Author | William S. Burroughs |
---|---|
Language | English |
Genre | Biographical |
Publisher | Cape Goliard |
Publication date | 1970 |
Publication place | United States |
Media type | Print (Hardcover & Paperback) |
Pages | 81 pp |
ISBN | 0-206-61764-X |
OCLC | 122492 |
791.43/7 | |
LC Class | PN1997 .B85 |
The Last Words of Dutch Schultz is a closet screenplay by Beat Generation author William S. Burroughs, first published in 1970.
Based upon the life (or, to be more precise, the death) of 1930s German-Jewish-American gangster Dutch Schultz, the novel uses as its springboard Schultz's surreal last words, which were delivered in the midst of high-fever delirium after being mortally shot while urinating in the men's room of a Newark bar. Phrases such as "French-Canadian bean soup" took on a different meaning for Burroughs as he invented stories to go along with some of the nonsensical statements made by Schultz in his dying hours.
Despite the title, very little of the screenplay deals with Schultz's cryptic words. Although Burroughs specifies that a recording of Schultz's dying words should be playing throughout the film as the soundtrack, virtually nothing which is actually depicted onscreen has anything to do with the real Schultz's dying monologue. Burroughs creates his own dying words for Schultz to actually speak, and which reflect Burrough's narrative; occasionally, these made-up snippets of speech include Schultz's actual words. Similarly, large segments of the story are told from a third-person perspective, as opposed to being told from Schultz's perspective.
The screenplay is made up of a series of loosely connected vignettes in roughly chronological order. It begins from the point of view of a dying Dutch Schultz, looking up at two police detectives. He has a brief flashback to his own shooting; from there, the movie makes a transition to Schultz's memories of childhood, with the remainder of the movie a series of loosely interconnected vignettes in chronological order depicting Schultz's childhood and rise to power. Occasionally, there are brief, surrealist digressions depicting real events which occurred during Schultz's life (such as the Stock Market Crash), interspersed with equally surreal yet seemingly unrelated digressions involving Burroughs' own fictional characters.
A lengthy segment is dedicated to Schultz hiring a carnival sideshow freak who can hypnotize people by speaking phrases which plant subliminal messages; Burroughs inserts this fictional character into Schultz's legal team during his income tax trials, and credits him with helping Schultz avoid prison time. Burroughs calls for this character, called The Whisperer, to be a motionless man in a chair who speaks without moving his lips, specifying that this should be achieved by the actor's dialogue being recorded into a cassette recorder which is then played behind the actor during filming.
Large segments are dedicated to Burroughs' own creation, "Albert Stern", a morphine addict who randomly appears at intervals throughout Schultz's life and who ultimately attempts to take credit for his murder. Despite no records existing of a contemporary of Schultz named "Albert Stern", a period mugshot appears in the book depicting "Stern"; the mugshot has since been incorrectly identified as Otto Berman. As of 2007, the identity of the boy in the mugshot has not been discerned, although Burroughs' insertion of a photo of himself into the book—ostensibly depicting the police stenographer who transcribed Schultz's last word—indicates that the mugshot might be a prank on Burroughs' part, as it is the only photo in the book not to depict a readily identifiable individual.
Throughout the script, Burroughs calls for a peep booth-style 16mm sex loop—depicting a red haired young man having aggressive intercourse with a Spanish woman in a brass bed—to be played at seemingly random intervals.
Although there have been occasional reports over the years of filmmakers wanting to adapt Burroughs' story for the screen, to date no one has seriously taken on the project. For a brief period, Dennis Hopper owned the rights to the film, but nothing ever came to fruition. It was filmed as a 2002 Dutch short combining live action and rotoscope animated scenes. The short only features portions of Burroughs' script, with some segments varying slightly from the source material. The film features Rutger Hauer as the voice of Schultz.
William Seward Burroughs II was an American writer and visual artist. He is widely considered a primary figure of the Beat Generation and a major postmodern author who influenced popular culture and literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays, and five books have been published of his interviews and correspondences; he was initially briefly known by the pen name William Lee. He also collaborated on projects and recordings with numerous performers and musicians, made many appearances in films, and created and exhibited thousands of visual artworks, including his celebrated "shotgun art".
Gus Green Van Sant Jr. is an American filmmaker, photographer, painter, and musician who has earned acclaim as an independent filmmaker. His films typically deal with themes of marginalized subcultures, in particular homosexuality. Van Sant is considered one of the most prominent auteurs of the New Queer Cinema movement.
Naked Lunch is a 1959 novel by American Beat generation writer William S. Burroughs. The novel does not follow a clear linear plot, but is instead structured as a series of non-chronological "routines". Many of these routines follow William Lee, an opioid addict who travels to the surreal city of Interzone and begins working for the organization "Islam Inc."
Dutch Schultz was an American mobster based in New York City in the 1920s and 1930s. Schultz made his fortune in organized crime-related activities, including bootlegging and the numbers racket. Schultz's rackets were weakened by two tax evasion trials led by prosecutor Thomas Dewey, and also threatened by fellow mobster Lucky Luciano.
Terry Southern was an American novelist, essayist, screenwriter, and university lecturer, noted for his distinctive satirical style. Part of the Paris postwar literary movement in the 1950s and a companion to Beat writers in Greenwich Village, Southern was also at the center of Swinging London in the 1960s and helped to change the style and substance of American films in the 1970s. He briefly wrote for Saturday Night Live in the 1980s.
Last words are a person's final words spoken before death.
"The Nameless City" is a short horror story written by American writer H. P. Lovecraft in January 1921 and first published in the November 1921 issue of the amateur press journal The Wolverine. It is often considered the first story set in the Cthulhu Mythos world. In the story, the protagonist travels to the middle of the Arabian Desert to explore an ancient underground city.
Ape and Essence (1948) is a novel by Aldous Huxley, published by Chatto & Windus in the UK and Harper & Brothers in the US. It is set in a dystopia, as is Brave New World, Huxley's more famous work. It is largely a satire of the rise of large-scale warfare and warmongering in the 20th century, and presents a pessimistic view of the politics of mutually assured destruction. The book makes extensive use of surreal imagery, depicting humans as apes who, as a whole, will inevitably kill themselves.
Mangani is the name of a fictional species of great apes in the Tarzan novels of Edgar Rice Burroughs, and of the invented language used by these apes. In the invented language, Mangani is the apes' word for their own kind, although the term is also applied to humans. The Mangani are represented as the apes who foster and raise Tarzan.
A vignette is a French loanword expressing a short and descriptive piece of writing that captures a brief period in time. Vignettes are more focused on vivid imagery and meaning rather than plot. Vignettes can be stand-alone, but they are more commonly part of a larger narrative, such as vignettes found in novels or collections of short stories.
Billy Bathgate is a 1991 American biographical gangster film directed by Robert Benton, starring Loren Dean as the title character and Dustin Hoffman as real-life gangster Dutch Schultz. The film co-stars Nicole Kidman, Steven Hill, Steve Buscemi and Bruce Willis. Although Billy is a fictional character, at least four of the other characters in the film are real people. The screenplay was adapted by British writer Tom Stoppard from E.L. Doctorow's 1989 novel of the same name. Doctorow distanced himself from the film for the extensive deviations from the book. It received negative reviews and was a box-office bomb, grossing a mere $15.5 million against its $48 million budget.
Public Enemies is a 2009 American biographical crime drama film directed by Michael Mann, who co-wrote the screenplay with Ronan Bennett and Ann Biderman. It is an adaptation of Bryan Burrough's 2004 non-fiction book Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933–34. Set during the Great Depression, the film chronicles the final years of the notorious bank robber John Dillinger as he is pursued by FBI agent Melvin Purvis, Dillinger's relationship with Billie Frechette, as well as Purvis' pursuit of Dillinger's associates and fellow criminals John "Red" Hamilton, Homer Van Meter, Harry Pierpont, and Baby Face Nelson.
Tantor is a generic name for elephants in Mangani, the fictional language of the great apes in the Tarzan novels of Edgar Rice Burroughs. In Burroughs's works a number of elephants appear under the name of Tantor, most notably one particular bull elephant the ape man befriends in his youth in the first Tarzan novel, Tarzan of the Apes and in the 1999 animated Walt Disney film he is a red African forest elephant and friends with the ape Terk.
O. Henry's Full House is a 1952 American anthology film made by 20th Century Fox, consisting of five films, each based on a story by O. Henry.
Sharpe's Challenge is a British TV film from 2006, usually shown in two parts, which is part of an ITV series based on Bernard Cornwell's historical fiction novels about the British soldier Richard Sharpe during the Napoleonic Wars. Contrary to most parts of the TV series, Sharpe's Challenge, as well as the follow-up Sharpe's Peril, is not based entirely on one of Cornwell's novels, but it uses and adapts some characters and storylines from Sharpe's Tiger (1997). Both are set in 1817, two years after Sharpe has retired as a farmer in Normandy, so chronologically they come after Sharpe's Assassin (1815) and before the final novel Sharpe's Devil (1820–21). Some of the events in the film are inspired by events in the first three novels of the series. In Sharpe's Challenge and Sharpe's Peril, Sharpe and his comrade in arms, Patrick Harper, have been temporarily called out of retirement and asked to go to India.
Related to closet drama, a closet screenplay is a screenplay intended not to be produced/performed but instead to be read by a solitary reader or, sometimes, out loud in a small group.
Nkima is a fictional character in Edgar Rice Burroughs' Tarzan novels, and in adaptations of the saga to other media, particularly comics. His name comes from either the word N'kima, or, after the Meru language nickname for Ugali, a dish popular in Kenya and Tanzania made from maize flour.
Tarzan is a fictional character, a feral child raised in the African jungle by the Mangani great apes; he later experiences civilization, only to reject it and return to the wild as a heroic adventurer.
A Touch of Sin is a 2013 Chinese anthology thriller film written and directed by Jia Zhangke and starring Jiang Wu, Wang Baoqiang, Luo Lanshan, and Zhao Tao, Jia's wife and longtime collaborator. The film consists of four loosely interconnected tableaus set in vastly different geographical and social milieus across modern-day China, based on recent events while also drawing from wuxia stories and Chinese opera. The English title references A Touch of Zen. It was nominated for the Palme d'Or at the 2013 Cannes Film Festival, with Jia winning the award for Best Screenplay.
Spare Ass Annie and Other Tales is a spoken word collaboration featuring William S. Burroughs reading excerpts from his books set to music by The Disposable Heroes of Hiphoprisy. The album was produced by Hal Willner. Critical response to the album was positive.