Josely Carvalho

Last updated
Josely Carvalho
Born (1942-09-21) September 21, 1942 (age 81)
Sao Paulo, Brazil
Education Washington University in St. Louis
Websitejoselycarvalho.com

Josely Carvalho (born September 21, 1942) is a Brazilian artist who is based in New York City and Rio de Janeiro.

Contents

She works in a wide range of media including painting, sculpture, printmaking, book art, video, and installation. In the last four decades, her artwork has embraced several mediums and seeks to highlight memory, identity, women issues and social justice while consistently challenges frontiers between artist and public and art and politics. Currently her research is foucused in olfactory art - smells to evoke memories and emotions in her project Diary of Smells. [1] Is an on-going cross-disciplinary sensorial project considering the olfactory as protagonist among other typically dominant components in contemporary art such as video, sound, photography, book-art and installations. Each artwork represents a page from the diary such as URUKU - the forgotten disciplines, Passages, Shards, Glass Ceiling, Affectio.

Education

Carvalho's higher education started at the Armando Alvares Penteado Foundation. Upon moving to the United States, Carvalho graduated with a bachelor's degree from the Washington University School of Architecture in 1967. [1] After she transitioned into a teaching role, she taught at the National Autonomous University of Mexico School of Architecture from 1971–1974. [1] [2]

Selected works

Diary of Smells: Affectio (2019)

Olfactory Interactive Installation [3] [4]

Exhibited at Museu Nacional de Belas Artes (MNBA), Rio de Janeiro, Brazil (May 17th, 2019 - Sep 29th, 2019).

The installation is composed of six original smells: Anoxia, Lacrimae, Barricade, Dust, Pepper and Queen of the Night. Each of the smells were encapsulated and put into blown glass sculptures. The sculptures were spread by the museum creating dialogue with specific pieces from the permanent's collection.

Diary of Smells: Glass Ceiling (2018)

Olfactory Interactive Installation [5] [6]

Exhibited at Museu de Arte Contemporânea de São Paulo (MAC-USP), São Paulo, Brazil (March 3rd, 2018 - June 5th, 2018)

The installation is divided in two parts:

The first one is Estilhaços/ Shards which is composed by six original smells that integrated the homonymous artist's book from 2015. The smells are: Persistence, Affection, Pleasure, Absence, Emptiness, Illusion.

The second part, the visitors could access passing through a printed curtain with the artwork 1888.Upsidedown, encapsulated with the Shards smell. The next room was occupied by the corten steel and glass sculpture Marielle Franco (1979-2018) and six original smells: Anoxia, Lacrimae, Barricade, Dust, Pepper and Queen of the Night. Each of the smells were encapsulated and put into blown glass sculptures.

Shards (2015)

Shards/Estilhaços is an on- going artwork project based on the artist's collection of broken wine glasses. It is  organised through an olfactory artist’s book and site-specific installations.

Shards, It was glass and it broke [7] is a scented artist book that brings together artisanal work and nanotechnology. The scents in this book have their origin in texts by six writers created from the memory of a forgotten smell left in wineglass shards at the moment of breakage. The smells created by the artist with support of Givaudan do Brasil are: Affection, Absence, Illusion, Pleasure, Emptiness, and Persistence. The book cover exudes the fragrance Glass, developed by Nadège Le Garlantezec, performer at Givaudan, Paris. It is trapped in volatile molecules inside the fibers of the handmade paper, produced at the Universidade de Brasilia, to preserve the scent and ensure that it emanates slowly when touched. The book contains seven photographs, a representation of the artist's collection of broken glasses transmuted to fantasy scenarios.

The installation Shards was presented in Center for Book Arts, New York and in Casa da América Latina, Universidade de Brasília, Brazil. [8]

Diary of Smells: Passages (2012)

Olfactory Interactive Installation [9]

Site-specific interactive installation, 1000 resin/glass molded branches, video projection and six channels sound algorithmically manipulated by computer programming, light, mirrored floor tiles, four smells (Smell of Nest, Open Sea, Hot Sun and Wet Earth)

In this installation the 1000 resin/glass branches were configured as an abandoned nest. Smell of Nest exhaled from the sculpture and the other 3 smells were experienced through personal dispensers. Video projected smell memories given previously through a smell-memory-blog by the public

URU-KU: the forgotten disciplines (2011)

Olfactory Interactive Installation [10]

Exhibited at Galeria de Arte Casarão, Viana, Espírito Santo, Brazil (April)

The installation is composed by URU-KU (750 branches dipped in urucum powder and video Ich Kann), Smell Flasks [11] (300 empty perfume glasses which the community was invited to fill with a smell memory and register in a index card) and Book of Smells [12] (18 photographs, artist book and cabinet file).

This project is a result of the artistic residence "Mas que arte que cabe numa cidade?" from Viana district, a city at Espírito Santo state, south-east of Brazil.

Book of Roofs (Livro de Telhas) (1997)

Interactive Installment - videos/photographs [13] [14]

This project was initiated when Carvalho saw a stack of clay tiles and the worker's process of creating these tiles from the initial shaping stage to the final stage of having to place of the tiles. This process, and labor in specific, was art to Carvalho. The major theme in this installment, which include approximately 3,000 tiles, is the idea of shelter and how there is a loss of shelter with the involvement of wars and natural disasters. The loss and destruction of one's shelter then leads to a domino effect that leads to deterioration and damage to one's physical, psychological, and emotional loss of an individual. Carvalho implemented an interactive component which is available in two ways - the interactive website that's available online and allowing viewers become a tile-maker for this installment. In 2000, this online installment earned Carvalho Creative Capital Foundation individual artist grant. Access to installment can be found at http://bookofroofs.com/index.cfm

Cirandas I (1993)

Installation - Videos/photographs [15] [16]

Bring attention to the abuse and violence of children in Brazil as many children had to rely on each other, sell their bodies into prostitution, become drug distributors, and steal whatever was accessible to them for survival. Many of these children were often killed by gunshot wound or decapitation by government officials or citizen vigilante groups to eradicate them from this region. The video installation for this piece featured images of Brazilian children, both dead and alive, and lists all the names and ages of the children that were found dead in Rio de Janeiro in the year 1991.

Rape and Intervention (1984)

Silkscreen [17]

This piece was created for the Artists Call Against the U.S. Intervention in Central America, which was a nationwide call to protest initiated by artists themselves in 1984. Using her notorious silkscreen printing that Carvalho is known for, it features a young girl at the top of the wearing only underwear with soldiers underneath her in military clothes and guns. This collaborative piece was one out of six panel installments discussing themes of rape and intervention that also featured the works of other artists including Catalina Parra, Paulette Nenner and Nancy Spero.

The Silkscreen Project (1976 - 1987)

Founder and director of The Silkscreen Project, which operated at St. Mark's Church in-the-Bowery from 1976 to 1987.

to allow community members to learn silkscreen printing so that they’d be able to make posters and banners to use for protest and activism. [18]

Carvalho created the Latin American Women Artists to bring attention to other Latina artists in the United States. This project was initiated in 1983 and ended in 1987. [18]

Collections

Honors and awards

Publications

Related Research Articles

<span class="mw-page-title-main">São Paulo Art Biennial</span> Art biennial

The São Paulo Art Biennial was founded in 1951 and has been held every two years since. It is the second oldest art biennial in the world after the Venice Biennale, which serves as its role model.

<span class="mw-page-title-main">Cildo Meireles</span> Brazilian artist

Cildo Meireles is a Brazilian conceptual artist, installation artist and sculptor. He is noted especially for his installations, many of which express resistance to political oppression in Brazil. These works, often large and dense, encourage a phenomenological experience via the viewer's interaction.

<span class="mw-page-title-main">Carybé</span> Argentine-Brazilian artist and historian (1911–1997)

Héctor Julio Páride Bernabó was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member.

<span class="mw-page-title-main">Brazilian art</span> Art from Brazil

The creation of art in the geographic area now known as Brazil begins with the earliest records of its human habitation. The original inhabitants of the land, pre-Columbian Indigenous or Natives peoples, produced various forms of art; specific cultures like the Marajoara left sophisticated painted pottery. This area was colonized by Portugal in the 16th century and given the modern name of Brazil. Brazilian art is most commonly used as an umbrella term for art created in this region post Portuguese colonization.

<span class="mw-page-title-main">Hélio Oiticica</span> Brazilian visual artist (1937–1980)

Hélio Oiticica was a Brazilian visual artist, sculptor, painter, performance artist, and theorist, best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art", which included Parangolés and Penetrables, like the famous Tropicália. Oiticica was also a filmmaker and writer.

<span class="mw-page-title-main">Gretta Sarfaty</span>

Gretta Sarfaty, born Alegre Sarfaty, is also known as Gretta Grzywacz and Greta Sarfaty Marchant, also simply as Gretta. is a painter, photographer and multimedia artist who earned international acclaim in the 1970s, from her artistic works related to Body art and Feminism. Born in Greece, in 1947, she moved with her family to São Paulo in 1954, being naturalized as Brazilian.

<span class="mw-page-title-main">Sérgio Valle Duarte</span> Brazilian multimedia artist and fine-art photographer.

Sergio Valle Duarte (born September 26, 1954) is a Brazilian multimedia artist and fine-art photographer.

Anna Maria Maiolino is a Brazilian contemporary artist.

<span class="mw-page-title-main">Museu Afro Brasil</span>

Museu Afro Brasil is a history, artistic and ethnographic museum dedicated to the research, preservation, and exhibition of objects and works related to the cultural sphere of black people in Brazil. It is a public institution held by the Secretariat for Culture of the São Paulo State and managed by the Museu Afro Brasil Association. The museum is located in Ibirapuera Park, a major urban park in São Paulo. The Manoel da Nóbrega Pavilion, designed by Oscar Niemeyer in 1959, houses the Museum. It holds around 6 thousands items and pieces including paintings, sculptures, photos, documents, and archives created between the 15th Century and the present day. The aggregation of pieces includes many works of the African and Afro-Brazilian cultural spheres, ranging from subjects and topics such as religion, labor, and art to the African Diaspora and slavery, whilst registering and affirming the historical trajectory and the African influences in the construction of the Brazilian society. The Museum also offers a diverse range of cultural and didactic activities, temporary expositions, and contains a theater and a specialized library.

<span class="mw-page-title-main">Iole de Freitas</span> Brazilian sculptor, engraver and installation artist

Iole Antunes de Freitas is a Brazilian sculptor, engraver, and installation artist who works in the field of contemporary art. Freitas began her career in the 1970s, participating in a group of artists in Milan, Italy linked to Body art. She used photography. In the 1980s, she returned to Brazil, but abandoned the human body as mediator of her work, adopting the "sculpture body". The artist uses materials such as wire, canvas, steel, copper, stone, and water to create her works.

Waldemar Cordeiro was an Italian-born Brazilian art critic and artist. He worked as a computer artist in the early days of computer art and was a pioneer of the concrete art movement in Latin America.

Hermelindo Fiaminghi was a Brazilian painter, designer, graphic designer, lithographer, professor, and art critic, known for his geometric works and exploration of color.

Geraldo de Barros was a Brazilian painter and photographer who also worked in engraving, graphic arts, and industrial design. He was a leader of the concrete art movement in Brazil, co-founding Grupo Ruptura and was known for his trailblazing work in experimental abstract photography and modernism. According to The Guardian, De Barros was "one of the most influential Brazilian artists of the 20th century." De Barros is best known for his Fotoformas (1946-1952), a series of photographs that used multiple exposures, rotated images, and abstracted forms to capture a phenomenological experience of Brazil's exponential urbanization in the mid-twentieth century.

Tatiana Blass is a Brazilian artist that constructs complex abstract narratives with her performances, paintings, videos, and installations.

Lenora de Barros is a Brazilian artist and poet. She studied linguistics at the University of São Paulo before establishing her artistic practice during the 1970s, and has remained committed to the exploration of language through a variety of media, including video, performance, photography and installation.

Vera Chaves Barcellos is a Brazilian artist and educator. She was featured in the Radical Women show at the Brooklyn Museum in 2018.

Valeska Soares is a Brooklyn-based Brazilian-American sculptor and installation artist.

Marcia Grostein Marcia Grostein is a Brazilian-American artist known for using various mediums across public art, sculpture, painting, video art, photography, and portable wearable art/jewelry. She was the first contemporary Brazilian artist to be acquired by the Metropolitan Museum of Art for the 20th Century Collection by the curator Lowery Sims.

<span class="mw-page-title-main">Museum of Modern Art of Bahia</span> Art museum in Bahia, Brazil

The Museum of Modern Art of Bahia is a modern art museum located in Salvador, Bahia, Brazil. It is located within Solar do Unhão, a historical site dating to the 16th century, on the margin of the Bay of All Saints. The museum was founded in 1960 under the architect Lina Bo Bardi (1914-1992) and initially located in the foyer of the Castro Alves Theater; it moved to its present location in 1963. MAM-BA is one of twelve state museums linked to the Institute of Artistic and Cultural Heritage (IPAC), an authority of the Department of Culture of the State of Bahia.

<span class="mw-page-title-main">Museum of Fine Arts of São Paulo</span> University museum located in São Paulo, Brasil

The Museum of Fine Arts of São Paulo (MuBA) is a university museum located in the neighborhood of Vila Mariana, in the city of São Paulo, Brasil. It opened on September 23, 2007 and was officially registered on April 14, 2008. The museum is connected to the Fine Arts University Center of São Paulo, a private institution of higher learning, and is sustained through the School of Fine Arts Foundation of São Paulo (FEBASP).

References

  1. 1 2 3 4 5 6 7 8 9 10 11 "About Josely Carvalho". Artwork Archive. Retrieved 2019-03-11.
  2. ↑ Fajardo-Hill, Cecilia; Giunta, Andrea; Alonso, Rodrigo (2017). Radical women: Latin American art, 1960–1985. Los Angeles: Hammer Museum and DelMonico Books/Prestel. p. 320. ISBN   9783791356808. OCLC   982089637.
  3. ↑ "Josely Carvalho - Installations - Affectio". josely-carvalho. Retrieved 2021-01-05.
  4. ↑ Museu, Equipe. "Museu Nacional de Belas Artes recebe instalação olfativa de Josely Carvalho". MnBA - Museu Nacional de Belas Artes (in Brazilian Portuguese). Retrieved 2021-01-05.
  5. ↑ "Josely Carvalho - Installations - Glass Ceiling". josely-carvalho. Retrieved 2021-01-05.
  6. ↑ "Diário de Cheiros - Teto de Vidro". www.mac.usp.br. Retrieved 2021-01-05.
  7. ↑ "Josely Carvalho - Olfactory Art - Shards". josely-carvalho. Retrieved 2021-01-07.
  8. ↑ "Josely Carvalho - Installations - Shards". josely-carvalho. Retrieved 2021-01-07.
  9. ↑ "Josely Carvalho - Installations - Diary of Smells: Passages". josely-carvalho. Retrieved 2021-01-07.
  10. ↑ arteepatrimonio (2011-04-01). "URU-KU as disciplinas esquecidas". MAS QUE ARTE CABE NUMA CIDADE? (in Brazilian Portuguese). Retrieved 2021-01-07.
  11. ↑ "Josely Carvalho - Olfactory Art - Smell Flasks". josely-carvalho. Retrieved 2021-01-07.
  12. ↑ "Josely Carvalho - Arte Olfativa - Livro dos Cheiros". josely-carvalho. Retrieved 2021-01-07.
  13. ↑ Carvalho, Josely (1997). "Book of Roofs". bookofroofs.com. Retrieved 2019-03-11.
  14. ↑ "Book of Roofs". Creative Capital. Retrieved March 11, 2019.
  15. ↑ "Carvalho, Josely: Diary of Images: Cirandas I" . Retrieved March 9, 2019.
  16. ↑ Cotter, Holland (1993-10-15). "Art in Review". The New York Times. ISSN   0362-4331 . Retrieved 2019-03-11.
  17. ↑ Wye, Deborah (1988). Committed to Print: Social and Political Themes in Recent American Printed Art . New York: New York: Museum of Modern Art. pp.  78. ISBN   9780870702990.
  18. 1 2 3 4 5 6 Herzberg, Julia P. "An Overview of Josely Carvalho" (PDF). Retrieved March 9, 2019.
  19. 1 2 3 4 5 "Josely Carvalho Biography – Josely Carvalho on artnet". www.artnet.com. Retrieved 2019-03-11.
  20. ↑ "Diário de Imagens | Diary of ImagesJosely Carvalho". Contra Capa (in Brazilian Portuguese). Retrieved 2021-01-05.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.