Joscelyn Godwin

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Joscelyn Godwin
Born
Joscelyn Godwin

(1945-01-16) 16 January 1945 (age 80)
Kelmscott, Oxfordshire, England
OccupationsProfessor, author, translator
Known for Ancient music, paganism, occult/esoterica
Notable work Arktos

Joscelyn Godwin (born 16 January 1945) is a historian of the occult and esotericism. [1] [2] He is also a musicologist and translator known for his work on ancient music, early music, paganism, and music in the occult and spiritualism; a harpsichordist; and an occasional composer.

Contents

Biography

Godwin was born on 16 January 1945 at Kelmscott, Oxfordshire, England. [3] He is the younger son of the artists Edward and Stephanie Scott-Godwin, the first permanent residents to occupy Kelmscott Manor after the family of William Morris. [4]

He was educated as a chorister at Christ Church Cathedral School, Oxford, then at Radley College (Music Scholar), and Magdalene College, Cambridge (Music Scholar; B.A., 1965, Mus. B., 1966, M.A. 1969). [5] [6] Moving to the US in 1966 he studied musicology at Cornell University, [7] taught at Cleveland State University for two years, and then joined the Colgate University Music Department in 1971. [8] He retired from Colgate in 2016 as Professor Emeritus of Music.

He has written, edited or translated many books on occultism and pagan music, including: Harmonies of Heaven and Earth (on the spiritual dimensions of music); Music and the Occult (a study of occult philosophy and its expression in music); a biography of English physician and mystical philosopher Robert Fludd; Athanasius Kircher’s Theatre of the World (a biography of Athanasius Kircher, a Jesuit, linguist, archaeologist and scholar); Arktos (an exploration of the mythology surrounding the Earth's polar regions); and Atlantis and the Cycles of Time. [6]

Wouter Hanegraaff described him as "one of the most knowledgeable and articulate scholars in the modern academic study of Western esotericism". [9]

Bibliography

Books authored or co-authored

Books edited

Books translated

Composition

References

  1. Aveni, Anthony F. (2016). Apocalyptic anxiety: religion, science and America's obsession with the end of the world. University Press of Colorado. pp. xiv, 96. ISBN   978-1-60732-470-6.
  2. Lachman, Gary (2012). Madame Blavatsky: The Mother of Modern Spirituality. Jeremy P. Tarcher / Penguin. p. xvi. ISBN   978-1-58542-863-2.
  3. "Joscelyn Godwin's Home Page". sites.google.com. Retrieved 23 July 2025.
  4. Joscelyn Godwin. The Starlight Years. Love & War at Kelmscott Manor 1940-1948 (2015)
  5. "Joscelyn Godwin".
  6. 1 2 "Exploring America's spiritual mysteries". The Los Angeles Times. Los Angeles. 31 August 2009. p. 6. Retrieved 23 July 2025 via Newspapers.com.
  7. Dissertation, The Music of Henry Cowell (1969)
  8. Joscelyn Godwin biography, Inner Traditions
  9. Hanegraaff, Wouter J. (2011). Huss, Boaz (ed.). Kabbalah and Contemporary Spiritual Revival. Beer-Sheva: Ben-Gurion University of the Negev Press. pp. 251–266. ISBN   978-965-536-043-1.
  10. "Arktos: The Polar Myth in Science, Symbolism and Nazi Survival. Joscelyn Godwin. 1993. London: Thames and Hudson. 260p, soft cover. ISBN 0-500-27713-3. £10.95". Polar Record . 29 (170): 252–252. July 1993. doi:10.1017/S0032247400018726. ISSN   0032-2474.
  11. Roth, Christopher F. (2009). "Review of Hollow Earth: The Long and Curious History of Imagining Strange Lands, Fantastical Creatures, Advanced Civilizations, and Marvelous Machines below the Earth's Surface". Nova Religio . 12 (4): 131–133. doi:10.1525/nr.2009.12.4.131. ISSN   1092-6690. JSTOR   10.1525/nr.2009.12.4.131.
  12. Goodrick-Clarke, Nicholas (12 April 1993). "Master race swathed in myths". The Times . No. 64616. London. p. 31. ISSN   0140-0460.
  13. "Revenge of Olympus". The Daily Telegraph. London, Greater London, England. 18 January 2003. p. 61. Retrieved 23 July 2025 via Newspapers.com.
  14. Hammer, Olav (1 January 2004). "Ésotérisme, gnoses & imaginaire symbolique: Mélanges offerts à Antoine Faivre". Aries . 4 (1): 98–118. doi:10.1163/157005904322765347. ISSN   1567-9896.
  15. Adapted as part of an opera libretto by the German composer Alexander Moosbrugger; premiere at the Bregenz Festival (Lake Constance) in 2021.