Erna Berger was a German lyric coloratura soprano. She was best known for her Queen of the Night and her Konstanze.
Hans Hotter was a German operatic bass-baritone. He stood 6 ft 4 in and his appearance was striking. His voice and diction were equally recognisable.
Theo Adam was a German operatic bass-baritone and bass singer who had an international career in opera, concert and recital from 1949. He was a member of the Staatsoper Dresden for his entire career, and sang at the Bayreuth Festival from 1952 to 1980. He particularly excelled in portraying roles by Richard Wagner, especially Wotan in Der Ring des Nibelungen, which he also performed at the Metropolitan Opera, among others. In concert, he was a much admired Bach singer and also drew acclaim for his interpretation of the title character of Mendelssohn's Elijah. He was a voice teacher at the Musikhochschule Dresden.
Ramón Vinay was a famous Chilean operatic tenor with a powerful, dramatic voice. He is probably best remembered for his appearances in the title role of Giuseppe Verdi's tragic opera Otello.
Cesare Siepi was an Italian opera singer, generally considered to have been one of the finest basses of the post-war period. His voice was characterised by a deep, warm timbre, a full, resonant, wide-ranging lower register with relaxed vibrato, and a ringing, vibrant upper register. Although renowned as a Verdian bass, his tall, striking presence and the elegance of phrasing made him a natural for the role of Don Giovanni. He can be seen in that role on Paul Czinner's 1954 film of the opera made during an edition of the Salzburg Festival under the baton of Wilhelm Furtwängler.
Otto Schenk is an Austrian actor, and theater and opera director.
Martha Mödl was a German soprano, and later a mezzo-soprano. She specialized in large dramatic roles such as Isolde, Brünnhilde, and particularly Kundry, and is considered, along with Astrid Varnay and Birgit Nilsson, one of the three major postwar Wagner sopranos. She was among the preeminent Wagner sopranos—and most compelling singing actresses—of the twentieth century. She was celebrated for her highly individualized interpretations, exceptional acting ability, intense stage presence, and "rich, sexy voice."
Ludwig Suthaus was a German operatic "Heldentenor".
Gustav Neidlinger was a German bass-baritone most famous as the pre-eminent leading performer of Wagner's "howling-and-spitting" villains, especially Alberich and Klingsor, from the early 1950s to the early 1970s. Born in Mainz, Neidlinger studied at the Frankfurt conservatory, where he was trained by Otto Rottsieper. He debuted in 1931 at the Stadttheater in Mainz, where he sang until 1934. In 1934 and 1935, he performed at the Stadttheater in Plauen, Sachsen. From 1935 to 1950, he was a member of the Hamburg opera, where In 1937 he took part in the world premiere of the opera Schwarzer Peter by Norbert Schultze. In 1950, he joined the Stuttgart Staatsoper, where he became very popular and was, in 1977, named an honorary member. In Stuttgart, he sang in Igor Stravinsky's The Rake's Progress. In 1956 he moved to the Vienna Staatsoper, where he had sung as early as 1941. He also sang at the Paris Opéra (1953–67) and at Covent Garden in London in tandem with the Stuttgart ensemble. He was honored with the title German Kammersänger in 1952.
Otto Edelmann was an Austrian operatic bass.
Franz Mazura was an Austrian bass-baritone opera singer and actor. He performed at the Bayreuth Festival from 1971 for 25 years and at the Metropolitan Opera for 15 years. He was made a Kammersänger in 1980 and an Honorary Member of the Nationaltheater Mannheim in 1990. He most often played villains and strange characters, with signature roles including Klingsor in Wagner's Parsifal. Mazura took part in world premieres, such as the double role of Dr. Schön and Jack the Ripper in the world premiere of the completed version of Alban Berg's Lulu at the Paris Opera in 1979, and as Abraham in Giorgio Battistelli's Lot in 2017. Two of his recordings received Grammy Awards. His voice was described as with dark timbre, powerful and like granite, with perfect diction. His acting ability was described as "well-supplied with vivid imaginative touches, whether deployed in comic roles or characters of inexorable malevolence. Mazura could achieve more impact with a lifted eyebrow or a belligerently thrust chin than many artists could with a ten-minute monologue." He had a long career, appearing at the Staatsoper Berlin the night before his 95th birthday.
Otto Wiener was an Austrian baritone, notable for his performances in the operas of Richard Wagner.
Ira Malaniuk was an Austrian operatic contralto of Ukrainian descent. She sang a wide range of roles, from Mozart to contemporary works.
Wolfgang Neumann is an Austrian internationally known operatic heldentenor, who specialized in the operas of Richard Wagner.
Sieglinde Wagner was an Austrian operatic contralto, who could also sing mezzo-soprano roles.
Marga Schiml is a German opera singer who sings mezzo-soprano and alto. She has appeared at major European opera houses and festivals, such as the Vienna State Opera, the Deutsche Oper Berlin, the Hamburg State Opera and La Scala, at the Salzburg Festival and the Bayreuth Festival. She is also an academic voice teacher.
Karen-Marie Flagstad was a Norwegian soprano opera singer.
Andreas Schager is an Austrian operatic tenor. He began his career as a tenor for operettas, but has developed into singing Heldentenor parts by Richard Wagner including Tristan, Siegmund, Siegfried and Parsifal. A member of the Staatsoper Berlin, he has appeared internationally at venues including La Scala, The Proms and the Bayreuth Festival.
Benno Paul Kusche was a German operatic baritone, who was praised as one of the best Mozart and Wagner singers, especially in character roles and opera buffa.
Erna Schlüter was a German operatic dramatic soprano and voice teacher. Beginning as a contralto at the Oldenburgisches Staatstheater in 1922, she moved to the Nationaltheater Mannheim in 1925 where her voice developed to dramatic soprano, to the Stadttheater Düsseldorf in 1930 where she appeared in 1933 in the world premiere of Winfried Zillig's Der Rossknecht and was awarded the title Kammersängerin. Her last station, from 1940, was the Hamburg State Opera.
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