Just for One Day (musical)

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Just For One Day
The Live Aid Musical
Just For One Day musical poster.svg
Original Old Vic production poster
MusicVarious
LyricsVarious
Book John O'Farrell
Basis Live Aid
Premiere13 February 2024: The Old Vic, London
Productions2024 London

Just For One Day is a jukebox musical with a book by John O'Farrell. Told through a modern-day perspective, Just For One Day retells the events leading up to Live Aid, the 1985 benefit concert organized by Bob Geldof and Midge Ure to raise awareness and funds for the famine in Ethiopia. While the primary events leading to the concert are based on real events, the musical's narrative incorporates fictionalized sub-plots. The title of the musical is named after a line in "Heroes", a song by David Bowie that he performed at the event. [1]

Contents

The musical premiered at The Old Vic in January 2024, and will make its North American premiere at the Ed Mirvish Theatre in January 2025.

Background

In 2021, Luke Sheppard and producer Jamie Wilson began creating the concept for a musical based around the real-life events leading up to Live Aid. [2] In particular, they wanted to focus on the joy people experienced being at the event as well as the people who worked hard behind the scenes to put on the show. [2] [3] In addition, Sheppard and O'Farrell wanted to make sure the musical was not a tribute show of the musicians who performed at Live Aid; rather, they wanted the songs to be reinterpreted and capture the essence of the original performers. [3]

Geldof was unimpressed with an early script of the musical, since he felt it focused too much on himself and not the underlying reasons for creating Live Aid. [1] The script underwent multiple rewrites, which included adding a younger questioning perspective of what Live Aid was for. [3] There was also a new focus on making the show about the ordinary people who helped put on Live Aid feel like heroes. [3] After attending a workshop, Geldof said he was "blown away" and agreed to collaborate in the development of the musical. [1] Pete Townshend attended a subsequent workshop, supported the musical, and gave clearance for his songs to be used. [1] David Bowie's estate was the first to give clearance. [3] Queen founding members Brian May and Roger Taylor initially declined permission, but quickly changed their mind after Geldof wrote them a letter and showed them footage of the actors performing the songs at a workshop. [3]

Synopsis

Act I

In the present-day, several people gather to reflect on their memories and experiences at Live Aid, including Suzanne, Marsha, Jim, and Amara, and how it made them feel like they could change the world ("Heroes"). Bob Geldof criticizes their idealized image of what Live Aid was, and says the event was a nightmare that he's had to live with. Jemma, a young student studying Live Aid in her history class, challenges Bob and argues her generation needs to know what happened so they can learn from it to actually make a change in the world. Bob reluctantly lets them continue. The group, led by John, performs Status Quo's opening number from Live Aid ("Rockin' All Over the World"). After, Jemma insists on learning the real story of how Live Aid happened.

In 1984, Suzanne and Tim in a record shop talking about famous musicians, while Suzanne is oblivious to Tim's flirting. Back in the present-day, Suzanne remembers the first record she ever bought was of The Boomtown Rats, where she goads Bob into mockingly performing their first hit ("Rat Trap"). As punk music's popularity declines, Bob enters a midlife crisis until he learns about the famine in Ethiopia ("Drive"). Bob and Jemma begin to bond over their anger at injustices in the world, with Bob sharing that he knew he needed to turn to music to create a response that people would listen to. In 1984, Bob approaches Midge Ure with the idea of creating a charity record to fundraise to raise money for the famine ("Dancing with Tears in My Eyes"). With the help of Marsha and Jim, they form Band Aid, a group of musicians who will record the charity record ("True / Every Breath You Take"). At the studio, Bob and Midge are initially forced to record the song themselves, however the other musicians eventually arrive ("Do They Know It's Christmas?"). Jemma questions some of the lyrics, but Bob insists he needed to write and record it as fast as possible. Bob's wife listens to the song, and encourages him to submit the song to the radio stations. BBC executives are reluctant, but they eventually agree to let Bob promote the song on the radio ("Radio Ga Ga").

Margaret Thatcher refuses to waive the government tax (VAT) on sales of the record. She claims everyone would like to keep the tax they pay and that people should not rely on charity ("Stop Your Sobbing"). Meanwhile, Amara is furious that wealthy celebrities released a song pretending to care about the famine in Ethiopia. She explains her heartbreak not having enough food to feed the hundreds of starving children. At the record shop, Suzanne and Tim debate buying the records and not knowing where the funds are going. Tim is dismissive of their ability to make change, leaving Suzanne heartbroken and determined to sell as many copies of the record as she can by herself ("We Are the Champions"). Suzanne and Tim later reconcile.

Bob is angered by the media focusing on him and not on the famine in Ethiopia, while Jemma laments the media is missing the point about what Bob is trying to achieve. Bob learns American musicians are recording their own charity record ("We Are the World"). At a party, Bob meets Suzanne and Tim who convince him he needs to go to Ethiopia to see how the money is being used ("You're the Best Thing"). He also meets John Kennedy, who encourages him to establish a charitable trust. Bob finally demands to meet Margaret, who still refuses to waive the tax ("I'm Still Standing").

Bob travels to Ethiopia, where Amara explains the harsh reality of famine. Bob is brought to tears by the devastation ("Bad"). As Amara explains the cartel and government dictatorship keep the money and food, Bob becomes more determined to mobilize efforts and raise even more money to deliver directly to the aid workers ("Message in a Bottle").

Act II

Suzanne explains to Jemma that Harvey Goldsmith was Britain's biggest concert promoter ("Pinball Wizard"). Even though Bob and Harvey both refuse to compromise, they agree to work together. At the press conference, the media are still critical of Bob's motivations and question if any musicians will actually participate. Bob takes control by announcing Mick Jagger and David Bowie are recording a song together, and dismisses Harvey and John's concerns about who is paying for everything and being able to get all the famous musicians to actually participate. Harvey complains about Bob's elaborate vision for Live Aid and his controlling nature, until John shocks everyone when he reveals Paul McCartney has agreed to participate ("Dancing in the Street"). After skipping out on her exam, Suzanne is heartbroken Live Aid tickets are sold out until Tim arrives with tickets ("Summer of '69"). Meanwhile, Amara listens to the radio promote Live Aid, and she prays this will actually work ("Blowin' in the Wind").

In a tense meeting, Harvey storms off after another fight with Bob. Marsha scolds Bob saying that she, John, and Tim have been working tirelessly to bring his dream to life and he cannot give up. Back in the present-day, Suzanne marvels at the impressive lineup on the Live Aid poster, while Jemma questions the lack of racial diversity. Back in 1985, Margaret requests to meet with Bob and tries to convince him to understand her perspective ("Reach Out and Touch"). Bob threatens to convince everyone to vote against her, which leads to Margaret agreeing to make a donation equal to the amount of the taxes received from the record sales. The night before Live Aid, Bob is unable to sleep because of fear and self-doubt ("In the Air Tonight / Why Can't We Live Together").

In the present-day, Suzanne gives her ticket to Jemma as Live Aid begins ("We Will Rock You / King of Rock"). As Midge Ure performs, Harvey begins to stress about keeping the event running on time ("Vienna"). Harvey and Suzanne encourage a nervous Bob to go on stage and perform ("I Don't Like Mondays"). Marsha and Jim run off to have sex ("All You Need Is Love"), and Suzanne and Tim share their first kiss ("Against All Odds"). With a lack of donations coming in, Bob goes on national television and swears as he asks people to give their money to the cause. John and Midge are ecstatic with the donations suddenly flowing in, as the concert continues ("Rebel Rebel / Don't You (Forget About Me) / Into the Groove"). Marsha and Jim marvel at the event that they helped pull off ("Bohemian Rhapsody").

Back in the present-day, Jemma realizes why Suzanne loved Live Aid and wishes they could bottle that spirit. Bob reflects that music cannot make a change, but it can bring people together. Suzanne and Bob also explain how twenty years later Live 8 was held to combat global poverty, and that the same problems still exist another twenty years later in 2024. Bob and Suzanne encourage Jemma to keep asking question and to not stop fighting for change ("My Generation").

Live Aid comes to a close: Bob thanks everyone for their hard work, Amara is grateful for the supplies they received, while Bob realizes that younger generations are rising up and challenging the injustices they see in the world ("Let It Be").

Production history

London (2024)

Just For One Day received its world premiere at The Old Vic in London, and was directed by Luke Shepard, choreography by Ebony Molina, and set design by Soutra Gilmour. [4] Performances began on 26 January 2024, in previews, with an official opening night on 13 February 2024. The production closed on 30 March 2024. The musical was the Old Vic's fastest-selling production and was sold out during the show's nine-week run. [5]

The musical was produced by Bob Geldof and Band Aid's permission. [6]

Toronto (2025)

The show is scheduled to have its North American premiere at the Ed Mirvish Theatre, in Toronto. [7] The musical will begin performances on 28 January 2025 and close on 16 March 2025. [5]

West End (2025)

On 15 September 2024, it was announced that the musical will transfer to the West End. It will play at the Shaftesbury Theatre, with performances beginning on 15 May 2025. [8] It was also announced that a special gala performance will be held on 13 July 2025, to celebrate the 40th anniversary of Live Aid. [8]

Musical numbers

All of the songs in the musical were also songs performed by artists at Live Aid. Many of the songs are performed by ensemble members of the cast as the events of the musical occur. [9]

Cast recording

In March 2024, it was confirmed that there will be a cast recording of the musical. [10] This announcement was accompanied by the release of Naomi Katiyo's version of "My Generation". [11] The cast recording will be released in early 2025. [8]

Principal cast and characters

Just For One Day is an ensemble show with a large supporting cast, who play various roles such as real-life people, various staff at Live Aid, and audience members. [12] Below are the characters who are most prominently featured in the musical.

Cast

CharacterLondon [13]
2024
Bob Geldof Craige Els
Suzanne (2024) Jackie Clune
Suzanne (1985)Hope Kenna
JemmaNaomi Katiyo
Midge Ure Jack Shalloo
AmaraAbiona Omonua
Margaret Thatcher Julie Atherton
TimJoe Edgar
Marsha Danielle Steers
Jim Ashley Campbell
Harvey Goldsmith and othersJoel Montague
John Kennedy and others Olly Dobson

Characters

Critical reception

The original production at The Old Vic received mixed reviews.

In a positive review, Dominic Cavendish of The Daily Telegraph called it a "rip-roaring, nostalgia-stirring new juke-box musical". [14] Cavendish also praised the cast, the handling of the music, and its powerful call-to-action. David Benedict of Variety similarly praised the musical's good intentions and the strength of the cast, but was critical of the awkward writing. [12] In a mixed review, Clive Davis of The Sunday Times praised the show's live band but criticized the script and felt the show was too celebratory about Live Aid. [15] Alice Saville of The Independent also gave a mixed review, saying that the show was powerful but sometimes felt like Bob Geldof's "tribute to himself". [16] Meanwhile, the Evening Standard 's Farah Najib praised the strong cast performances and felt the musical had sincere intentions but was too "sanitised" and came across as "white saviourism". [17] Arif Akbar of The Guardian was more negative, praising the "sonic spectacle" of the musical and Els' portrayal of Bob Geldof, but was critical about the poor character development and lack of focus on the ethics of celebrity charity. [18]

Awards and nominations

London production

YearAwardCategoryNomineeResult
2024 Laurence Olivier Award [19] Outstanding Musical Contribution (Musical Supervision, Arrangements & Orchestrations)Matt BrindNominated

Related Research Articles

Band Aid was the collective name of a charity supergroup featuring mainly British and Irish musicians and recording artists. It was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in Ethiopia by releasing the song "Do They Know It's Christmas?" for the Christmas market that year. On 25 November 1984, the song was recorded at Sarm West Studios in Notting Hill, London, and was released in the UK on Monday 3 December. The single surpassed the hopes of the producers to become the Christmas number one on that release. Three re-recordings of the song to raise further money for charity also topped the charts, first the Band Aid II version in 1989 and the Band Aid 20 version in 2004 and finally the Band Aid 30 version in 2014. The original was produced by Ure. The 12" version was mixed by Trevor Horn.

<span class="mw-page-title-main">Live Aid</span> 1985 benefit concert

Live Aid was a multi-venue benefit concert and music-based fundraising initiative held on Saturday, 13 July 1985. The original event was organised by Bob Geldof and Midge Ure to raise further funds for relief of the 1983–1985 famine in Ethiopia, a movement that started with the release of the successful charity single "Do They Know It's Christmas?" in December 1984. Billed as the "global jukebox", Live Aid was held simultaneously at Wembley Stadium in London, and John F. Kennedy Stadium in Philadelphia.

<span class="mw-page-title-main">1983–1985 famine in Ethiopia</span> Famine in Ethiopia during the Derg rule

A widespread famine affected Ethiopia from 1983 to 1985. The worst famine to hit the country in a century, it affected 7.75 million people and left approximately 300,000 to 1.2 million dead. 2.5 million people were internally displaced whereas 410,000 refugees left Ethiopia. Almost 200,000 children were orphaned.

<span class="mw-page-title-main">Bob Geldof</span> Irish singer-songwriter and political activist (born 1951)

Robert Frederick Zenon Geldof is an Irish singer-songwriter and political activist. He rose to prominence in the late 1970s as the lead singer of the Irish rock band the Boomtown Rats, who achieved popularity as part of the punk rock movement. The band had UK number one hits with his co-compositions "Rat Trap" and "I Don't Like Mondays". Geldof starred as Pink in Pink Floyd's 1982 film Pink Floyd – The Wall. As a fundraiser, Geldof organised the charity supergroup Band Aid and the concerts Live Aid and Live 8, and co-wrote "Do They Know It's Christmas?", one of the best-selling singles to date.

<span class="mw-page-title-main">Midge Ure</span> Scottish musician (born 1953)

James "Midge" Ure is a Scottish musician, singer-songwriter and record producer. His stage name, Midge, is a phonetic reversal of Jim. Ure enjoyed particular success in the 1970s and 1980s in bands including Slik, Thin Lizzy, Rich Kids, Visage, and as the second frontman of Ultravox. In 1984, he co-wrote and produced the charity single "Do They Know It's Christmas?", which has sold 3.7 million copies in the UK. The song is the second-highest-selling single in UK chart history. Ure co-organised Band Aid, Live Aid and Live 8 with Bob Geldof. He acts as a trustee for the charity and also serves as an ambassador for Save the Children.

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<span class="mw-page-title-main">We Are the World</span> 1985 charity song

"We Are the World" is a charity single recorded by the supergroup USA for Africa in 1985. It was written by Michael Jackson and Lionel Richie and produced by Quincy Jones and Michael Omartian for the album We Are the World. With sales in excess of 20 million physical copies, it is the eighth-best-selling single of all time, meant to raise money for the 1983–1985 famine in Ethiopia.

<span class="mw-page-title-main">Do They Know It's Christmas?</span> 1984 charity song by Band Aid

"Do They Know It's Christmas?" is a charity song written in 1984 by Bob Geldof and Midge Ure to raise money for the 1983–1985 famine in Ethiopia. It was first recorded by Band Aid, a supergroup assembled by Geldof and Ure consisting of popular British and Irish musical acts. It was recorded in a single day at Sarm West Studios in Notting Hill, London, in November 1984.

Band Aid 20 was the 2004 incarnation of the charity supergroup Band Aid. The group, which included Daniel Bedingfield, Dido, Justin Hawkins of The Darkness, Thom Yorke and Jonny Greenwood of Radiohead, Chris Martin of Coldplay, Bono of U2, and Paul McCartney, re-recorded the 1984 song "Do They Know It's Christmas?", written by Band Aid organisers Bob Geldof and Midge Ure.

<span class="mw-page-title-main">Live 8</span> International series of benefit concerts prior to the G8 summit in 2005

Live 8 was a string of benefit concerts that took place on 2 July 2005, in the G8 states and in South Africa. They were timed to precede the G8 conference and summit held at the Gleneagles Hotel in Auchterarder, Scotland, from 6–8 July 2005. Both events also coincided with the 20th anniversary of Live Aid. Run in support of the aims of the UK's Make Poverty History campaign and the Global Call to Action Against Poverty, ten simultaneous concerts were held on 2 July and one on 6 July. On 7 July, the G8 leaders pledged to double 2004 levels of aid to poor nations from US$25 billion to US$50 billion by 2010. Half of the money was to go to Africa. More than 1,000 musicians performed at the concerts, which were broadcast on 182 television networks and 2,000 radio networks. Live 8 was seen by 3 million viewers in the United States according to Nielsen, with a estimated 30 million viewers worldwide.

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<span class="mw-page-title-main">Benefit concert</span> Type of musical benefit performance

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Oz for Africa was an Australian concert held on 13 July 1985 at the Sydney Entertainment Centre. It was organised by Bill Gordon who also organised the EAT Concert held at the Myer Music Bowl in Melbourne at the end of January 1985. That event was televised nationally on Channel Nine. Over $1million was raised in the accompanying telethon. Gordon organised for all proceeds to go to the Red Cross. During the 10 hour event live satellite hook ups between Melbourne, Los Angeles and London included interviews with Geldof and many of the stars of the hit songs "We Are the World" & "Feed the World". The Oz for Africa concert was broadcast locally and internationally as part of the worldwide Live Aid performances to raise money for famine relief in Africa. The concert featured 17 bands performing some of their best-known songs.
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Band Aid 30 is the 2014 incarnation of the charity supergroup Band Aid. The group was announced on 10 November 2014 by Bob Geldof and Midge Ure, with Geldof stating that he took the step after the United Nations had contacted him, saying help was urgently needed to prevent the 2014 Ebola crisis in Western Africa spreading throughout the world. As in previous incarnations, the group covered the track "Do They Know It's Christmas?", written in 1984 by Geldof and Ure, this time to raise money towards the Ebola crisis in Western Africa. The track re-tweaked lyrics to reflect the Ebola virus epidemic in West Africa, and all proceeds went towards battling what Geldof described as a "particularly pernicious illness because it renders humans untouchable and that is sickening".

References

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  3. 1 2 3 4 5 6 Bamigboye, Baz (13 February 2024). "Live Aid Musical Blows The Roof Off London's Old Vic As Bob Geldof Actor Curses His Way To Stardom". Deadline. Retrieved 2 August 2024.
  4. Bamigboye, Baz (2023-10-01). "Breaking Baz: Bob Geldof Collaborates On Live Aid Musical With Broadway & West End Director Luke Sheppard; Show Will World Premiere At London's Old Vic". Deadline. Retrieved 2023-10-02.
  5. 1 2 Chong, Joshua (29 April 2024). "This hit musical about the historic Live Aid fundraising concert sold out its London run. Now it's coming to Toronto". Toronto Star. Retrieved 29 April 2024.
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