Thomas Alan Waits is an American musician, composer, songwriter, and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz during the 1970s, but his music since the 1980s has reflected greater influence from blues, rock, vaudeville, and experimental genres.
We're Only in It for the Money is the third studio album by American rock band the Mothers of Invention, released on March 4, 1968, by Verve Records. As with the band's first two efforts, it is a concept album, and satirizes left- and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets, and Uncle Meat.
Rain Dogs is the ninth studio album by American singer-songwriter Tom Waits, released in September 1985 on Island Records. A loose concept album about "the urban dispossessed" of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years.
The Band is the second studio album by the Band, released on September 22, 1969. It is also known as The Brown Album. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw on historic themes for "The Night They Drove Old Dixie Down", "King Harvest " and "Jawbone".
Closing Time is the debut album by American singer-songwriter Tom Waits, released on March 6, 1973 on Asylum Records. Produced and arranged by former Lovin' Spoonful member Jerry Yester, Closing Time was the first of seven of Waits' major releases by Asylum.
One from the Heart is a soundtrack album of Tom Waits compositions for the Francis Ford Coppola film of the same name. It was recorded from October 1980 to September 1981. It was during this period that Waits met his wife Kathleen Brennan, an employee at the studio where it was recorded. While the film was released in February, the soundtrack album release was delayed until October of 1982 due to a dispute between Columbia Records and Coppola's Zoetrope Studios.
Mule Variations is the thirteenth studio album by American musician Tom Waits, released on April 16, 1999, on the ANTI- label. It was Waits' first studio album in six years, following The Black Rider (1993). The album was backed by an extensive tour in Europe and North America during the summer and autumn of 1999, which was Waits' first proper tour since 1987. Other promotional stops included a solo performance on VH1 Storytellers.
Blue Valentine is the sixth studio album by singer and songwriter Tom Waits, released on September 5, 1978 on Asylum Records. It was recorded over the course of six sessions from July to August 1978 with producer Bones Howe. Rickie Lee Jones is pictured with Waits on the back cover.
Small Change is the fourth studio album by singer and songwriter Tom Waits, released on September 21, 1976 on Asylum Records. It was recorded in July at Wally Heider's Studio 3 in Hollywood. It was successful commercially and outsold his previous albums. This resulted in Waits putting together a touring band - The Nocturnal Emissions, which consisted of Frank Vicari on tenor saxophone, FitzGerald Jenkins on bass guitar and Chip White on drums and vibraphone. The Nocturnal Emissions toured Europe and the United States extensively from October 1976 till May 1977.
Heartattack and Vine is the seventh studio album by Tom Waits, released on September 9, 1980, and his final album to be released on the Asylum label.
Nighthawks at the Diner is the third studio album by singer and songwriter Tom Waits, released on October 21, 1975 on Asylum Records. It was recorded over four sessions in July in the Los Angeles Record Plant studio in front of a small invited audience set up to recreate the atmosphere of a jazz club. The album peaked at 164 on the Billboard 200, the highest place Waits had held at the time, and is currently certified silver by the BPI. It has received critical acclaim for its successful mood-setting, capturing of the jazz-club atmosphere and characterization.
Foreign Affairs is the fifth studio album by singer and songwriter Tom Waits, released on September 13, 1977 on Asylum Records. It was produced by Bones Howe, and featured Bette Midler singing a duet with Waits on "I Never Talk to Strangers".
The Sun Sessions is a compilation album by American singer Elvis Presley, containing songs he recorded at Sun Studios in 1954 and 1955. It was issued by RCA Records in 1976, and had been issued and charted as The Sun Collection in the UK the previous year. It features liner notes by Roy Carr of the New Musical Express. The Sun Sessions features most of the tracks Elvis recorded at Sun studio and were produced by Sam Phillips, the head of Sun Studios. Elvis began his singing career with Sun Records label in Memphis. The album reached number two on the Billboard Country Albums and number 1 on the Cashbox Country Albums charts.
Court and Spark is the sixth studio album by Canadian singer-songwriter Joni Mitchell. Released in January 1974, it infuses the folk rock style of her previous albums with jazz elements.
The Rolling Stones, Now! is the third American studio album by English rock band the Rolling Stones, released on 13 February 1965 by their initial American distributor, London Records. Although it contains two previously unissued songs and an alternative version, the album mostly consists of songs released earlier in the United Kingdom, plus the group's recent single in the United States, "Heart of Stone" backed with "What a Shame". Mick Jagger and Keith Richards wrote four of the songs on the album, with the balance composed by American rhythm and blues and rock and roll artists.
Before the Flood is a live album by American singer-songwriter Bob Dylan and the Band, released on June 20, 1974, on Asylum Records in the United States and Island Records in the United Kingdom. It was Dylan's first live album, although live recordings of earlier performances would later be released. It is the 15th album by Dylan and the seventh by the Band, and documents their joint 1974 American tour. It peaked at No. 3 on the Billboard 200, reached No. 8 on the popular album chart in the UK, and has been certified Platinum by the Recording Industry Association of America.
Christopher Kenneth Kimsey is an English record producer, mixer and musician most famous for having co-produced The Rolling Stones' Undercover and Steel Wheels albums. He was also an engineer on their 1971 album Sticky Fingers as well as 1978's Some Girls and 1980's Emotional Rescue and assisted Mick Jagger and Keith Richards closely in preparing 1981's Tattoo You. He was the engineer and associate producer for both Emotional Rescue and Tattoo You.
"TVC 15" is a song by English musician David Bowie, released on his 1976 album Station to Station. RCA Records later released it as the second single from the album on 30 April 1976. The song was recorded in late 1975 at Cherokee Studios in Los Angeles. Co-produced by Bowie and Harry Maslin, the recording featured guitarists Carlos Alomar and Earl Slick, bassist George Murray, drummer Dennis Davis, pianist Roy Bittan and Warren Peace on backing vocals. The upbeat song is mostly art rock performed in a style reminiscent of the 1950s. Lyrically, the song concerns a character's girlfriend being eaten by a television set. It was inspired by a dream of Iggy Pop's and Bowie's role in The Man Who Fell to Earth (1976). Some lyrics are also influenced by the Yardbirds and Kraftwerk.
Late for the Sky is the third studio album by American singer–songwriter Jackson Browne, released by Asylum Records on September 13, 1974. It peaked at number 14 on Billboard's Pop Albums chart.
"(Looking for) The Heart of Saturday Night" is a song by Tom Waits on his 1974 album The Heart of Saturday Night.
