Josefina Quezada (circa 1925 - May 2012) [1] was a Mexican-born Chicana muralist, photographer and supporter of the arts in Los Angeles. There are twelve murals in Los Angeles created by Quezada.
Quezada was born in Mexico City. [2] She grew up in the Mexicaltzingo neighborhood of Guadalajara. [3] In the 1940s, she studied at the National Autonomous University of Mexico (UNAM). [3] She first came to Los Angeles in 1971, when she was hired to restore David Alfaro Siqueiros' América Tropical mural. [4] [5] She and Jaime Mejía opted to preserve the mural at the time. [6] Quezada worked with Shifra Goldman and Jesús Salvador Treviño to document the mural and the work done to preserve it. [2] Quezada spent around thirty years living in the United States. [3]
In 2005, Quezada was honored by the Jalisco Secretary of Culture for her decades of work as an artist. [7]
Quezada died in Mexico in 2012. [2]
Quezada made two murals in Mexico and twelve in Los Angeles. [7] She was also a noted photographer. [7] The Los Angeles Times wrote in 1975 that her "laborious bordertown genre scenes need to break out of a stiff, confining style." [8] Quezada's work connected "women's labor in Latin America to Chicana labor in the United States." [9] Oscar Castillo who has documented the work of Chicano artists, said that she gained inspiration from family in friends when choosing what to paint. [2]
In 1978, a mural she designed, Tree of Knowledge, or the "Read" mural, was completed by artists from the Chicana Action Service Center (CASC). [10] Tree of Knowledge uses symbols to emphasize understanding one's own "historical roots," and is also a celebration of "the community of readers." [11] The mural was restored by the Social and Public Art Resource Center (SPARC) in 2012. [12]
Quezada created a mural with Michael Schnorr for Chula Vista High School in 1982. [13] In 1983, she was part of a show of mural art at El Centro Cultural de la Raza at Balboa Park. [14]
Her work was featured and honored in the Second Women's Biennial of photographers in 2005 in Guadalajara. [3]
Chicano or Chicana is an ethnic identity for Mexican Americans that emerged from the Chicano Movement. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture.
Carlos D. Almaraz was a Mexican-American artist and a pioneer of the Chicano art movement. He was one of the founder of the Centro de Arte Público (1977–1979), a Chicano/Chicana arts organization in Highland Park, Los Angeles.
Gronk, born Glugio Nicandro, is a Chicano painter, printmaker, and performance artist. His work is collected by museums around the country including the Smithsonian American Art Museum.
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Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Judith Francisca Baca is an American artist, activist, and professor of Chicano studies, world arts, and cultures based at the University of California, Los Angeles. She is the co-founder and artistic director of the Social and Public Art Resource Center (SPARC) in Venice, California. Baca is the director of the mural project that created the Great Wall of Los Angeles, which was the largest known communal mural project in the world as of 2018.
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Judithe Hernández is an American artist and educator, she is known as a muralist, pastel artist, and painter. She is a pioneer of the Chicano art movement and a former member of the art collective Los Four. She is based in Los Angeles, California and previously lived in Chicago.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
Willie F. Herrón III is an American Chicano muralist, performance artist and commercial artist. Herrón was also one of the founding members of ASCO, the East Los Angeles based Chicano artists collective .
Asco was an East Los Angeles based Chicano artist collective, active from 1972 to 1987. Asco adopted its name as a collective in 1973, making a direct reference to the word's significance in Spanish ("asco"), which is disgust or repulsion. Asco's work throughout 1970s and 1980s responded specifically to socioeconomic and political problems surrounding the Chicano community in the United States, as well the Vietnam War. Harry Gamboa Jr., Glugio "Gronk" Nicandro, Willie F. Herrón III and Patssi Valdez form the core members of the group.
Laura Aguilar was an American photographer. She was born with auditory dyslexia and attributed her start in photography to her brother, who showed her how to develop in dark rooms. She was mostly self-taught, although she took some photography courses at East Los Angeles College, where her second solo exhibition, Laura Aguilar: Show and Tell, was held. Aguilar used visual art to bring forth marginalized identities, especially within the LA Queer scene and Latinx communities. Before the term Intersectionality was used commonly, Aguilar captured the largely invisible identities of large bodied, queer, working-class, brown people in the form of portraits. Often using her naked body as a subject, she used photography to empower herself and her inner struggles to reclaim her own identity as "Laura" – a lesbian, fat, disabled, and brown person. Although work on Chicana/os is limited, Aguilar has become an essential figure in Chicano art history and is often regarded as an early "pioneer of intersectional feminism" for her outright and uncensored work. Some of her most well-known works are Three Eagles Flying, The Plush Pony Series, and Nature Self Portraits. Aguilar has been noted for her collaboration with cultural scholars such as Yvonne Yarbo-Berjano and receiving inspiration from other artists like Judy Dater. She was well known for her portraits, mostly of herself, and also focused upon people in marginalized communities, including LGBT and Latino subjects, self-love, and social stigma of obesity.
Roberto Chavez is an American artist, known for his personally symbolic portraits, public murals and "funny-grotesque" paintings that reflect the multicultural landscape of Los Angeles. He was recently included in the Getty Center's Pacific Standard Time: Art in L.A., 1945-1980 and the Smithsonian’s Our America: The Latino Presence in American Art exhibits.
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Barbara Carrasco is a Chicana artist, activist, painter and muralist. She lives and works in Los Angeles. Her work critiques dominant cultural stereotypes involving socioeconomics, race, gender and sexuality, and she is considered to be a radical feminist. Her art has been exhibited nationally and internationally.
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josefina quezada mural.