finger hole less. It is longer and thicker than hitoyogiri shakuhachi and is superior in volume, range, scale and tone quality. Today, since the shakuhachi generally refers only to fuke shakuhachi, the theory that the shakuhachi is an instrument unique to Japan is widely accepted.
The music of Uzbekistan has reflected the diverse influences that have shaped the country. It is very similar to the music of the Middle East and is characterized by complicated rhythms and meters. Because of the long history of music in the country and the large variety of music styles and musical instruments, Uzbekistan is often regarded as one of the most musically diverse countries in Central Asia.
Soghomon Soghomonian, ordained and commonly known as Komitas, was an Ottoman-Armenian priest, musicologist, composer, arranger, singer, and choirmaster, who is considered the founder of the Armenian national school of music. He is recognized as one of the pioneers of ethnomusicology.
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Atsuya Okuda is a Japanese-born master player and teacher jinashi shakuhachi, an unrefined bamboo flute. Prior to dedicating his efforts to the bamboo flute, he was a professional jazz trumpet player from approximately 1965 until 1985.
Brad Warner is an American Sōtō Zen teacher, author, blogger, documentarian and punk rock bass guitarist.
Zen Mountain Monastery is a Zen Buddhist monastery and training center on a 220-acre (0.89 km2) forested property in the Catskill Mountains in Mount Tremper, New York. It was founded in 1980 by John Daido Loori originally as the Zen Arts Center. It combines the Rinzai and Sōtō Zen traditions, in both of which Loori received Dharma transmission. Loori's first dharma heir was Bonnie Myotai Treace, Sensei, who received shiho, or dharma transmission, from him in 1996. From Loori's death in October 2009 until January 2015, Zen Mountain Monastery had two teachers: Geoffrey Shugen Arnold and Konrad Ryushin Marchaj, who received Dharma transmission from Loori in 1997 and 2009, respectively. Since January 2015, the training at the Monastery has been led by Shugen Roshi, assisted by Ron Hogen Green, Sensei; Jody Hojin Kimmel, Sensei; and Vanessa Zuisei Goddard, Sensei.
The Komusō (虚無僧) were wandering non-monastic lay Buddhists from the warrior-class who were noted for wearing straw basket hats and playing the shakuhachi bamboo flute, nowadays called suizen. During the Edo period (1600–1868) they obtained various rights and privileges from the bakufu, the ruling elite.
Alcvin Ryuzen Ramos is a shakuhachi teacher, performer, composer, and maker based in Canada. Born in Japan, Ramos has also lived in the United States and now lives in Western Canada. In 2003, he founded the Bamboo-In Shakuhachi Space on the Sunshine Coast.
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Riley Kelly Lee is an American-born Australian-based shakuhachi player and teacher. In 1980 he became the first non-Japanese person to attain the rank of Dai Shihan in the shakuhachi tradition. He is a recipient of two of the most revered lineages of shakuhachi playing, descending from the original Zen Buddhist "priests of nothingness" of the Edo period. His first teachers were Hoshida Ichizan II and Chikuho Sakai II. A later teacher was Katsuya Yokoyama.
Christopher Yohmei Blasdel is a shakuhachi performer, researcher and writer specializing in the music of Japan and Asia. In 1972, while on foreign study in Tokyo, he was introduced to the Kinko Style shakuhachi master Goro Yamaguchi, whom he studied with until Yamaguchi’s death in 1999. In 1975, Blasdel began learning Aikido under Yasuo Kobayashi and performing with the butoh dancer Akira Kasai at his studio, Tenshikan. Blasdel presently holds a 5th degree black belt in Aikido.
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Rodrigo Rodríguez is a Spanish shakuhachi player.
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