The Black Rider

Last updated

The Black Rider
The Casting of the Magic Bullets
BlackRiderPlay.jpg
Canadian Tour Program
Music Tom Waits
LyricsTom Waits
Book William S. Burroughs
BasisGerman folktale Der Freischütz
Productions1990 Hamburg
1998 Betty Nansen Teatret
1998 Edmonton International Fringe Festival
1998 Det Norske Teatret
1999 New York International Fringe Festival
2005 American Conservatory Theater, San Francisco
2008 November Theatre
2009 Barcelona
2012 Schaubühne
2015 Betty Nansen Teatret 2017 Melbourne Festival
2018 Theater Regensburg
2019 Theater Koblenz

The Black Rider: The Casting of the Magic Bullets is a self-billed "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits and writer William S. Burroughs. Wilson, in the original production, was largely responsible for the design and direction. Burroughs wrote the book, while Waits wrote the music and most of the lyrics. The project began in about 1988 when Wilson approached Waits. The story is based on the German folktale "Der Freischütz", which had previously adapted as an opera by Carl Maria von Weber. It premiered at Hamburg's Thalia Theatre on 31 March 1990, and was performed at Paris's Théâtre du Châtelet on 9 October 1990. November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada. Det Norske Teatret in Oslo staged a Norwegian (Nynorsk) version in 1998, with Lasse Kolsrud as Pegleg. [1] Only the dialogue was translated by the dramaturg and key collaborator of the entire creative process, Wolfgang Wiens; the songs were performed in English.

Contents

Waits recorded much of the music from the play in different arrangements as The Black Rider.

Synopsis

Wilhelm, a file clerk, falls in love with a huntsman's daughter. In order to marry, Wilhelm must prove his worth as a hunter and gain her father's approval, but, as "a man of pen and ink," his shot is lousy and his hopes of marriage worsen. He is offered magic bullets by the devil, Pegleg – who assures him that his bullets will always have a sure shot. However, Pegleg stipulates that, while most of the bullets will hit anything Wilhelm pleases, one of the bullets is under Pegleg's control. Foolish, naive, and overrun with desperate hope, Wilhelm accepts the Faustian pact. On the day of Wilhelm's wedding, the final bullet strikes his beloved dead. He then goes mad, and joins the previous victims of Satan's cunning in the Devil's carnival.

Although based on folklore, the story contains strong autobiographical elements from Burroughs' own life: he shot and killed his own wife in a drunken attempt at recreating the William Tell legend, and the story as a whole may be construed as a warning tale about the destructive powers of addiction.

Music

The music was composed and performed by Tom Waits, and released as a record in 1993.

Productions

November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada, and the American English-language premiere at the New York International Fringe Festival in 1999.

The play premiered in Finnish in October 1998 by the Helsinki City Theatre, translated by Markku Salo, directed by Anneli Mäkelä, with a live Devil's Rubato Band. [2]

In 2004, UK producers Cultural Industry, London, Barbican Arts Centre, American Conservatory Theater, and the Sydney Festival, Australia, teamed together with Wilson and Waits to produce a touring production in English. Based heavily on the 1990 Thalia theatre production, and even containing some members of the original cast, it toured the world starting in London. The part of Pegleg was played by singer Marianne Faithfull, while Wilhelm was played by actor Matt McGrath. The remaining cast included Mary Margaret O'Hara, Soňa Červená, Richard Strange, Nigel Richards, Dean Robinson, Jack Willis, Janet Henfrey, Monica Tahal, Gabriella Santinelli and Jake Thornton.

The band, The Magic Bullets, was headed by Bent Clausen and David Coulter and featured Thomas Bloch, Terry Edwards, Caroline Hall, Jack Pinter, Rory McFarlane, and Kate St. John.

The show opened in May 2004 at London's Barbican Arts Centre, and then transferred to San Francisco's American Conservatory Theater later that year. In January 2005, the production headlined the Sydney Festival. However, due to ill health, Marianne Faithfull was forced to withdraw from the production and understudy Nigel Richards filled the part.

November Theatre's production went on to tour Canada in 2004–2005 with presentations at Theatre Network in Edmonton, Ground Zero Theatre and the Calgary Opera, Persephone Theatre in Saskatoon, Yukon Arts Centre in Whitehorse, Intrepid Theatre in Victoria, and the PuSh International Performing Arts Festival in Vancouver. The production received six Elizabeth Sterling Haynes Awards in Edmonton and six Betty Mitchell Awards in Calgary including "Best Production" and "Best Direction" in both major centres. In 2006 the production was presented at the Magnetic North Theatre Festival in St. John's, Newfoundland. The production was remounted in Vancouver in January 2008 at the Arts Club Theatre, Granville Island stage, co-presented as part of the annual PuSh Festival. November Theatre produced its final showing at the Tarragon Theatre in Toronto in the fall of 2008.

In 2006, Los Angeles' Ahmanson Theatre re-staged the production, bringing the cast together for one final time. Several members of the original cast were unavailable, most notably Marianne Faithfull, whose role was filled by Vance Avery. The cast was also joined by John Vickery.

Following the concept of the director of the independent theatre, PanoDrama, Anna Lengyel the play was staged in the Hungarian National Theater during the Budapest Spring Festival in 2009 by renowned director Tamás Ascher. In 2022, another performance was staged in Hungary at the Örkény Színház, Budapest, directed by Csaba Polgár. [3]

In Barcelona, The Black Rider was the first musical to open at Teatre Almeria. Produced by the Companyia Gataró starting December 2009, it was performed by Oscar Martínez (Wilhelm), Ferran Frauca (Robert), Bealia Guerra (Kätchen), Jordi Vidal (Pegleg), Muntsa Rius (Anne) and Frank Capdet (Bertram), plus special guest acting by Xavier Ribera-Vall (Kuno).

The play was also staged by in Estonia by VAT Theatre in 2011. It took place in Tallinn, which was a European Capital of Culture for 2011.

In November 2012, the play was presented at the Schaubühne in Berlin. [4]

In 2014, the play was staged by Rogaland Teater in Stavanger, Norway. [5]

In both 2000 and 2015, the play was staged by the Betty Nansen theatre in Copenhagen, Denmark, both times with Jimmy Jørgensen as Pegleg. [6]

The work was performed by Victorian Opera as part of the 2017 Melbourne Festival, starring Kanen Breen and Meow Meow. [7]

In 2018, it was staged at the Theater Regensburg. [8]

Related Research Articles

<span class="mw-page-title-main">Lydia Kavina</span> Russian musician

Lydia Evgenevna Kavina is a Russian-British theremin player, based in Oxfordshire, UK.

<span class="mw-page-title-main">Outline of theatre</span> Overview of and topical guide to theatre

The following outline is provided as an overview of and topical guide to theatre:

<span class="mw-page-title-main">Marianne Faithfull</span> British singer

Marianne Evelyn Gabriel Faithfull is an English singer and actress. She achieved popularity in the 1960s with the release of her hit single "As Tears Go By" and became one of the lead female artists during the British Invasion in the United States.

<span class="mw-page-title-main">Julie Taymor</span> American film and theatre director and writer (born 1952)

Julie Taymor is an American director and writer of theater, opera, and film. Her stage adaptation of The Lion King debuted in 1997 and received eleven Tony Award nominations, with Taymor receiving Tony Awards for her direction and costume design. Her film Frida, about Mexican artist Frida Kahlo, was nominated for five Academy Awards, including a Best Original Song nomination for Taymor's composition "Burn It Blue." She also directed the 2007 jukebox musical film Across the Universe, based on the music of the Beatles.

<span class="mw-page-title-main">Theatre of Canada</span> Canadas contemporary theatre

Canada's contemporary theatre reflects a rich diversity of regional and cultural identities. Since the late 1960s, there has been a concerted effort to develop the voice of the 'Canadian playwright', which is reflected in the nationally focused programming of many of the country's theatres. Within this 'Canadian voice' are a plurality of perspectives - that of the First Nations, new immigrants, French Canadians, sexual minorities, etc. - and a multitude of theatre companies have been created to specifically service and support these voices.

<span class="mw-page-title-main">Tarragon Theatre</span> Theatre in Toronto, Canada

The Tarragon Theatre is a theatre in Toronto, Ontario, Canada, and one of the main centers for contemporary playwriting in the country. Located near Casa Loma, the theatre was founded by Bill and Jane Glassco in 1970. Bill Glassco was the artistic director from 1971 to 1982. In 1982, Urjo Kareda took over as artistic director and remained in that role until his death in December 2001. Richard Rose was appointed artistic director in July 2002, and Camilla Holland was appointed general manager in July 2006. Mike Payette assumed the role of artistic director in September 2021 upon Rose's retirement.

<i>The Black Rider</i> (album) 1993 studio album by Tom Waits

The Black Rider is the twelfth studio album by Tom Waits, released in 1993 on Island Records, featuring studio versions of songs Waits wrote for the play The Black Rider, directed by Robert Wilson and co-written by William S. Burroughs. The play is based on the German folktale Der Freischütz by Johann August Apel, which had previously been made into an opera by Carl Maria von Weber. It is about a clerk who makes a Faustian bargain for magic bullets, with tragic results. The play premiered on March 31, 1990, at the Thalia Theater in Hamburg, Germany. Its world English-language premiere occurred in 1998 at the Edmonton International Fringe Festival. Per the Los Angeles Times, "It’s most easily described as a Faustian musical-tragicomedy."

Woyzeck is a stage play written by Georg Büchner. Büchner wrote the play between July and October 1836, yet left it incomplete at his death in February 1837. The play first appeared in 1877 in a heavily edited version by Karl Emil Franzos, and was first performed at the Residence Theatre in Munich on 8 November 1913.

<span class="mw-page-title-main">Robert Wilson (director)</span> American stage director and playwright (born 1941)

Robert Wilson is an American experimental theater stage director and playwright who has been described by The New York Times as "[America]'s – or even the world's – foremost vanguard 'theater artist.'" He has also worked as a choreographer, performer, painter, sculptor, video artist, and sound and lighting designer.

<span class="mw-page-title-main">Richard Strange</span>

Richard "Kid" Strange is an English writer, actor, musician, and curator, who was the founder and front man of mid-1970s protopunk art rock band Doctors of Madness.

<span class="mw-page-title-main">Thomas Bloch</span>

Thomas Bloch is a classical musician specializing in the rare instruments ondes Martenot, glass harmonica, and Cristal Baschet.

November Theatre is a Canadian theatre company that started in Edmonton, Alberta but is now based in Vancouver, British Columbia. The company's Artistic Producer is Michael Scholar, Jr.

Nigel Richards is an actor and singer best known in England for his work in musical theatre. Whilst still in training at the Guildhall School of Music & Drama he worked with Leonard Bernstein on the British stage premiere of Bernstein's Mass at the Barbican. He is currently a frequent lecturer on musical theatre in the United States, Malaysia and the United Kingdom.

<span class="mw-page-title-main">Dominique Horwitz</span> French actor and singer

Dominique Horwitz is a French film and television actor and singer.

<span class="mw-page-title-main">St. Ann's Warehouse</span>

St. Ann's Warehouse is a performing arts institution in Brooklyn, New York City. It began when the St. Ann's and the Holy Trinity Church on Montague Street was converted into a venue for classical music in 1980. Initially known as Arts at St. Ann's, proceeds from the stage's performances were used to aid in renovating the building.

<span class="mw-page-title-main">Internationale Maifestspiele Wiesbaden</span> Theater festival in Wiesbaden, Germany

The Internationale Maifestspiele Wiesbaden is a theater festival in Wiesbaden, Germany. Established in the late 19th century after the Bayreuth Festival, the festival is one of the most distinguished international theatre and music festivals in the world. It is presented annually in May at the Hessisches Staatstheater Wiesbaden, the State Theatre of Hesse in the capital Wiesbaden. The festival currently features performances of operas, ballets, plays and musicals. Visiting companies, mostly from European theaters, present their recent productions along with performances of the Theater Wiesbaden. Concerts from a wide array of music genres are featured as well as artistic circus acts and modern dance presentations. Lectures, recitals, cabaret performances, art showings and readings are also part of the program.

Matthew Lutton is an Australian theatre and opera director.

<span class="mw-page-title-main">Brett Sheehy</span>

Brett Joseph Sheehy AO is an Australian artistic director, producer and curator. He is currently the CEO of the Melbourne Theatre Company (MTC). He was also appointed to direct three of the five international arts festivals in Australia's State capital cities, namely: Sydney Festival, Adelaide Festival and Melbourne Festival.

Michael Simon is a German theatre director, opera director and scenic designer.

Woyzeck is a 2000 musical with music and lyrics by Tom Waits and Kathleen Brennan, and book by Robert Wilson, based on the unfinished play Woyzeck by German playwright Georg Büchner. It is Waits, Brennan and Wilson's third collaboration, after the 1990 musical The Black Rider and the 1992 musical Alice. Waits recorded many of the songs from Woyzeck for his 2002 album Blood Money, which was released alongside Alice, his recording of songs from the musical Alice.

References

  1. "The Black Rider" (in Norwegian). Retrieved 1 May 2013.
  2. "Helsinki City Theatre shows, page 114" (PDF) (in Finnish). Retrieved 24 March 2020.
  3. "The Black Rider, avagy a varázsgolyó-kaszting" (in Hungarian).
  4. "Schaubühne – The Black Rider". Archived from the original on 28 November 2012. Retrieved 1 January 2013.
  5. "Rogaland Teater – The Black Rider" . Retrieved 3 December 2014.
  6. "The Black Rider". Archived from the original on 14 February 2015. Retrieved 13 February 2015.
  7. Digital, Carter (29 August 2016). "Black Rider: The Casting of the Magic Bullets". Victorian Opera. Retrieved 9 March 2021.
  8. "The Black Rider - Details - Theater Regensburg". Archived from the original on 1 February 2018. Retrieved 1 February 2018.