"16 Shells From a Thirty-Ought-Six" | ||||
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Single by Tom Waits | ||||
from the album Big Time | ||||
B-side | "Big Black Mariah" | |||
Released | 1988 | |||
Recorded | August 1982 at Sunset Sound, Hollywood, CA | |||
Genre | ||||
Length | 4:10 | |||
Label | Island | |||
Songwriter(s) | Tom Waits | |||
Producer(s) | Tom Waits | |||
Tom Waits singles chronology | ||||
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"16 Shells From a Thirty-Ought-Six" is a song by Tom Waits appearing on his 1983 album Swordfishtrombones . In 1988, it was released as a single in support of his live performance album Big Time . [1] The title refers to the .30-06 Springfield caliber.
Year | Publication | Country | Article | Rank |
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2000 | Vanity Fair | United Kingdom | Costello's 500 [2] | * |
2010 | Rolling Stone | Germany | The 50 Best Songs of the 1980s [3] | * |
2011 | 1001 Songs [4] | Australia | * | |
(*) designates unordered lists.
All songs written by Tom Waits.
Adapted from the 16 Shells From a Thirty-Ought-Six liner notes. [5]
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
United Kingdom | 1988 | Island | LP | IS 370 |
Rain Dogs is the ninth studio album by American singer-songwriter Tom Waits, released in September 1985 on Island Records. A loose concept album about "the urban dispossessed" of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years.
Swordfishtrombones is the eighth studio album by singer and songwriter Tom Waits, released in 1983 on Island Records. It was the first album that Waits produced himself. Stylistically different from his previous albums, Swordfishtrombones moves away from conventional piano-based songwriting towards unusual instrumentation and a somewhat more abstract and experimental rock approach. It is often considered the first in a loose trilogy that includes Rain Dogs and Franks Wild Years. Per The Guardian, "These are records of startling originality and playfulness, of cacophonous discord and sudden heartbreaking melody, in which it seemed the artist was trying to incorporate the whole history of American song into his loose-limbed poetic storytelling."
"Thank God I Found You" is a song by American singer-songwriter Mariah Carey, featuring guest vocals from R&B singer Joe and American boy band 98 Degrees. It was released on November 15, 1999, through Columbia Records, as the second single from her seventh studio album, Rainbow (1999). Written and produced by Carey alongside Jimmy Jam and Terry Lewis, the song is a soulful pop power ballad with lyrics depicting a powerful love relationship in which the protagonist tells her lover "thank God I found you", that was inspired by a relationship Carey was going through at the time.
"Heartbreaker" is a song by American singer-songwriter Mariah Carey featuring American rapper Jay-Z for her seventh studio album Rainbow (1999). It was released on August 23, 1999, by Columbia Records as the lead single from Rainbow. The song was written by the artists and produced by Carey and DJ Clue, with additional writers being credited for the hook being built around a sample from "Attack of the Name Game" by Stacy Lattisaw. "Heartbreaker" pushed Carey even further into the R&B and hip hop market, becoming her second commercial single to feature a rapper. Lyrically, the song describes lovesickness towards an unfaithful partner.
"Don't Stop " is a song by American singer and songwriter Mariah Carey, featuring Mystikal, from her first soundtrack and eighth studio album Glitter (2001). It was written by herself, DJ Clue, Duro, and Mystikal, while production was handled by the former three. The song is built around a sample of the 1980 song "Funkin' for Jamaica (N.Y.)" produced by Tom Browne and Toni Smith, who are credited as co-writers. It was released as the album's third single on September 11, 2001 by Virgin Records America. The song features Mystikal evoking his past single "Shake Ya Ass" during his verses, while Carey tells him "don't stop".
"Can't Let Go" is a song by American singer-songwriter Mariah Carey from her second studio album, Emotions (1991). It was released as the album's second single on October 23, 1991, by Columbia Records in the United States and the first quarter of 1992 elsewhere. It was written and produced by Carey and Walter Afanasieff. The protagonist of this synthesizer-heavy ballad laments an ex-lover who has moved on, and though she tries she "can't let go." Its music video was directed by Jim Sonzero.
"Someday" is a song by American singer and songwriter Mariah Carey from her self-titled debut studio album (1990). It is a dance-pop, new jack swing and R&B song. Prior to Carey signing a record contract, she and producer Ben Margulies had written and produced a four-track demo which included "Someday". After signing a contract with Columbia Records, Carey began work on her debut album and she reached out to Ric Wake to ask if he would produce the song, to which he agreed. The composition of the demo recording was changed during the recording process, most notably replacing the horns with a guitar, which Carey disapproved of.
"My All" is a song by American singer-songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the album's fifth single overall and second commercial single on April 21, 1998, by Columbia Records. The song was written and produced by Carey and Walter Afanasieff. "My All" is built around Latin guitar chord melodies, and makes subtle use of Latin percussion throughout the first chorus, before taking on a more conventional R&B-style beat. Carey was inspired to write the song and use Latin inspired melodies after a trip to Puerto Rico, where she was influenced by the culture. The song's lyrics tell of a lonely woman declaring she would give "her all" to have just one more night with her estranged lover. It is the first song Carey wrote for the Butterfly album.
"Fantasy" is a song by the American singer-songwriter Mariah Carey. It was released on August 23, 1995, by Columbia Records as the lead single from her fifth album, Daydream (1995). The track was written and produced by Carey and Dave Hall. It samples Tom Tom Club's 1981 song "Genius of Love". The lyrics describe a woman who is in love with a man, and how every time she sees him she starts fantasizing about an impossible relationship with him. The remix for the song features rap verses from Ol' Dirty Bastard, something Carey arranged to assist in her crossover into the hip-hop market and credited for introducing R&B and hip hop collaboration into mainstream pop culture, and for popularizing rap as a featuring act.
"One Sweet Day" is a song by American singer-songwriter Mariah Carey and American vocal group Boyz II Men. The song was released on November 14, 1995, as the second single from the former's fifth studio album, Daydream (1995) by Columbia Records. The artists co-wrote the song with Walter Afanasieff, who co-produced it with Carey. Lyrically, the song speaks about the death of a loved one, how the protagonist took their presence for granted and misses them, and finally about seeing the person in heaven. The artists wrote the song about specific people in their lives, being inspired by sufferers of the AIDS epidemic, which was globally prevalent at the time.
"Always Be My Baby" is a song recorded by American singer-songwriter, and record producer Mariah Carey for her fifth studio album, Daydream (1995). It was released by Columbia Records on February 20, 1996, as the third single in the United States and fourth worldwide. Written and produced by Carey, Jermaine Dupri and Manuel Seal, "Always Be My Baby" is a midtempo song, with lyrics describing the feeling of attachment and unity the singer feels towards her estranged lover, even though they are no longer together, she says he will always be a part of her and will "always be her baby" even after they move on.
"Against All Odds (Take a Look at Me Now)" (also titled "Against All Odds") is a song by English drummer, singer and songwriter Phil Collins. It was recorded for the soundtrack to the 1984 film of the same name. It is a power ballad in which its protagonist implores an ex-lover to "take a look at me now", knowing that reconciliation is "against all odds", but worth the gamble. The single reached No. 1 on the Billboard Hot 100 in the United States, the first of seven US No. 1's for Collins in his solo career. "Against All Odds (Take a Look At Me Now)" also topped the charts in Canada, Ireland, and Norway, while peaking at No. 2 in the United Kingdom.
"Black Cherry" is a song by British electronic music duo Goldfrapp. The song was written and produced by Alison Goldfrapp and Will Gregory for their second studio album, Black Cherry (2003). The song was released as the album's fourth single in March 2004 to positive reviews from music critics. It was a modest commercial success, reaching the top thirty in the United Kingdom and on the United States Hot Dance Singles Sales chart.
"The Evil That Men Do" is a song by the English heavy metal band Iron Maiden. It is the band's seventeenth single and the second from their seventh studio album, Seventh Son of a Seventh Son (1988). The single debuted at number six in the UK charts and quickly rose to number five. The single's B-sides are re-recordings of "Prowler" and "Charlotte the Harlot" which appear as tracks number one and seven/eight respectively on the band's debut album Iron Maiden.
Beautiful Maladies: The Island Years is a Tom Waits compilation album, consisting of previously released songs from his years recording with Island Records, most notably from the albums Swordfishtrombones, Rain Dogs, Big Time and Franks Wild Years. The tracks were selected by Tom Waits. The album was released in 1998, but represents Waits's output from 1983 to 1993.
Big Time is a 1988 American musical film directed by Chris Blum.
"In the Neighborhood" is a song by Tom Waits appearing on his 1983 album Swordfishtrombones. It was released as a single in October 1983 by Island Records.
"Hang Down Your Head" is a song by Tom Waits appearing on his 1985 album Rain Dogs and released as a single that year by Island Records. It is in the same vein as Tom Waits' earlier work, featuring a more conventional melodic structure compared to other songs on Rain Dogs, albeit featuring an idiosyncratic arrangement. Allmusic critic Stewart Mason called the song "among the most direct and effective things Waits has ever written."
"The Big One" is a song by English singer-songwriter Black, which was released by A&M in 1988 as the lead single from his second studio album Comedy. The song was written by Black and produced by Dave "Dix" Dickie. "The Big One" reached number 54 in the UK Singles Chart and remained in the top 100 for four weeks.
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