Carl Lee Perkins was an American guitarist, singer and songwriter. A rockabilly great and pioneer of rock and roll, he began his recording career at the Sun Studio, in Memphis, beginning in 1954. Among his best-known songs are "Blue Suede Shoes", "Honey Don't", "Matchbox" and "Everybody's Trying to Be My Baby".
Winfield Scott Moore III was an American guitarist who formed The Blue Moon Boys in 1954, Elvis Presley's backing band. He was studio and touring guitarist for Presley between 1954 and 1968.
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" and "hillbilly", the latter a reference to the country music that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues.
John Len Chatman, known professionally as Memphis Slim, was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.
The story of Tennessee's contribution to American music is essentially the story of three cities: Nashville, Memphis, and Bristol. While Nashville is most famous for its status as the long-time capital of country music, Bristol is recognized as the "Birthplace of Country Music". Memphis musicians have had an enormous influence on blues, early rock and roll, R&B, and soul music, as well as an increasing presence in rap.
William Patton Black Jr. was an American musician and bandleader who is noted as one of the pioneers of rock and roll. He played in Elvis Presley's early trio, The Blue Moon Boys. Black later formed Bill Black's Combo.
Benjamin Francis Webster was an American jazz tenor saxophonist.
Booker Little Jr. was an American jazz trumpeter and composer. He appeared on many recordings in his short career, both as a sideman and as a leader. Little performed with Max Roach, John Coltrane, and Eric Dolphy and was strongly influenced by Sonny Rollins and Clifford Brown. He died aged 23.
Bob Loyce Moore was an American session musician, orchestra leader, and double bassist who was a member of the Nashville A-Team during the 1950s and 1960s. He performed on over 17,000 documented recording sessions, backing popular acts such as Elvis Presley and Roy Orbison. Bob was also the father of multi-instrumentalist R. Stevie Moore, who pioneered lo-fi/DIY music. The New York Times called him "an architect of the Nashville Sound of the 1950s and '60s" in his obituary.
George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.
Bruce Hampton was an American musician. He was a key figure in the Atlanta, Georgia music scene, mentoring numerous other musicians who became national stars. His own musical style was avant-garde, combining elements of jazz, fusion, southern rock and jam band styles.
Edward Louis Smith was an American jazz trumpeter from Memphis, Tennessee.
Alex Chilton was an American musician, singer-songwriter and record producer, best known as the lead singer of the Box Tops and Big Star. Chilton's early commercial success in the 1960s as a teen vocalist for the Box Tops was never repeated in later years with Big Star and in his subsequent indie music solo career on small labels, but he drew an intense following among indie and alternative rock musicians. He is frequently cited as a seminal influence by influential rock artists and bands, some of whose testimonials appeared in the 2012 documentary Big Star: Nothing Can Hurt Me.
The Blue Moon Boys were an American rock and roll band that was formed by Elvis Presley, lead guitarist Scotty Moore and double bass player Bill Black. The group members were introduced by Sun Studio owner Sam Phillips in 1954, except for drummer D.J. Fontana, who joined the group during a Louisiana Hayride tour in 1955. The Blue Moon Boys were inducted into the Musicians Hall of Fame and Museum in 2007. The band was named after Bill Monroe's song "Blue Moon of Kentucky".
Low Ride is the 9th studio album by Earl Klugh released in 1983. The album features Klugh's signature sound of blending "heavy, rhythm-and-blues-oriented background with the feathery sound of Klugh". Conductor and arranger David Matthews joins Klugh on the orchestrated song "Christina".
Lawrence "Booker T." Laury was an American boogie-woogie, blues, gospel and jazz pianist and singer. Laury worked with Memphis Slim and Mose Vinson but did not record his debut album until he was in his late sixties. He appeared in two films; Great Balls of Fire!, the biopic about Jerry Lee Lewis' early career, and the documentary Deep Blues: A Musical Pilgrimage to the Crossroads, in which musicologist, writer and blues producer Robert Palmer, along with Dave Stewart from the band Eurythmics, interview and play with blues musicians from Memphis, Tennessee, and the North Hill Country of Mississippi.
The Christian Brothers Band of Christian Brothers High School is the oldest high school band in America, having a continuous existence since its founding in 1872. The band was founded in the fall of 1872 by Br. Maurelian, who served as the first band director. The first recorded performance of the group was in the Memphis St. Patrick's Day Parade of 1873, and the band has performed every year since. The band has an unbroken lineage of ten band directors.
Luico Hopper is an American musician who plays the bass, and an equestrian.
Daniel Martin Moore is an American singer, musician, songwriter, and producer.
While the French horn is primarily used in classical music pieces, in the mid-20th century it broke into the jazz world. While the instrument remains relatively rare, the role of the French horn in jazz has developed from its beginnings in the 1940s through to the 2010s. Note that the expression "horns" in jazz is often used colloquially to refer to all wind instruments used in jazz
