| Heartattack and Vine | ||||
|---|---|---|---|---|
| | ||||
| Studio album by | ||||
| Released | September 9, 1980 | |||
| Recorded | June 16–July 15, 1980 | |||
| Studio | Filmways/Heider Studio B, Hollywood, California | |||
| Genre | ||||
| Length | 44:31 | |||
| Label | Asylum | |||
| Producer | Bones Howe | |||
| Tom Waits chronology | ||||
| ||||
Heartattack and Vine is the seventh studio album by Tom Waits, released on September 9, 1980, [3] and his final album to be released on the Asylum label.
"On the Nickel" was recorded for the Ralph Waite film of the same name. It was used as the theme song for the 1985 "The Atlanta Child Murders" miniseries. "Heartattack and Vine" was later recorded by Screamin' Jay Hawkins. In 1993 this version was used without Waits' permission in a Levi's commercial, for which Waits took legal action and won a settlement. [4] Jean-Luc Godard used "Ruby's Arms" in his 1983 film First Name: Carmen . Bruce Springsteen performed "Jersey Girl" live (and was joined onstage by Waits to sing it on August 24, 1981), including it in his retrospective Live/1975–85 . [5]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Christgau's Record Guide | B [7] |
| Classic Rock | 7/10 [8] |
| Mojo | |
| Pitchfork | 8.5/10 [10] |
| Q | |
| Rolling Stone | |
| The Rolling Stone Album Guide | |
| Uncut | |
Though critical of the album in many respects, including Waits' vocal delivery and the "morbid pathos" of the ballads, Stephen Holden of Rolling Stone wrote that "Tom Waits finds more beauty in the gutter than most people would find in the Garden of Eden," and referred to him as a "unique and lovable minor talent." [12]
The album was included in the book 1001 Albums You Must Hear Before You Die . [15]
Waits saw Heartattack and Vine as a transitional record, one that marked a turning point for him and pointed toward further musical experimentation. The album, he told Record Magazine in 1983, “was me trying to avoid using a knife and a fork and a spoon. It wasn’t 100 percent successful, but it’s usually the small breakthroughs that give you a tunnel to laterally make some kind of transition. The title track was a breakthrough for me, using that kind of Yardbirds fuzz guitar, having the drummer use sticks instead of brushes. Small little things like that. More or less putting on a different costume.” [16]
All songs written by Tom Waits.
| No. | Title | Length |
|---|---|---|
| 1. | "Heartattack and Vine" | 4:50 |
| 2. | "In Shades" (Instrumental) | 4:25 |
| 3. | "Saving All My Love for You" | 3:41 |
| 4. | "Downtown" | 4:45 |
| 5. | "Jersey Girl" | 5:11 |
| No. | Title | Length |
|---|---|---|
| 1. | "'Til the Money Runs Out" | 4:25 |
| 2. | "On the Nickel" | 6:19 |
| 3. | "Mr. Siegal" | 5:14 |
| 4. | "Ruby's Arms" | 5:34 |
| Chart (1981) | Peak position |
|---|---|
| Australia (Kent Music Report) [17] | 31 |
| United States (Billboard 200) [18] | 96 |