Established | 1971 to 1985 |
---|---|
Location | 65 Main Street, Watertown, Massachusetts |
Coordinates | 42°21′59″N71°11′09″W / 42.36644°N 71.18582°W |
Type | Armenian |
Visitors | 3,000 (annually) |
Director | Jason Sohigian |
Curator | Gary Lind-Sinanian Susan Lind-Sinanian (textile curator) |
Public transit access | MBTA |
Website | www |
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Armenian Museum of America (AMA), located in Watertown, Massachusetts, United States, is an institution that has the largest collection of Armenian artifacts in North America.
In 1971, alarmed by the growing loss and destruction of Armenian books and artifacts brought to this country by immigrants from Armenia, a group of talented Greater Boston Armenian-Americans banded together to form AMA to collect and preserve these books and artifacts. From humble beginnings in two rooms rented in 1972 in a church parish house in Belmont, AMA grew and expanded into a Watertown church's 4,000-square-foot (370 m2) basement and opened to the public in 1985.
In 1988, AMA was able to buy and remodel the former Coolidge Bank and Trust Building at 65 Main Street in Watertown. The building is dedicated to the memory of Stephen P. Mugar and Marian G. Mugar, his wife. After being opened to the public as the Armenian Library and Museum of America in 1988, the name was officially changed to Armenian Museum of America in 2013. [1]
AMA's present home, in Watertown Square, is a four-story building plus basement containing approximately 30,000 square feet (2,800 m2). AMA occupies all of the basement, the first and second floors, most of the third floor and has its library on the fourth floor. The building also houses the Armenian International Women's Association ("AIWA") and Project SAVE Armenian Photographic Archives.
Bedoukian Hall is AMA's main exhibit gallery. There are several smaller side galleries as well as the Contemporary Art Gallery and Terjenian-Thomas Art Gallery on the 3rd floor. Other facilities include the research library, studio space, offices, meeting rooms, classrooms, a 220-seat auditorium and a gift shop.
Armenian Museum of America holds one of the largest and most diverse holding of Armenian cultural artifacts outside of Armenia. The Museum maintains an active program of changing exhibits for the public, to provide new experiences for returning visitors and to showcase the wide range of materials in the collection. The museum averages 14 different exhibits annually.
As a repository for heirlooms, the collections now represent a major resource for Armenian studies and for preservation and illustration of Armenian heritage. AMA is the only independent Armenian museum in the diaspora, funded largely through contributions of individual supporters. An active board of trustees and volunteer base augment the museum’s staff.
The collections contain over 20,000 artifacts, including:
AMA houses and sometimes displays the collected painting of Dr. Jack Kevorkian, the assisted suicide crusader, whose parents were Armenian refugees. [2]
AMA is home to the Mesrob Boyajian Library. The Library contains over 26,000 cataloged titles on a wide range of Armenian subjects. The earliest is the Garabed Gospel of AD 1207. The library has one of the largest collections of important books on oriental rugs, and a very substantial collection, which continues to be expanded, on the Armenian genocide. It also holds a significant number of periodicals.
The library is home to the Herbert Offen Oriental Carpet Research Library Collection, one of the most extensive collections of literature on oriental carpets in the United States. The Offen Family made a donation of the 2,500 volumes of the Herbert Offen Collection, and funds the further acquisition of literature related to rugs and carpets, whether new or antiquarian. The existing 2,500 volumes cover subject matters well beyond the narrow focus on the types and development of Oriental rugs, and encompasses broader issues including the social implications of rug collecting, symbolism and theory, care and aesthetics, the commercial marketing and business of rugs, economic and domestic structures in carpet production, historical and contemporary use of rugs, and other textile traditions closely related to rugs.
In the early 1970s, AMA embarked on an extensive program of interviewing survivors of the Armenian genocide, all or most of whom are now deceased. These tapes are digitized and de-noised. AMA's collection consists of over 1,400 hours of recorded oral histories and is a fertile source for research by scholars.
The Pazyrykburials are a number of Scythian (Saka) Iron Age tombs found in the Pazyryk Valley and the Ukok plateau in the Altai Mountains, Siberia, south of the modern city of Novosibirsk, Russia; the site is close to the borders with China, Kazakhstan and Mongolia.
A carpet is a textile floor covering typically consisting of an upper layer of pile attached to a backing. The pile was traditionally made from wool, but since the 20th century synthetic fibers such as polypropylene, nylon, or polyester have often been used, as these fibers are less expensive than wool. The pile usually consists of twisted tufts that are typically heat-treated to maintain their structure. The term carpet is often used in a similar context to the term rug, but rugs are typically considered to be smaller than a room and not attached to the floor.
Penn Museum, formerly known as The University of Pennsylvania Museum of Archaeology and Anthropology, is an archaeology and anthropology museum at the University of Pennsylvania. It is located on Penn's campus in the University City neighborhood of Philadelphia, at the intersection of 33rd and South Streets. It also is close enough for Drexel University students to walk or take SEPTA transportation services. Housing over 1.3 million artifacts, the museum features one of the most comprehensive collections of Middle and Near-Eastern art in the world.
The Museum of History & Industry (MOHAI) is a history museum in the South Lake Union neighborhood of Seattle, Washington, United States. It is the largest private heritage organization in Washington state, maintaining a collection of nearly four million artifacts, photographs, and archival materials primarily focusing on Seattle and the greater Puget Sound region. A portion of this collection is on display in the museum's galleries at the historic Naval Reserve Armory in Lake Union Park.
A prayer rug or prayer mat is a piece of fabric, sometimes a pile carpet, used by Muslims, some Christians, especially in Orthodox Christianity and some Baha'i during prayer.
The Mugar Memorial Library is the primary library for study, teaching, and research in the humanities and social sciences for Boston University. It was opened in 1966. Stephen P. Mugar, an Armenian immigrant who was successful in the grocery business, provided the naming gift to commemorate his parents. Mugar's entrance carries an inscription from Stephen honoring his parents.
In coming to America from Armenia my parents opened the door of Freedom to me. America's public schools & libraries opened my eyes to the unlimited opportunity in this great land, as well as the privileges and obligations of citizenship. May this library serve over the years as a similar inspiration to all who use it. In memory of my father and mother Sarkis and Vosgitel Mugar. By their grateful son
– Stephen P. Mugar –
The Ardabil Carpet is the name of two different famous Persian carpets, the larger and better-known now in the Victoria and Albert Museum in London. Originally there were two presumably identical carpets, and the London carpet, as restored and reconstructed in the 19th century, uses sections from both. It now measures 34 ft 3 in × 17 ft 6+7⁄8 in. The other carpet, now in the Los Angeles County Museum of Art, and smaller at 23 ft 7 in × 13 ft 1+1⁄2 in, was made up of the sections in adequate condition unused for the London carpet. Both carpets are now smaller than they would have been originally, and there are other fragments in various collections that appear to come from the reconstruction process. The carpets have a typical Tabriz design, with one central medallion and smaller, ornate designs surrounding. Such medallions and shapes were central to the design and reality of Persian gardens, a common symbol of paradise for followers of Islam.
The George Washington University Museum and Textile Museum is a museum in Washington, D.C., dedicated to the history of George Washington University and textile arts, located in the Foggy Bottom neighborhood. The museum was founded by collector George Hewitt Myers in 1925 and was originally housed in two historic buildings in D.C.'s Kalorama neighborhood: the Myers family home, designed by John Russell Pope, and an adjacent building designed by Waddy Wood. It reopened in March 2015 as part of George Washington University.
An oriental rug is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in "Oriental countries" for home use, local sale, and export.
The Karabakh carpet, or Artsakh carpet, is one of the varieties of carpets of Transcaucasia, made in the Karabakh region.
The William R. and Clarice V. Spurlock Museum, better known as the Spurlock Museum, is an ethnographic museum at the University of Illinois at Urbana-Champaign. The Spurlock Museum's permanent collection includes portions of collections from other museums and units on the Urbana-Champaign campus such as cultural artifacts from the Museum of Natural History and Department of Anthropology as well as historic clothing from the Bevier Collection of the College of Agricultural, Consumer and Environmental Sciences. The museum also holds objects donated by other institutions and private individuals. With approximately 51,000 objects in its artifact collection, the Spurlock Museum at the University of Illinois at Urbana-Champaign collects, preserves, documents, exhibits, and studies objects of cultural heritage. The museum's main galleries, highlighting the ancient Mediterranean, modern Africa, ancient Egypt, Mesopotamia, East Asia, Oceania, Europe, and the Americas, celebrate the diversity of cultures through time and across the globe.
The Museum of Islamic Art (MIA) in Cairo, Egypt is considered one of the greatest museums in the world, with its exceptional collection of rare woodwork and plaster artefacts, as well as metal, ceramic, glass, crystal, and textile objects of all periods, from all over the Islamic world.
Stephen P. Mugar was the founder of the Star Market chain of supermarkets in New England. He was also a philanthropist and the most prominent member of the Mugar family of Greater Boston.
Arthur T. Gregorian,, was a Greater Boston oriental rug dealer and author of books on oriental rugs. He is considered by some to be the world's leading collector of rare, inscribed Armenian rugs.
Azerbaijani carpet is a traditional carpet (rug) made in Azerbaijan. The Azerbaijani carpet is a handmade textile of various sizes, with a dense texture and a pile or pile-less surface, whose patterns are characteristic of Azerbaijan's many carpet-making regions. Traditionally, the carpets were used in Azerbaijan to cover floors, decorate interior walls, sofas, chairs, beds and tables.
A Turkmen rug is a type of handmade floor-covering textile traditionally originating in Central Asia. It is useful to distinguish between the original Turkmen tribal rugs and the rugs produced in large numbers for export mainly in Pakistan and Iran today. The original Turkmen rugs were produced by the Turkmen tribes who are the main ethnic group in Turkmenistan and are also found in Afghanistan and Iran. They are used for various purposes, including tent rugs, door hangings and bags of various sizes.
Carpets of Middle-Eastern origin, either from Anatolia, Persia, Armenia, Levant, the Mamluk state of Egypt or Northern Africa, were used as decorative features in Western European paintings from the 14th century onwards. More depictions of Oriental carpets in Renaissance painting survive than actual carpets contemporary with these paintings. Few Middle-Eastern carpets produced before the 17th century remain, though the number of these known has increased in recent decades. Therefore, comparative art-historical research has from its onset in the late 19th century relied on carpets represented in datable European paintings.
The term Armenian carpet designates, but is not limited to, tufted rugs or knotted carpets woven in Armenia or by Armenians from pre-Christian times to the present. It also includes a number of flat woven textiles. The term covers a large variety of types and sub-varieties. Due to their intrinsic fragility, almost nothing survives—neither carpets nor fragments—from antiquity until the late medieval period.
Anatolian animal carpets represent a special type of pile-woven carpet, woven in the geographical region of Anatolia during the Seljuq and early Ottoman period, corresponding to the 14th–16th century. Very few animal-style carpets still exist today, and most of them are in a fragmentary state. Animal carpets were frequently depicted by Western European painters of the 14th–16th century. By comparison of the few surviving carpets with their painted counterparts, these paintings helped to establish a timeline of their production, and support our knowledge about the early Turkish carpet.
Hratch Kozibeyokian is an Armenian American distinguished expert of oriental rugs.