Irwin Allen Ginsberg was an American poet, philosopher, and writer. As a Columbia University college student in the 1940s, he began friendships with William S. Burroughs and Jack Kerouac, forming the core of the Beat Generation. He vigorously opposed militarism, economic materialism, and sexual repression, and he embodied various aspects of this counterculture with his views on drugs, hostility to bureaucracy, and openness to Eastern religions.
Jean-Louis Kerouac, though he called himself Jean-Louis Lebris de Kérouac, was an American novelist and poet of French-Canadian ancestry.
William Seward Burroughs II was an American writer and visual artist. Burroughs was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians and made many appearances in films. He was also briefly known by the pen name William Lee. Burroughs created and exhibited thousands of paintings and other visual artworks, including his celebrated 'Gunshot Paintings'.
The Beat Generation was a literary movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized throughout the 1950s. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
"Howl", also known as "Howl for Carl Solomon", is a poem written by Allen Ginsberg in 1954–1955 and published in his 1956 collection Howl and Other Poems. The poem is dedicated to Carl Solomon.
Gregory Nunzio Corso was an American poet, youngest of the inner circle of Beat Generation writers.
Naked Lunch is a 1959 novel by American writer William S. Burroughs. The book is structured as a series of loosely connected vignettes. Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.
The Soft Machine is a 1961 novel by American author William S. Burroughs. It was originally composed using the cut-up technique partly from manuscripts belonging to The Word Hoard. It is the first part of The Nova Trilogy.
John Burroughs was an American naturalist and nature essayist, active in the U.S. conservation movement. The first of his essay collections was Wake-Robin in 1871.
Junkie: Confessions of an Unredeemed Drug Addict is a novel by American beat generation writer William S. Burroughs, published initially under the pseudonym William Lee in 1953. His first published work, it is semi-autobiographical and focuses on Burroughs' life as a drug user and dealer. It has come to be considered a seminal text on the lifestyle of heroin addicts in the early 1950s.
Queer is an early short novel by William S. Burroughs. It is partially a sequel to his earlier novel, Junkie, which ends with the stated ambition of finding a drug called Yage. Queer, although not devoted to that quest, does include a trip to South America looking for the substance.
Grove Press is an American publishing imprint that was founded in 1947. Imprints include: Black Cat, Evergreen, Venus Library, and Zebra. Barney Rosset purchased the company in 1951 and turned it into an alternative book press in the United States. He partnered with Richard Seaver to bring French literature to the United States. The Atlantic Monthly Press, under the aegis of its publisher, Morgan Entrekin, merged with Grove Press in 1991. Grove later became an imprint of the publisher Grove/Atlantic, Inc.
Harold Norse was an American writer who created a body of work using the American idiom of everyday language and images. One of the expatriate artists of the Beat generation, Norse was widely published and anthologized.
The Adding Machine is a collection of essays written by Beat Generation writer William S. Burroughs. This collection was first published in the United Kingdom in 1985, followed by an American edition in 1986. The subtitle for this book differs between editions: the first edition was published in the UK with the subtitle Collected Essays while the American version is subtitled Selected Essays.
Alan Ansen was an American poet, playwright, and associate of Beat Generation writers. He was a widely read scholar who knew many languages. Ansen grew up on Long Island and was educated at Harvard. He worked as W. H. Auden's secretary and research assistant in 1948-49; he was the main author of the chronological tables in Auden's The Portable Greek Reader and Poets of the English Language.
Richard William McBride was an American beat poet, playwright and novelist. He worked at City Lights Booksellers & Publishers from 1954 to 1969.
Jack Kerouac was an American novelist and poet. He is considered a literary iconoclast and, alongside William S. Burroughs and Allen Ginsberg, a pioneer of the Beat Generation. Kerouac is recognized for his method of spontaneous prose. Thematically, his work covers topics such as Catholic spirituality, jazz, promiscuity, Buddhism, drugs, poverty, and travel.
This is a bibliography of the works of William S. Burroughs.
Bill Morgan is an American writer, editor and painter, best known for his work as an archivist and bibliographer for public figures such as Allen Ginsberg, Lawrence Ferlinghetti, Abbie Hoffman, and Timothy Leary.
The nature fakers controversy was an early 20th-century American literary debate highlighting the conflict between science and sentiment in popular nature writing. The debate involved important American literary, environmental and political figures. Dubbed the "War of the Naturalists" by The New York Times, it revealed seemingly irreconcilable contemporary views of the natural world: while some nature writers of the day argued as to the veracity of their examples of anthropomorphic wild animals, others questioned an animal's ability to adapt, learn, teach, and reason.
