The University of Winnipeg is a public research university in Winnipeg, Manitoba, Canada. It offers undergraduate programs in art, business, economics, education, science and applied health as well as graduate programs. UWinnipeg's founding colleges were Manitoba College and Wesley College, which merged to form United College in 1938. The University of Winnipeg was established in 1967 when United College received its charter.
The Winnipeg Art Gallery (WAG) is an art museum in Winnipeg, Manitoba, Canada. Its permanent collection includes over 24,000 works from Canadian, Indigenous Canadian, and international artists. The museum also holds the world's largest collection of Inuit art. In addition to exhibits for its collection, the museum has organized and hosted a number of travelling arts exhibitions. Its building complex consists of a main building that includes 11,000 square metres (120,000 sq ft) of indoor space and the adjacent 3,700-square-metre (40,000 sq ft) Qaumajuq building.
Robert Houle is a Saulteaux First Nations Canadian artist, curator, critic, and educator. Houle has had an active curatorial and artistic practice since the mid-1970s. He played an important role in bridging the gap between contemporary First Nations artists and the broader Canadian art scene through his writing and involvement in early important high-profile exhibitions such as Land, Spirit, Power: First Nations at the National Gallery of Canada. As an artist, Houle has shown both nationally and internationally. He is predominantly a painter working in the tradition of Abstraction, yet he has also embraced a pop sensibility by incorporating everyday images and text into his works. His work addresses lingering aspects of colonialism and their effects on First Nation peoples. Houle often appropriates historical photographs and texts, repurposing and combining them with Anishnaabe language and traditionally used materials such as porcupine quills within his works.
Lori Blondeau is a Cree/Saulteaux/Métis artist working primarily in performance art, but also in installation and photography. Blondeau is a member of the Gordon First Nation, and is based in Winnipeg, Manitoba.
Michelle LaVallee is a Canadian curator, artist, and educator. She is Ojibway and a member of the Chippewas of Nawash Unceded First Nation in Cape Croker, Ontario. She has BFA (2000) and BEd (2004) degrees from York University in Toronto.
Rae Johnson (1953-2020) was a Canadian painter who lived in Toronto, Canada.
Candice Hopkins is a Carcross/Tagish First Nation independent curator, writer, and researcher who predominantly explores areas of indigenous history, and art.
Heather L. Igloliorte is an Inuk scholar, independent curator and art historian from Nunatsiavut.
Skeena Reece is a Canadian First Nations artist whose multi-disciplinary practice includes such genres as performance art, "sacred clowning," songwriting, and video art. Reece is of Cree, Tsimshian, Gitksan, and Métis descent.
Jaimie Isaac is a Winnipeg-based Anishinaabe artist and curator.
Wanda Nanibush is an Anishinaabe curator, artist and educator based in Toronto, Ontario. She is the curator of Indigenous Art at the Art Gallery of Ontario, and the author of the 2017 book Violence No More: The Rise of Indigenous Women
Georgiana Uhlyarik-Nicolae, also known as Georgiana Uhlyarik is a Romanian-born Canadian art curator, art historian, and teacher. She is currently the Fredrik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario (AGO). She has been part of the team or led teams that created numerous exhibitions, on subjects such as Betty Goodwin, Michael Snow, and Kathleen Munn among others and collaborated with art organizations such as the Tate Modern, and the Jewish Museum, New York.
Siku Allooloo is an Inuk/Haitian Taíno writer, artist, facilitator and land-based educator from Denendeh, Northwest Territories and Pond Inlet, Nunavut in Canada. Allooloo's works incorporates the legacies of resistance to settler colonialism, and revitalization of Indigenous communities. Through her writing, visual art, and activism, Allooloo fights against colonial violence on indigenous women. She won Briarpatch magazine's 2016 creative nonfiction contest with the piece titled "Living Death".
Katherine Boyer is a Métis artist, whose multidisciplinary practice focuses primarily on the mediums of sculpture, printmaking and beadwork. She was born and raised in Regina, Saskatchewan, but currently resides in Winnipeg, Manitoba—a location that has had a direct influence on her current artistic practice.
Tsēma Igharas, formerly known as Tamara Skubovius, is an interdisciplinary artist and member of the Tāłtān First Nation based in Vancouver, British Columbia. Igharas uses Potlatch methodology in making art, to assert the relationships between bodies and the world, and to challenge colonial systems of value and measurement of land and resources.
Nancy Dillow, born Nancy Elizabeth Robertson, was a Canadian museum director, curator and writer.
Asinnajaq, a.k.a.Isabella Rose Rowan-Weetaluktuk, is a Canadian Inuk visual artist, writer, filmmaker, and curator, from Inukjuak, Quebec. She is most noted for her 2017 film Three Thousand, which received a Canadian Screen Award nomination for Best Short Documentary Film at the 6th Canadian Screen Awards.
Nicotye Samayualie is a Canadian Inuk artist from Cape Dorset, Nunavut. Samayualie specializes in drawings of still lifes and landscapes. She often uses large-format drawings to create expansive images of Cape Dorset landscapes.
Dylan Robinson is a xwélmexw (Stó:lō/Skwah) artist, curator and writer whose "research focuses on the sensory politics of Indigenous activism and the arts, and questions how Indigenous rights and settler colonialism are embodied and spatialized in public space." Robinson holds the Canada Research Chair in Indigenous Arts and is the co-chair of the recently formed Indigenous Advisory Council for the Canadian Music Centre. In November 2021, the University of British Columbia School of Music announced that Robinson was appointed Associate Professor and will begin as of July 1, 2022. Robinson is also learner of Halq'eméylem, the language spoken by the Stó:lō people.
Anna Victoria Hudson is an art historian, curator, writer and educator specializing in Canadian Art, Curatorial and Indigenous Studies who is the Director of the Graduate Program in Art History & Visual Culture at York University, Toronto.
