Julia Robinson | |
---|---|
Born | Julia Robinson 1981 (age 42–43) |
Nationality | Australian |
Education | Adelaide Central School of Art |
Known for | Sculpture, Installation art |
Awards | SALA Festival/The Advertiser (Adelaide) Contemporary Art Prize, 2016 |
Website | julia-robinson |
Julia Robinson is an Australian artist and arts educator based in Adelaide, South Australia. She lectures at Adelaide Central School of Art and her work has been included in the Adelaide Biennial of Australian Art in 2016 and The National (New Australian Art) in 2019.
Julia Robinson was born in Adelaide in 1981 [1] and studied visual arts at Adelaide Central School of Art. [2]
Robinson works in sculpture and installation art, using textiles and costuming techniques to produce her sculptures. [3] She makes animal figures from scratch, using flywire, fabrics and other materials. [4] Sex and death are major themes of her work [5] and she draws her inspiration from folklore, mythology and the occult. [6]
Her artwork, Beatrice, featured in the 2020 Adelaide Biennial of Australian Art and exhibited at the Museum of Economic Botany, [7] is inspired by Scylla from Homer's The Odyssey and Nathaniel Hawthorne's short story, "Rappacini’s Daughter". [8]
Robninson lectures at Adelaide Central School of Art. [9]
Robinson's work has been included in the Adelaide Biennial of Australian Art in 2016 [11] and 2020 [12] and The National (New Australian Art) in 2019. [13]
Robinson married to fellow artist Roy Ananda. [22]
The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia. As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east.
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Julie Robinson is Senior Curator of Prints, Drawings & Photographs at the Art Gallery of South Australia, where she has worked since 1988, and is also on the teaching staff at the University of Adelaide, where she offers supervision in Art History. Her curatorial projects include Candid Camera: Australian Photography 1950s–1970s (2010) and A Century in Focus: South Australian Photography 1840s-1940s (2007). Writing about the latter while national arts critic of The Australian, Pulitzer Prize-winning critic Sebastian Smee said: "If you are at all interested in Australian photography, whether or not you are from SA, you will want to see this show, or at least get hold of the catalogue".
Adelaide Central School of Art is an independent, not-for-profit, accredited higher education provider of tertiary courses in the visual arts, located in Adelaide, Australia. Adelaide Central School of Art uses the atelier model of visual arts education. The school offers an associate degree of Visual Art, Bachelor of Visual Art, and Bachelor of Visual Art (Hons), and short courses, workshops and masterclasses.
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" My work is a way of holding on to the world. My sculptures and drawings are figurative and modernist in expression, with curved forms, an insistent use of black and a marked surrealist accent."
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