Juan Noa was the pen-name of John Henry Cleator, a Manx dialect poet and playwright active from the 1920s to the 1960s in the Isle of Man.
Cleator ran the family drapery business, [1] located at 24 Parliament Street, Ramsey. [2] He was married, to Hilda Vondy, and lived at Claughbane. [3] He was a member of the Guild Committee and served on the Ramsey Commissioners for many years. [3] After his retirement, Cleator made frequent trips to visit family in Chicago. It was whilst in America in December 1962 that he fell ill. He returned by air to the Isle of Man and was transferred on a stretcher from the aeroplane to Noble's Hospital where he died three weeks later on 2 January 1963. [3]
Cleator’s first published poem, 'A Story that's Thrue of a Moddey Dhoo,' appeared in the Ramsey Courier in May 1927 when it appeared under the pen-name of 'Juan Thubm Billy-yn-Clayragh Jonnie.' [4] This and his next poem, 'The Big Buggane', both of which were later to appear in Manx Yarns, were described in the Manx press as being ‘distinctly spirited, true to the Manx character and the incidents of Manx country life’ noting that Cleator was ‘a Manx dialect writer of decided talent.’ [5] Also in 1927, Cleator started to enter the Yn Chruinnaght competitions, winning the award for the best story in Manx dialect in that year. [6] After successes in Manx dialect classes at Yn Chruinnaght and in performances of his poems, Manx Yarns was published in December 1930. A newspaper report described the publication in the following terms: [7]
A delightful book of "Manx Yarns," in verse, breathing the very atmosphere of Manx country life, has just been published from the offices of this paper. The author chooses to hide his identity under the name of "Juan Noa," but many of his friends will recognise his "yarns" as some of the most popular concert items of recent years and it is at the request of these friends that he has had them published. Two of them were recited by Mr Leighton Stowell at Ramsey’s welcome to the Homecomers, and "brought down the house."
Over 30 years later, it was said that the poems of this collection had been 'recited in every village in the Island. No Manx concert would be complete without one of John Cleator’s poems.' [8]
The book originally featured 16 poems, but ‘Isle of Our Fathers’ was also added in reprints made after December 1942. [9] The collection was Cleator’s only published collection of poetry and it features all of his best-known works, including 'Owl Bobby Bob', 'Betsy Juan-y-Voallyah' and 'The Spoot-Vane Moddey-Dhoo'. These poems remain popular pieces for performances at Manx events today, with a recent performance by Bob Carswell being recorded at Maughold in 2014. [10] Cleator's poems also feature on numerous CDs of Manx dialect recordings, notably Mostly T. E. Brown by Laurence Kermode, which features readings of five of Cleator's poems. [11] In contemporary popular Manx culture, the first line of Cleator’s poem, 'Owl' Bobby Bob', features as the refrain of the Claare ny Geal programme on Manx Radio.
Cleator's poetry was frequently performed at gatherings on the Isle of Man alongside other forms of Manx entertainment. Although he was to perform alongside other poets such as Kathleen Faragher, [12] his closest relationship as a performer was with Leighton Stowell, as a reciter, a performer, actor and as a leader of Manx dancers.
Cleator wrote a number of plays, the most popular of which was The Raformah. The play's first appearance came at the 1930 Yn Chruinnaght, where it won the Gold Medal. [13] It went on to be performed around the Isle of Man and beyond, including at Ramsey, [13] Douglas, Peel, [14] Liverpool and London. [15] It was after the 1937 performance of the Ramsey Players in Liverpool (with Leighton Stowell in the role as Tom Keolyah) that the press noted that: [15]
The Raformah is, perhaps, the best known and one of the most popular of all Manx plays, and, no matter how often it is presented, people who have seen it before seem to find fresh pleasure in the performance each time.
The play was published in book form in December 1945, [16] it is the only play of Cleator's to have been published.
Cleator's next play was The Evil One produced in 1938, with Cleator himself taking one of the roles. [17] This was followed by The Phynnodderies, first performed by the London Manx Society in London in 1946. [18]
Cleator continued to write Manx dialect theatre into the 1960s, close to the end of his life. A letter to Leighton Stowell in 1960 reveals that at least two new three-act plays on Manx historical themes were finished at that time. [8] These later plays are unpublished and their whereabouts is unknown.
Yn Chruinnaght is a cultural festival in the Isle of Man which celebrates Manx music, Manx language and culture, and links with other Celtic cultures.
Literature in the Manx language is known from the 16th century. Early works were often religious in theme, including translations of the Book of Common Prayer, the Bible and Milton's Paradise Lost. Edward Faragher, who published poems, stories and translations, is considered the last major native writer of the language. The historian A. W. Moore collected traditional Manx-language songs and ballads in publications towards the end of the 19th century.
Maughold is one of the seventeen parishes of the Isle of Man. It is named for St Maughold, the island's patron saint.
John Joseph Kneen was a Manx linguist and scholar renowned for his seminal works on Manx grammar and on the place names and personal names of the Isle of Man. He is also a significant Manx dialect playwright and translator of Manx poetry. He is commonly best known for his translation of the Manx National Anthem into Manx.
The Master of Man: The Story of a Sin was a best-selling 1921 novel by Hall Caine. The fictional story is set on the Isle of Man and is concerned with Victor Stowell, the Deemster's son, who commits a romantic indiscretion and then gives up on all of his principles in order to keep it a secret. However, in the face of the mounting consequences, Victor confesses publicly to his crime and is punished, but redemption comes through a woman's love. The penultimate of Caine's novels, it is romantic and moralistic, returning to his regular themes of sin, justice and atonement, whilst also addressing "the woman question." It was adapted for a film entitled Name the Man in 1924 by Victor Sjöström.
Mona Douglas was a Manx cultural activist, folklorist, poet, novelist and journalist. She is recognised as the main driving force behind the modern revival of Manx culture and is acknowledged as the most influential Manx poet of the 20th century, but she is best known for her often controversial work to preserve and revive traditional Manx folk music and dance. She was involved in a great number of initiatives to revive interest and activity in Manx culture, including societies, classes, publications and youth groups. The most notable and successful of these was Yn Chruinnaght.
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Kathleen Faragher (1904–1974) was the most significant and prolific Manx dialect writer of the mid twentieth century. She is best known for her poems first published in the Ramsey Courier and collected into five books published between 1955 and 1967. She was also a prolific short story writer and playwright. Her work is renowned for its humour born of a keen observation of Manx characters, and for its evocative portrayal of the Isle of Man and its people.
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