| Junior Citizen | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | February 14, 1995 | |||
| Recorded | 1994, Smart Studios, Madison, Wisconsin | |||
| Genre | Alternative rock, punk rock | |||
| Length | 45:08 | |||
| Label | Sire | |||
| Producer | Brian Anderson, Poster Children | |||
| Poster Children chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Encyclopedia of Popular Music |  [2] |
| MusicHound Rock: The Essential Album Guide | [3] |
Junior Citizen is the fourth album by the American alternative rock band Poster Children, released in 1995. [4] [5]
The recording sessions took place at Smart Studios in Madison, Wisconsin. [2] The album was produced by Brian Anderson and the band. [3]
Trouser Press wrote that "[Rick] Valentin’s vocals have never been more pronounced, the rhythms never more insistent (or rigid), the tunes never punchier or more melodic." [6] The Washington Post wrote that "the band's lack of a distinctive style does undermine the effectiveness of such catchy tracks as 'He's My Star' and 'New Boyfriend'." [7] CMJ New Music Monthly thought that "the raw power of the band's early material has become superseded by technical noodling." [8]
B-Sides and Otherwise is a rarities compilation album by the alternative rock band Morphine, released in September 1997 by Rykodisc. It features B-Sides and other rare tracks not otherwise available on the band's studio albums.
Alice Donut is a punk rock band from New York City formed in 1986. The band released six albums before splitting up in 1996. They reformed in 2001.
Poster Children is an American indie rock band formed at the University of Illinois Urbana-Champaign in 1987. They have issued nine studio albums and two EPs. Known for their strong DIY ethic, the band members continue to drive their own tour bus, create their own artwork and T-shirt designs, and operate their own record label. Poster Children were also pioneers in several forms of electronic technology relating to performance art, including enhanced CDs, webcasts, and blogs.
Tool of the Man is the third album by American alternative rock band Poster Children, released in 1993. The title of the album comes from graffiti written in dust on the band's van during the South by Southwest Festival: "Poster Children, Band of the Year, Tool of the Man." The album art consists of several optical illusions, including an afterimage of the United States flag on the front cover.
RTFM is the fifth album by the American alternative rock band Poster Children, released in 1997. The title comes from the term RTFM, short for "Read The Fucking Manual". It was issued as an enhanced CD.
New World Record is the sixth album by American alternative rock band Poster Children, released in 1999. It was the first album recorded in their own studio, Tedium. It was among the first albums made available for purchase in the MP3 format.
DDD is the seventh album by American alternative rock band Poster Children, released in 2000. It derives its name from the SPARS Code for a digitally recorded, mixed, and mastered album.
No More Songs About Sleep and Fire is the eighth album by American alternative rock band Poster Children, released in 2004. The version released on enhanced CD-ROM features a layered front cover design, and is enhanced with the video for "Western Springs." The CD-ROM also features an album-length commentary track. The vinyl issue includes an exclusive lyric sheet.
Wide Swing Tremolo is the third studio album by alternative country band Son Volt. It was released in 1998 on Warner Bros. Records.
Songs For The Terrestrially Challenged is an album by Pittsburgh's The(e) Speaking Canaries, released in 1995. It is the first Speaking Canaries album to be released on compact disc, and the first to see worldwide distribution; therefore, it has often been erroneously attributed as The(e) Speaking Canaries' debut album. Songs For The Terrestrially Challenged is notable for its long songs, its long total running time, and its multiple album versions.
F-Punk is a studio album by Mick Jones' post-Clash band Big Audio Dynamite, released in 1995. It was the first album to be released under the name of Big Audio Dynamite since 1989's Megatop Phoenix. The title is a pun on the funk group P-Funk, and is supposed to imply "Fuck punk." The album cover lettering takes influence from London Calling, one of Mick Jones' albums with The Clash, which in turn was a copy of Elvis Presley's debut album.
Severe Exposure is the second album by American band Six Finger Satellite, released in 1995 through Sub Pop. It was marked by the extensive use of synthesizers, which augmented the jittery, post-punk sound of the band's earlier releases.
Inzombia is the second and final album by American punk rock band Slant 6. It was released in 1995 by Dischord.
Dirt Track Date is an album by Southern Culture on the Skids, released in 1995. It was the band's first album for DGC Records. The band attracted some attention with the release of the song "Camel Walk".
Straight Freak Ticket is an album by the American alternative rock band Love Battery. The band's first album for a major label, it was released in 1995 on Atlas Records. The first single was "Fuzz Factory".
Joyride is the fourth album by the singer-songwriter Lida Husik, released in 1995 through Caroline Records.
Scars From Falling Down is a studio album by Steel Pole Bath Tub, released in 1995 through Slash Records.
Beheaded is the second studio album by Texas-based indie rock band Bedhead, released 1996 through Trance Syndicate. The album was released in the United Kingdom through Rough Trade, and was reissued on compact disc format through Touch & Go Records on February 20, 2001, along with the band's other two albums WhatFunLifeWas and Transaction de Novo. The album was included in the Numero Group's 2014 boxset 1992–1998 and was also released separately on LP format.
Thank the Holder Uppers is an album by the American band Claw Hammer. The band's first major label album, it was released in 1995 via Interscope Records. Claw Hammer supported the album with a North American tour.
That's What Love Songs Often Do is an album by the American band Fig Dish, released in 1995. "Seeds" and "Bury Me" were released as singles. That's What Love Songs Often Do was a commercial disappointment. The band supported it with a North American tour.
