Juanita Pitts was an African-American tap dancer. [1] During performances, she was known to wear a tuxedo and Oxford shoes, which was common attire for male tap dancers at the time. However, during her life she "danced in relative obscurity". [2]
Pitts was from Philadelphia and performed on stage and in clubs as a headliner, mainly in the 1930s and 1940s. [3] [1] She danced an act titled "Pitts and Pitts" [3] and performed with her husband, Leroy, until he became ill. [4] Pitts wore men's suits while performing, including a white three-piece suit, and she "had a style of close-to-the-floor rhythm tapping". [1] [5] In 1945, she appeared in the short film It Happened in Harlem , [4] credited on movie posters as "Pitter-Patter" Pitts. Her dancing career continued on into the mid-1950s, and she performed at the Howard Theatre in the 1950s as well as at smaller clubs [4] [6] and the Apollo in New York City. [7] [8]
The Village Voice stated that after tap dancer Louise Madison, Pitts was "the best among the female rhythm tappers" and she "could dance toe to toe with the great male dancer Teddy Hale". [2] Tap dancer LaVaughn Robinson said she performed at the Two Bit Club, stating, "And anytime she came through there, she had a job. Do you understand what I'm saying? And regardless to who the dancers was, if she came through and wanted to work....she was always welcome to dance at the Two Bit Club." [9] Tap dancer Frances Nealy mentioned she saw Pitts for the first time at Club Eureka in Sacramento, California, later reflecting, "Well, she was such a terrific dancer. I'd never seen a woman dance like she did before. She danced like the guys." [3] In 2007, tap dancer Jason Samuels Smith mentioned that important people in tap dance are often omitted from the history when tap is taught, including Pitts. [10]
Around 1998, Pitts was included in a touring film and photo exhibition from the Philadelphia Folklore Project. [2] A 2005 documentary titled "Plenty of Good Woman Dancers: African American Woman Hoofers From Philadelphia" includes footage of Pitts. [11] A 2009 performance titled "Thank You, Gregory" gave tribute to Pitts, along with other dancers in tap history. [12] [13] A 2016 performance named "While I Have the Floor", by Ayodele Casel, gave tribute to "tap’s forgotten women" including Pitts, Jeni LeGon and Lois Bright. [14] A section of the dance performance "Tap in Time" was inspired by Juanita Pitts. [15]
Tap dance is a form of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. Two major variations on tap dance exist: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the jazz tradition.
The Apollo Theater is a multi-use theater at 253 West 125th Street between Adam Clayton Powell Jr. Boulevard and Frederick Douglass Boulevard in the Harlem neighborhood of Upper Manhattan in New York City. It is a noted venue for African-American performers and is the home of the TV show Showtime at the Apollo. The theater, which has approximately 1,500 seats across three levels, was designed by George Keister in the neo-Classical style. The venue was often referred to as the "125th Street Apollo" to distinguish it from the Apollo Theatre on 42nd Street, a Broadway theater. The facade and interior of the theater are designated as New York City Landmarks and are listed on the National Register of Historic Places.
The Nicholas Brothers were an entertainment act composed of brothers, Fayard (1914–2006) and Harold (1921–2000), who excelled in a variety of dance techniques, primarily between the 1930s and 1950s. Best known for their unique interpretation of a highly acrobatic technique known as "flash dancing", they were also considered by many to be the greatest tap dancers of their day, if not all time. Their virtuoso performance in the musical number "Jumpin' Jive" featured in the 1943 movie Stormy Weather has been praised as one of the greatest dance routines ever captured on film.
Charles “Honi” Coles was an American actor and tap dancer, who was inducted posthumously into the American Tap Dance Hall of Fame in 2003. He had a distinctive personal style that required technical precision, high-speed tapping, and a close-to-the-floor style where "the legs and feet did the work". Coles was also half of the professional tap dancing duo Coles and Atkins, whose specialty was performing with elegant style through various tap steps such as "swing dance", "over the top", "bebop", "buck and wing", and "slow drag".
Bettye LaVette is an American soul singer-songwriter who made her first record at sixteen, but achieved only intermittent fame until 2005, when her album I've Got My Own Hell to Raise was released to widespread critical acclaim, and was named on many critics' "Best of 2005" lists. Her next album, The Scene of the Crime, debuted at number one on Billboard's Top Blues Albums chart and was nominated for Best Contemporary Blues Album at the 2008 Grammy Awards.
Howard "Sandman" Sims was an African-American tap dancer who began his career in vaudeville. He was skilled in a style of dancing that he performed in a wooden sandbox of his own construction, and acquired his nickname from the sand he sprinkled to alter and amplify the sound of his dance steps. "They called the board my Stradivarius," Sims said of his sandbox.
LaVaughn Robinson was an American tap dancer, choreographer, and teacher.
The Clark Brothers, consisting of Steve and James ("Jimmy"), were an American double act, who achieved success in Britain in the postwar period. They were thought to be the last of the "brothers" acts of tap-dancing's golden age. During their career, they appeared alongside Frank Sinatra and The Beatles, and opened The Sands in Las Vegas. The Clark Brothers also played at Madison Square Gardens and the Apollo Theatre in New York.
Ernest "Brownie" Brown was an African American tap dancer and last surviving member of the Original Copasetics. He was the dance partner of Charles "Cookie" Cook, with whom he performed from the days of vaudeville into the 1960s, and of Reginald McLaughlin, also known as "Reggio the Hoofer," from 1996 until Brown's death in 2009.
Jeni LeGon, also credited as Jeni Le Gon, was an American dancer, dance instructor, and actress. She was one of the first African-American women to establish a solo career in tap dance.
The Silver Belles were an American female tap dance troupe established in Harlem, New York City.
Mable Lee, sometimes spelled Mabel Lee, was an American jazz tap dancer, singer, and entertainer. Lee appeared on Broadway, at the Apollo Theater, and was known as "Queen of the Soundies" due to her numerous performances in the films.
Roxane Semadini is a tap dancer from Toulon in southern France, active in the United States. She was nicknamed 'Butterfly' by Jimmy Slyde, and performs as Roxane Butterfly. In 2002 she was included in a list of '25 to watch' published by Dance Magazine.
It Happened in Harlem is an American musical comedy film directed by Bud Pollard and starring Chris Columbus, Phil Gomez, and Nicky O'Daniel. The film was partly shot at Smalls Paradise and released in 1945.
Juanita Boisseau, also known as Juanita Boisseau Ramseur, was an American dancer. She is best known for starring at the world famous jazz club Cotton Club in New York.
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Hortense Allen Jordan was an African-American dancer, choreographer, costume designer, and producer.
Gary "Pete" Nugent was an American tap dancer known as "Public Tapper, Number 1". He was also part of the class act, Pete, Peaches, and Duke.
Germaine Ingram is an American lawyer, dancer, and choreographer. She was also the first Black woman to be appointed as a full-time faculty member at Temple University School of Law in Philadelphia in 1972. Prior to earning the title of assistant professor, Ingram served as a law clerk in Pennsylvania's Supreme Court for Judge Theodore Spaulding. Furthermore, she was the recipient of the Rocky Award from DanceUSA in 2011 and the Tap Preservation Award in 2016, among many others.
Louise Madison was an American tap dancer. Little about her life and career are known. She was born and raised in Philadelphia, and frequently praised by other tap dancers of her time, who described her tap style as "like a man". She often performed in nontraditional clothing for a female tap dancer at the time, such as low-heeled shoes and "white tails".