Author | William S. Burroughs |
---|---|
Country | United States |
Language | English |
Publisher | Viking Press |
Publication date | 1989 |
Media type | Print (hardback & paperback) |
Pages | 194 |
ISBN | 0-670-81347-8 |
Interzone is a collection of short stories and other early works by William S. Burroughs from 1953 to 1958. [1] The collection was first published by Viking Penguin in 1989, although several of the stories had already been printed elsewhere, including an earlier publication titled Early Routines. The title was inspired by the International Zone in Tangiers, Morocco, where Burroughs lived for a time and by which he was greatly influenced.
A notable inclusion is "Twilight's Last Gleamings", written in 1938 in collaboration with childhood friend Kells Elvins, and widely thought to be Burroughs' first attempt at fiction. The villain of the piece, Doctor Benway, was to play a pivotal role in Naked Lunch . (This story differs from another Burroughs piece titled "Twilight's Last Gleamings," which was published in the 1970s collection, Exterminator! .)
Interzone features many characters and concepts that would manifest themselves in Naked Lunch, Nova Express and others. At one point, Interzone was considered as a title for Naked Lunch. Moreover, the concluding section entitled "WORD" was part of the original Naked Lunch manuscript but was cut during the editing process (according to the introduction by editor James Grauerholz). [2]
Several of the short pieces were adapted into other media. Burroughs recorded the stories "The Junky's Christmas" and "Spare Ass Annie," which were set to music and released on the album Spare Ass Annie and Other Tales . "The Junky's Christmas" was also adapted as an animated film in the 1990s.
The book is divided into three sections:
As noted above, this is a novella-length story that was originally part of the Naked Lunch manuscript when it was entitled Interzone.
Brion Gysin was a British-Canadian painter, writer, sound poet, performance artist and inventor of experimental devices.
William Seward Burroughs II was an American writer and visual artist, widely considered a primary figure of the Beat Generation and a major postmodern author who influenced popular culture and literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays, and five books have been published of his interviews and correspondences; he was initially briefly known by the pen name William Lee. He also collaborated on projects and recordings with numerous performers and musicians, made many appearances in films, and created and exhibited thousands of visual artworks, including his celebrated "Shotgun Art".
Naked Lunch is a 1959 novel by American writer William S. Burroughs. The book is structured as a series of loosely connected vignettes, intended by Burroughs to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.
Naked Lunch is a 1991 surrealist science fiction drama film written and directed by David Cronenberg and starring Peter Weller, Judy Davis, Ian Holm, and Roy Scheider. It is an adaptation of William S. Burroughs' 1959 novel of the same name, and an international co-production of Canada, Britain, and Japan.
Interzone may refer to:
The Beat Hotel was a small, run-down hotel of 42 rooms at 9 Rue Gît-le-Cœur in the Latin Quarter of Paris, notable chiefly as a residence for members of the Beat poetry movement of the mid-20th century.
Junkie: Confessions of an Unredeemed Drug Addict is a novel by American beat generation writer William S. Burroughs, initially published under the pseudonym William Lee in 1953. His first published work, it is semi-autobiographical and focuses on Burroughs' life as a drug user and dealer. It has come to be considered a seminal text on the lifestyle of heroin addicts in the early 1950s.
James Grauerholz is a writer and editor. He is the bibliographer and literary executor of the estate of William S. Burroughs.
"The “Priest” They Called Him" is a collaboration between the American novelist William S. Burroughs and musician Kurt Cobain. On the piece, Cobain provides noisy, discordant guitar backing based on "Silent Night" and "The Star-Spangled Banner" to Burroughs' deadpan reading. Originally released as a limited edition 10-inch picture disc on Tim/Kerr Records in 1993, it was subsequently re-released on CD and 10-inch vinyl.
Desolation Angels is a semi-autobiographical novel written by Beat Generation author Jack Kerouac, which makes up part of his Duluoz Legend. It was published in 1965, but was written years earlier, around the time On the Road was in the process of publication. The events described in the novel take place from 1956-1957. Much of the psychological struggle which the novel's protagonist, Jack Duluoz, undergoes in the novel reflects Kerouac's own increasing disenchantment with the Buddhist philosophy. Throughout the novel, Kerouac discusses his disenchantment with fame, and complicated feelings towards the Beat Generation. He also discusses his relationship with his mother and his friends such as Allen Ginsberg, Neal Cassady, Lucienn Carr and William S. Burroughs. The novel is also notable for being a relatively positive portrayal of homosexuality and homosexual characters, despite its use of words that were at the time considered homophobic slurs.
Last Words: The Final Journals of William S. Burroughs is a collection of diary entries made by Beat Generation author William S. Burroughs between November 16, 1996, and July 30, 1997, only a few days before his death on August 2 at the age of 83. The collection was first published in hardcover by Grove Press in 2000 and was edited by Burroughs' longtime assistant, James Grauerholz.
Exterminator! is a short story collection written by William S. Burroughs and first published in 1973. Early editions label the book a novel. It is not to be confused with The Exterminator, another collection of stories Burroughs published in 1960 in collaboration with Brion Gysin.
The Yage Letters, first published in 1963, is a collection of correspondence and other writings by Beat Generation authors William S. Burroughs and Allen Ginsberg. It was issued by City Lights Books.
The Word Hoard was a large body of text produced by author William S. Burroughs between roughly 1954 and 1958.
"The Junky's Christmas" is a short story by William S. Burroughs. It originally appears in the 1989 collection Interzone and on the 1993 album Spare Ass Annie and Other Tales. It was later adapted into short claymation film and a spoken word version was performed through a collaboration between William S. Burroughs and Kurt Cobain.
Reality Sandwiches is a book of poetry by Allen Ginsberg published by City Lights Publishers in 1963. The title comes from one of the included poems, "On Burroughs' Work": "A naked lunch is natural to us,/we eat reality sandwiches." The book is dedicated to friend and fellow Beat poet Gregory Corso. Despite Ginsberg's feeling that this collection was not his most significant, the poems still represent Ginsberg at a peak period of his craft.
Dead City Radio is a musical album by Beat Generation author William S. Burroughs, released by Island Records in 1990. The CD is a collection of readings by Burroughs set to a broad range of musical compositions. It was produced by Hal Willner and Nelson Lyon, with musical accompaniment from John Cale, Donald Fagen, Lenny Pickett, Chris Stein, alternative rock band Sonic Youth, and the NBC Symphony Orchestra, among others. It was dedicated to "Keith Haring, at the Apocalypse."
This is a bibliography of the works of William S. Burroughs.
Chicago Review is a literary magazine founded in 1946 and published quarterly in the Humanities Division at the University of Chicago. The magazine features contemporary poetry, fiction, and criticism, often publishing works in translation and special features in double issues.
Spare Ass Annie and Other Tales is a spoken word collaboration featuring William S. Burroughs reading excerpts from his books set to music by The Disposable Heroes of Hiphoprisy. The album was produced by Hal Willner. Critical response to the album was positive.