Kaddish and Other Poems 1958-1960 (1961) is a book of poems by Allen Ginsberg published by City Lights Bookstore.
Kaddish and Other Poems 1958-1960 (1961) is a book of poems by Allen Ginsberg published by City Lights Bookstore.
The lead poem "Kaddish" also known as "Kaddish for Naomi Ginsberg (1894-1956)", was written in two parts written by Beat writer Allen Ginsberg, was first published in Kaddish and Other Poems 1958-1960. The book was part of the Pocket Poet Series published by City Lights Books. In the table of contents, the poem is titled "Kaddish: Proem, narrative, hymmnn, lament, litany, & fugue". Along with Ginsberg's "Howl", Kaddish is said to be one of his greatest masterpieces.
Ginsberg wrote the poem about his mother Naomi after her death in 1956, who struggled with mental problems throughout her life. Naomi suffered many psychotic episodes both before Allen was born and while he was growing up. She went in and out of mental hospitals and was treated with medication, insulin shock therapy, and electroshock therapy. She died in an asylum in 1956.
The title "Kaddish" refers to the mourning prayer or blessing in Judaism. This long poem was Ginsberg's attempt to mourn his mother, Naomi, but also reflects his sense of loss at his estrangement from his born religion. The traditional Kaddish contains no references to death, whereas Ginsberg's poem is riddled with thoughts and questionings of death.
After her death, a rabbi would not allow the traditional Kaddish to be read with Ginsberg's Christian and Atheist friends, so he rebelled and wrote a Kaddish of his own. Ginsberg began writing the poem in the Beat Hotel in Paris in December 1957 and completed it in New York in 1959.
Ginsberg wrote a screenplay based on the poem. Robert Frank was to direct it, but money could not be raised for the project.
In 1972, Robert Kalfin adapted the screenplay for the stage and produced it at the Chelsea Theater Center at the Brooklyn Academy of Music. The play explored Naomi Ginsberg's schizophrenic collapse and made use of innovative video for flashback scenes.
There is a detailed description of this production and of behind-the-scenes incidents surrounding it in Davi Napoleon's chronicle of the Chelsea in Chelsea on the Edge: The Adventures of an American Theater (1991). The stage version was also staged at the Habima Theater in Israel, translated by Nathan Zach and starring Yoram Khatav as Allen and Gila Almagor as Naomi.
Kaddish is not a linear story. Rather, it is told through a series of thoughts and memories about the character’s lives. Part I opens with Ginsberg reflecting on the passing of his mother. He writes: “Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village,”. [1] The poem highlights Naomi’s young life, watching Charlie Chaplin films and going to the Metropolitan Opera House. It tells of her being an immigrant from Russia, going to candy stores, eating ice cream and drinking soda. The poem also touches on her communist beliefs and general paranoid nature (“All the accumulations of life, that wear us out-clocks, bodies, consciousness, shoe, breasts-begotten sons-your Communism-‘Paranoia’ into hospitals.”).
In Part II, Ginsberg tells of the nature of Naomi’s sickness and what it meant for him to witness as a young person. The poem suggests that she often looked to him for protection because of her paranoid fantasies and often confided in him. Naomi’s paranoia consisted of her belief that someone or something was out to get her and that medical professionals wanted to kill her. There were also times when most sounds and any light terrified her. In Part II the reader also learns that Naomi’s first nervous breakdown was in 1919 and caused her to stay in a dark room for three weeks. Ginsberg does not only write about the bad times, but also the good times. The times when Naomi was doing well are explained at length and reflect the love and hope he had for his mother.
The poem, in addition to being about Naomi Ginsberg’s life, is Allen Ginsberg’s reflection on the meaning of life and death. At many points throughout the poem, Ginsberg comments on the approach of his own death. He also talks about other members of his family and events that surrounded his life with his mother, such as the Great Depression. He relates his experiences and his mother’s sickness with the struggles of people as a whole. The poem also touches on religion and Ginsberg’s confusion and disconnect from his own religion of Judaism. It questions the importance of religious authority and authority in general.
This poem is similar to Howl (1955) in that it has the same structure. Each line is quite long, and Ginsberg has said these long lines are meant to be read in a single breath. In this and many of Ginsberg’s poems, there is a sense of urgency and hyperactivity. It is as if the poem is just a collection of his memories spilled onto the page. There is no uniform structure to the poem. Some lines are indented, some are not. Ginsberg uses hyphens as punctuation often, and the sentences are often run-ons, brimming with different ideas and images.
One interesting device Ginsberg uses in this poem is capitalization. Several words like “Death”, “Day”, “Mercy” and “Oblivion”, are capitalized even though they don’t necessarily have to be. The capitalization of the words denotes their heightened importance in the poem. “Oblivion” in this poem is not just an abstraction; it is meant to describe a very real place, thus it is capitalized.
Irwin Allen Ginsberg was an American poet and writer. As a student at Columbia University in the 1940s, he began friendships with William S. Burroughs and Jack Kerouac, forming the core of the Beat Generation. He vigorously opposed militarism, economic materialism, and sexual repression, and he embodied various aspects of this counterculture with his views on drugs, hostility to bureaucracy, and openness to Eastern religions.
The Beat Generation was a literary movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized throughout the 1950s. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
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City Lights is an independent bookstore-publisher combination in San Francisco, California, that specializes in world literature, the arts, and progressive politics. It also houses the nonprofit City Lights Foundation, which publishes selected titles related to San Francisco culture. It was founded in 1953 by poet Lawrence Ferlinghetti and Peter D. Martin. Both the store and the publishers became widely known following the obscenity trial of Ferlinghetti for publishing Allen Ginsberg's influential collection Howl and Other Poems. Nancy Peters started working there in 1971 and retired as executive director in 2007. In 2001, City Lights was made an official historic landmark. City Lights is located at 261 Columbus Avenue in Chinatown, near the border of North Beach.
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"Kaddish" also known as "Kaddish for Naomi Ginsberg (1894–1956)" is a poem by Beat writer Allen Ginsberg about his mother Naomi and her death on June 9, 1956.
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The Six Gallery reading was an important poetry event that took place on Friday, October 7, 1955, at 3119 Fillmore Street in San Francisco.
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Planet News is a book of poetry written by Allen Ginsberg and published by City Lights in 1968. It is number twenty three in the Pocket Poets series. It contains poems written by Ginsberg between 1961 and 1967, many written during his travels to India, Japan, Europe, Africa, and many other places. Poems in this collection include:
Howl and Other Poems is a collection of poetry by Allen Ginsberg published November 1, 1956. It contains Ginsberg's most famous poem, "Howl", which is considered to be one of the principal works of the Beat Generation as well as "A Supermarket in California", "Transcription of Organ Music", "Sunflower Sutra", "America", "In the Baggage Room at Greyhound", and some of his earlier works. For printing the collection, the publisher Lawrence Ferlinghetti, another well-known poet, was arrested and charged with obscenity. On October 3, 1957, Judge Clayton W. Horn found Ferlinghetti not guilty of the obscenity charge, and 5,000 more copies of the text were printed to meet the public demand, which had risen in response to the publicity surrounding the trial. "Howl and Other Poems" contains two of the most well-known poems from the Beat Generation, "Howl" and "A Supermarket in California", which have been reprinted in other collections, including the Norton Anthology of American Literature.
William "Bill" Cannastra was a member of the early Beat Generation scene in New York. He was a "wild man" figure that the writers in the group found interesting, similar to their fascination with Neal Cassady. Characters based on Bill Cannastra were included in both the John Clellon Holmes novel Go and Jack Kerouac's Visions of Cody. He is also described in Allen Ginsberg's "Howl".
"A Supermarket in California" is a poem by American poet Allen Ginsberg first published in Howl and Other Poems in 1956. In the poem, the narrator visits a supermarket in California and imagines finding Federico García Lorca and Walt Whitman shopping. Whitman, who is also discussed in "Howl", is a character common in Ginsberg's poems, and is often referred to as Ginsberg's poetic model. "A Supermarket in California", written in Berkeley and published in 1956, was intended to be a tribute to Whitman in the centennial year of the first edition of Leaves of Grass.
Howl is a 2010 American experimental film which explores both the Six Gallery debut and the 1957 obscenity trial of 20th-century American poet Allen Ginsberg's noted poem Howl. The film is written and directed by Rob Epstein and Jeffrey Friedman and stars James Franco as Ginsberg.
Louis Ginsberg (1895–1976) was an American poet and father of poet Allen Ginsberg.