M.E.Ch.A. is a US-based organization that seeks to promote Chicano unity and empowerment through political action.
El Teatro Campesino is a Chicano theatre company in California. Performing in both English and Spanish, El Teatro Campesino was founded in 1965 as the cultural arm of the United Farm Workers and the Chicano Movement with the "full support of César Chávez." Originally based in Delano, California, during the Delano Strike, the theatre is currently based in San Juan Bautista, California.
Luis Miguel Valdez is an American playwright, screenwriter, film director and actor. Regarded as the father of Chicano film and playwriting, Valdez is best known for his play Zoot Suit, his movie La Bamba, and his creation of El Teatro Campesino. A pioneer in the Chicano Movement, Valdez broadened the scope of theatre and arts of the Chicano community.
The Centro Cultural de la Raza is a non-profit organization with the specific mission to create, preserve, promote and educate about Chicano, Mexicano, Native American and Latino art and culture. It is located in Balboa Park in San Diego, California. The cultural center supports and encourages the creative expression “of the indigenous cultures of the Americas.” It is currently a member of the American Alliance of Museums.
Juan Felipe Herrera is an American poet, performer, writer, toonist, teacher, and activist. Herrera was the 21st United States Poet Laureate from 2015 to 2017. He is a major figure in the literary field of Chicano poetry.
Los Vendidos is a one-act play by Chicano playwright Luis Valdez, a founding member of El Teatro Campesino. He wrote it in 1967, and it was first performed at the Brown Beret junta in Elysian Park, East Los Angeles. The play examines stereotypes of Latinos in California and how they are treated by local, state, and federal governments.
Diane Rodriguez was an American theatre artist who directed, wrote and performed. An OBIE Award winning actress, she was known for using comedy to confront various forms of oppression, often with special attention to issues of gender and sexuality.
Luis Alfaro is a Chicano performance artist, writer, theater director, and social activist.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
Richard Montoya is an American actor, director, producer, screenwriter, playwright, comedian, and co-founding member of the San Francisco based performance troupe Culture Clash. His work in theatre is largely comedy-based and centers around ideas of racism, immigration, discrimination, and identity in Latin-American communities. He follows in the steps of his father, famous activist José Montoya, and is known for creating social and political change through a variety of artistic expressions.
Evelina Fernández is an American playwright and actress from Los Angeles.
Monica Palacios is a Chicana lesbian American playwright and performer, specialising in Chicana, queer, feminist, and lesbian themes. She has charted the intersection of queer and Latina identities in Latinx communities, with their mutually marginalising impact. A trailblazer stand-up comedian in the 1980s and 1990s, Palacios is now better known for her work as an award winning playwright and activist. Her works are taught in many schools and colleges, where she has served frequently as a director of student theatre.
Tlaloc Rivas is a Mexican-American writer, producer, and theatre director. He is one of the co-founders of the Latinx Theatre Commons, which works side by side with HowlRound to revolutionize American theater and to highlight and promote the contributions and presence of Latinos in theatre. Central to Rivas' work is the Latino experience, but also exploring the American experience through the lens' of underrepresented voices. Rivas focuses on writing and directing plays that significantly explore Latino identity and history. Additionally, Rivas has also translated and adapted plays from the Spanish language and directed Spanish-language and bilingual plays such as Mariela in the Desert by Karen Zacarias and classical works such as Peribáñez y el Comendador de Ocaña.
Herbert Siguenza is an American actor, writer, visual artist, and performer based in California. He is best known for co-founding the theater performance group Culture Clash, which was founded in 1984 and is still active. He is currently the playwright-in-residence at the San Diego Rep and has continued to pursue many solo ventures in addition to his group work.
Dorinda Moreno is an American Chicana activist, feminist and writer.
Ric Salinas is a Salvadoran–American actor, writer and producer. He is known for co-founding the comedy group, Culture Clash, with Richard Montoya, Herbert Siguenza and Jose Antonio Burciaga. He is currently working with the remaining two members, Herbert and Richard, on the production "Culture Clash (Still) in America". As of 2012, he resides in Los Angeles.
El Corrido is a 1976 musical comedy made for TV film directed and written by Luis Valdez, and produced by El Teatro Campesino. The film was adapted from Valdez's stage musical La Gran Carpa de los Rasquachis, which was also produced with El Teatro Campesino. El Corrido was aired on PBS on November 4, 1976 as part of its Ballad of a Farmworker television series on the series Visions.
A Mexican American is a resident of the United States who is of Mexican descent. Mexican American-related topics include the following:
Chicano cinema is an aspect of Mexican American cinema that refers to the filmmaking practices that emerged out of the cultural consciousness developed through the Chicano Movement. Luis Valdez is generally regarded as the first Chicano filmmaker and El Teatro Campesino as the first theater company.
Chicano literature is an aspect of Mexican-American literature that emerged from the cultural consciousness developed in the Chicano Movement. Chicano literature formed out of the political and cultural struggle of Chicana/os to develop a political foundation and identity that rejected Anglo-American hegemony. This literature embraced the pre-Columbian roots of Mexican-Americans, especially those who identify as Chicana/os.
