"Just Don't Want to Be Lonely" | ||||
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Single by Ronnie Dyson | ||||
from the album One Man Band [1] | ||||
B-side | "Point of No Return" | |||
Released | August 1973 | |||
Genre | Rhythm and blues, soul | |||
Length | 3:11 | |||
Label | Columbia | |||
Songwriter(s) | Bobby Eli, John Freeman, Vinnie Barrett | |||
Producer(s) | Thom Bell, Stan Vincent, Billy Jackson | |||
Ronnie Dyson singles chronology | ||||
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"Just Don't Want to Be Lonely" | ||||
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Single by The Main Ingredient | ||||
from the album Euphrates River [2] | ||||
B-side | "Goodbye My Love" | |||
Released | January 1974 | |||
Genre | R&B | |||
Length | 3:31 | |||
Label | RCA Victor | |||
Songwriter(s) |
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The Main Ingredient singles chronology | ||||
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"Just Don't Want to Be Lonely" is a song written by Bobby Eli, John Freeman and Vinnie Barrett, originally recorded in 1973 by Ronnie Dyson [3] and popularized internationally by The Main Ingredient. Dyson's version reached No. 60 in the US Pop chart, No. 30 Adult Contemporary, and No. 29 in the US R&B chart. [4] Its flipside was "Point of No Return", a song written by Thom Bell & Linda Creed.
Chart (1973-1974) | Peak position |
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US Billboard Hot 100 [5] | 60 |
US Billboard Easy Listening | 30 |
US Billboard Soul Singles | 29 |
US Cash Box Top 100 | 70 |
The Main Ingredient's version of the song was released in 1974 on RCA Victor and reached No.10 in the US, No.8 in US R&B and No.42 in US AC. It reached No.7 in Canada. The recording was arranged by Bert de Coteaux. [6] It became a gold record.
Weekly charts
| Year-end charts
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"The Americans" is a commentary by Canadian broadcaster Gordon Sinclair. Originally written for a regular broadcast on CFRB radio in Toronto on June 5, 1973, it became a media and public phenomenon. It was replayed several times a day by some United States radio stations and released as a hit audio recording in several forms. Ronald Reagan credited it for giving comfort to the United States in difficult times, and it was widely rediscovered and re-disseminated as the United States faced new crises in the 2000s.
"Sad Sweet Dreamer" is a song by Sweet Sensation, which was a number-one single on the UK Singles Chart for one week in October 1974.
Lonely Street is the fifth studio album by American pop singer Andy Williams, released in late 1959 through Cadence Records. This, his fifth LP of new material for the label, is described by William Ruhlmann on AllMusic.com as "an album full of songs of lost love and loneliness that found Williams using more of the Mel Tormé-like foggy lower register of his voice." The liner notes on the back of the album jacket read, "The selections in Lonely Street, Andy confides, are those for which he feels a special affection. Every vocalist has a few personal favorites... and it is quite clear to the listener that this collection presents songs which Andy Williams believes, feels -- and loves."
"Since I Fell for You" is a blues ballad composed by Buddy Johnson in 1945 that was first popularized by his sister, Ella Johnson, with Buddy Johnson and His Orchestra.
"Moody River" is a song written by and originally performed by country rockabilly singer Chase Webster.
Ronald Dyson was an American soul and R&B singer and actor. He had a lead role in the Broadway production of Hair and scored a top ten single in 1970 with "(If You Let Me Make Love to You Then) Why Can't I Touch You?"
"Silver Threads and Golden Needles" is a country song written by Dick Reynolds and Jack Rhodes. It was first recorded by Wanda Jackson in 1956. The original lyrics, as performed by Jackson, contain a verse not usually included in later versions, which also often differed in other minor details.
"I've Got the Music in Me" is a pop song by the Kiki Dee Band, released in 1974. It was written in 1973 by Bias Boshell, Kiki Dee Band's keyboardist. It is also the title of a Kiki Dee Band album released in 1974 and re-mastered and re-issued with bonus tracks in 2008.
"Love on a Two-Way Street" is a soul ballad written by Sylvia Robinson and Bert Keyes in 1968. The song was originally recorded by Lezli Valentine, an artist signed to All Platinum, the record label that Sylvia Robinson co-owned with her husband, Joe. The song was then recorded by The Moments, an R&B vocal group signed to All Platinum subsidiary Stang Records, as filler for their 1968 album Not on the Outside, But on the Inside, Strong!. Sylvia and Joe decided to release the song as a single in March 1970 and it went on to become one of the biggest R&B hits of that year, spending five weeks at number one on Billboard's Soul Singles chart and reaching number three on the Hot 100 chart. Billboard ranked the record as the No. 25 song of 1970. It was also certified gold by the RIAA for sales of one million copies.
"My Melody of Love" is the title of a popular song from 1974 by the American singer Bobby Vinton. Vinton adapted his song from a German schlager song composed by Henry Mayer, and it appears on Vinton's album Melodies of Love. The song was also recorded by Spanish pop singer Karina as "Palabras de Cristal".
"Love or Let Me Be Lonely" is a pop song recorded by the soul group The Friends of Distinction and released as a single in early 1970. The song was a multi-format success, peaking in the top 10 of the Billboard Hot 100 at #6 on May 1, 1970 and at #13 on the R&B chart. On the Adult Contemporary singles charts, "Love or Let Me Be Lonely" went to #9. The song is ranked as the 63rd biggest hit of 1970.
"Heaven Must Be Missing an Angel" is a disco song written by Freddie Perren and Keni St. Lewis. It was recorded by the American band Tavares in 1976. It was released as the first single from their fourth album, Sky High! (1976), and was split into two parts: the first part was 3 minutes and 28 seconds in length, while the second part was 3 minutes and 10 seconds. "Heaven Must Be Missing an Angel" was re-released in February 1986.
"I Just Can't Help Believing" is a song written by Barry Mann and Cynthia Weil.
You Lay So Easy on My Mind is the thirty-fourth studio album by American pop singer Andy Williams, released in November 1974 by Columbia Records. The idea for this LP was mentioned in an interview with Williams in the November 3, 1973, issue of Billboard magazine that emphasized his desire to move away from recording albums of Easy Listening covers of hits by other artists, noting that he was "planning an album to be cut in Nashville with Columbia's high-flying country-pop producer, Billy Sherrill." The article coincided with the release of his first attempt to shift directions, Solitaire, which performed poorly. A return to the Easy Listening hits formula, The Way We Were, followed in the spring of 1974 but failed to even chart, so this next attempt to eschew soft rock songs leaned heavily on Country hits.
"Don't Take Away the Music" is a hit song by R&B/disco group Tavares, released in the fall of 1976. It peaked at number 34 on the US Billboard Hot 100 singles chart and at number four in the UK. Along with the track "Heaven Must Be Missing an Angel", the song spent two weeks at number 1 on the Hot Dance Club Play chart.
"Don't It Make You Want to Go Home" is a 1969 song by Joe South. South was also producer and arranger of the track and of its B-side, "Hearts Desire." The single was credited to "Joe South and the Believers"; the Believers included his brother Tommy South and his sister-in-law Barbara South.
"Games That Lovers Play" is a popular song composed by James Last which became a hit for multiple artists in 1966 and 1967. The song has been recorded more than 100 times.
"'Hold Tight'" is a song written and composed by David Gates, and originally recorded by the pop-rock group Bread, of which Gates was the leader and primary music producer. It is a track from Bread's final LP, Lost Without Your Love from 1977.
"No Love at All" is a song written by Johnny Christopher and Wayne C. Thompson. It was recorded by American country music artist Lynn Anderson and released as a single in June 1970 via Columbia Records.
"That's How Much I Love You" is a country music song written by Arnold, Fowler, and Hall, sung by Eddy Arnold, and released in 1946 on the RCA Victor label. In October 1946, it reached No. 2 on the Billboard folk chart. It was also ranked as the No. 10 record on the Billboard 1946 year-end folk juke box chart.