Julia Hammett-Jamart

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Julia Hammett-Jamart
Julia Hammett-Jamart.jpg
Born
Julia Hammett

19 December 1969
Australia
NationalityAustralian/British
Other namesDr Julia Hammett-Jamart PhD
Occupation(s)Filmmaker, Scholar, Educator
Known forProduction of award-winning documentary and short-form drama. Ground-breaking research into film policy implementation on international co-productions.
Notable workThe Sound of Therapy (SBS-TV 1991), European Film and Television Co-production (Palgrave Macmillan 2018).

Julia Hammett-Jamart is an Australian filmmaker, scholar and educator, based in France. She forged her career in the Australian film industry, working firstly in film and television production, where she directed and produced projects for national broadcast, before expanding her professional engagement to include screen policy and education.

Contents

Career

Her first documentary, The Sound of Therapy , focused on the use of music therapy with developmentally delayed children. It was screened nationally by the Australian public broadcaster, Special Broadcasting Service, received extensive media attention [1] [2] [3] [4] [5] and earned her a place at the Australian Film, Television and Radio School. [6] She subsequently made numerous short films [7] including Surrender [8] [9] which achieved theatrical release with AFI Distribution and received positive critical attention within Australia and at international film festivals. [10]

From 2004 to 2008, Hammett-Jamart held senior policy positions within the Australian government's film funding agencies (Policy Officer, Manager Governance and Strategic Planning). She was a member of the Transition Team responsible for overseeing the merger of the Film Finance Corporation Australia, the Australian Film Commission and Film Australia into the current single agency, Screen Australia.

Since obtaining her PhD in Media and Communications, [11] [12] she has published extensively on screen policy [13] [14] [15] and delivered lectures at key international conferences and institutions including the US Society for Cinema and Media Studies (SCMS), the European Network for Cinema and Media Studies (NECS), King's College London [16] the British Institute in Paris, the University of Copenhagen, [17] and the Institut National d'Histoire de l'Art. [18] Hammett-Jamart is known in particular for her research into policy implementation on international co-productions [19] [20] [21] [22] [23] [24] and has held visiting fellowships at the Université Paris III (UFR Arts et Medias) and the University of London.

In 2016 she co-founded the Coproduction Research Network. Under its auspices, she has undertaken consultancies for major European public institutions including the European Audiovisual Observatory [25] and has co-edited and co-authored the collected volume volume European Film and Television Co-production: Policy and Practice . [26] [27] She is a member of the Steering Committee of the Produire au Sud 'Scholar in Residence' program at the Festival des Trois Continents and teaches in the professional Masters program [28] at the Université Paris III, La Sorbonne Nouvelle.

Publications

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References

  1. ↑ Mason, David (26 May 1991). "Film Rookie in a Hurry". The Sunday Telegraph.
  2. ↑ Stewart, Alison (6 May 1991). "Guide Preview: Through Australian Eyes". The Sydney Morning Herald.
  3. ↑ "Universal Language". Northern Herald. 9 May 1991.
  4. ↑ "Through Australian Eyes". TV Week. 11 May 1991.
  5. ↑ "Program Review: Through Australian Eyes". Brisbane Courier. 11 May 1991.
  6. ↑ "Graduate Profile". AFTRS. Australian Film Television and Radio School. Retrieved 7 June 2017.
  7. ↑ "The Screen Guide". Screen Australia. Australian Government. Retrieved 7 June 2017.
  8. ↑ "Surrender [videorecording]". primo-slnsw.hosted.exlibrisgroup.com.
  9. ↑ Bailey, Julie Francis; Hammett-Jamart, Julia (1994). Surrender. South Melbourne: AFI Distribution. Retrieved 7 June 2017.
  10. ↑ Tubb, Rochelle (23 April 1995). "Film Graduates Under Spotlight". Sun Herald.
  11. ↑ "University of Wollongong Graduates: July 22, 23 and 24, 2015". The Illawarra Mercury. 25 July 2015. Retrieved 7 June 2017.
  12. ↑ Hammett-Jamart, Julia (2014). "Trade in National Cinema: Australian Film Policy Implementation on French-Australia co-productions 1986–2006". University of Wollongong Thesis Collection 1954-2016. Retrieved 7 June 2017.
  13. ↑ Hammett-Jamart, Julia (1 May 2004). "Regulating Diversity: Cultural Diversity, National Film Policy and the International Coproduction of Films". Media International Incorporating Culture and Policy. 111 (111): 46–62. doi:10.1177/1329878X0411100107. S2CID   146503320.
  14. ↑ Hammett-Jamart, Julia (March 2004). "Context for International Co-production". Metro Magazine (140): 122–126. Retrieved 7 June 2017.
  15. ↑ Hammett-Jamart, Julia (2017), "Bridging the Gap: Towards a Dialogue between Screen Production, Policy and Scholarship", Reconceptualising Film Policies, Routledge, doi:10.4324/9781315189932-15, ISBN   978-1-315-18993-2 , retrieved 20 November 2023
  16. ↑ King's College London (June 2002). Menzies Centre for Australian Studies Annual Report 2001-2002 (PDF). University of London.
  17. ↑ Raben-Levetzau, Lene (11 March 2019). "Book Launch: European Film and Television Co-production Policy and Practice". cemes.ku.dk. Retrieved 9 December 2020.
  18. ↑ "Institut national d'histoire de l'art - INHA". www.inha.fr (in French). 3 January 2022. Retrieved 30 January 2022.
  19. ↑ Goldsmith, Ben; Spurgeon, Christina (1 May 2004). "Introduction: Culture, Trade, Services". Media International Incorporating Culture and Policy. 111 (111): 46–62. doi:10.1177/1329878X0411100107. S2CID   146503320.
  20. ↑ Yue, Audrey (2014). Sinophone Cinemas. UK: Palgrave Macmillan. pp. 185–202. ISBN   978-1-349-45687-1.
  21. ↑ Khoo, Olivia; Smaill, Belinda; Yue, Audrey (2013). Transnational Australian Cinema: Ethics in the Asian Diasporas. Plymouth UK: Lexington Books. p. 188. ISBN   9780739173244 . Retrieved 7 June 2017.
  22. ↑ Baltruschat, Doris (2010). Global Media Ecologies: Networked Production in Film and Television. New York: Routledge. ISBN   9781136966170 . Retrieved 7 June 2017.
  23. ↑ Baltruschat, Doris; Erickson, Mary P (2015). Independent Filmmaking Around the Globe. Toronto: University of Toronto Press. ISBN   9781442626836 . Retrieved 7 June 2017.
  24. ↑ Brean, Samuel (25 October 2013). "Film and TV Policies in English-speaking Countries". In Media: The French Journal of Media Studies (5). doi:10.4000/inmedia.809.
  25. ↑ https://rm.coe.int/mapping-of-film-and-audiovisual-public-funding-criteria-in-the-eu/1680947b6c
  26. ↑ European Film and Television Co-production | SpringerLink.{{cite book}}: |website= ignored (help)
  27. ↑ Hammett-Jamart, Julia; et al. (2018). European Film and Television Co-production: Policy and Practice. London: Palgrave Macmillan. ISBN   978-3-319-97156-8.
  28. ↑ https://www.formasup-paris.com/pdf/formation_pdf/197
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