Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
Rain Dogs is the ninth studio album by American singer-songwriter Tom Waits, released in September 1985 on Island Records. A loose concept album about "the urban dispossessed" of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years.
Antipop is the sixth studio album by American rock band Primus. It was released on October 19, 1999, through Prawn Song Records and Interscope Records. Produced by the band, Tom Morello, Stewart Copeland, Tom Waits, Matt Stone, and Fred Durst, it was the final release by the band before their hiatus from 2000 to 2003. It was also their last album with drummer Brain. The album received mostly positive reviews from critics.
Alice is the fourteenth studio album by Tom Waits, released in 2002 on Epitaph Records. It consists of songs written by Waits and Kathleen Brennan for the opera Alice ten years earlier. The opera was a collaboration with Robert Wilson, with whom Waits had previously worked on The Black Rider. Waits and Wilson collaborated again on Woyzeck; the songs from it were recorded and released on Blood Money at the same time as Alice.
Closing Time is the debut album by American singer-songwriter Tom Waits, released on March 6, 1973, on Asylum Records. Produced and arranged by former Lovin' Spoonful member Jerry Yester, Closing Time was the first of seven of Waits' major releases by Asylum.
Small Change is the fourth studio album by singer and songwriter Tom Waits, released on September 21, 1976 on Asylum Records. It was recorded in July at Wally Heider's Studio 3 in Hollywood. It was successful commercially and outsold his previous albums. This resulted in Waits putting together a touring band - The Nocturnal Emissions, which consisted of Frank Vicari on tenor saxophone, FitzGerald Jenkins on bass guitar and Chip White on drums and vibraphone. The Nocturnal Emissions toured Europe and the United States extensively from October 1976 till May 1977.
The Heart of Saturday Night is the second studio album by singer and songwriter Tom Waits, released on October 15, 1974, on Asylum Records. The title song was written as a tribute to Jack Kerouac. The album marks the start of a decade-long collaboration between Waits and Bones Howe, who produced and engineered all Waits' recordings until the artist left Asylum.
Bone Machine is the eleventh studio album by American singer and musician Tom Waits, released by Island Records on September 8, 1992. It won a Grammy Award for Best Alternative Music Album and features guest appearances by David Hidalgo, Les Claypool, Brain, and Keith Richards. The album marked Waits' return to studio albums, coming five years after Franks Wild Years (1987).
Franks Wild Years is the tenth studio album by Tom Waits, released 1987 on Island Records. It is the third in a loose trilogy that began with Swordfishtrombones. Subtitled "Un Operachi Romantico in Two Acts", the album contains songs written by Waits and collaborators for a play of the same name. The play had its world premiere at the Briar St. Theatre in Chicago, Illinois, on June 22, 1986, performed by the Steppenwolf Theatre Company. "If I Have to Go" was used in the play, but released only in 2006 on Orphans: Brawlers, Bawlers & Bastards. The theme from "If I Have to Go" was used under the title "Rat's Theme" in the documentary Streetwise as early as 1984. The title is derived from "Frank's Wild Years", a track from Swordfishtrombones.
Big Time is the first conventional live album by American musician Tom Waits, featuring performances from two shows on Waits' 1987 tour. The album was released less than a year later on Island Records. While Big Time was the first released recording of public concert performances by Waits, it was not strictly his first live release: his 1975 Nighthawks at the Diner was a live performance before an audience that was conducted entirely within a recording studio.
Waka/Jawaka is the fourth solo album, fifteenth album counting the work of his band the Mothers of Invention, by Frank Zappa, released in July 1972. The album is the jazz-influenced precursor to The Grand Wazoo, and as the front cover indicates, a sequel of sorts to 1969's Hot Rats. According to Zappa, the title "is something that showed up on a ouija board at one time."
"Knives Out" is a song by the English rock band Radiohead, released as the second single from their fifth album, Amnesiac (2001). It features lyrics about cannibalism and guitars influenced by the Smiths.
Dog in the Sand is Frank Black's third album with backing group the Catholics. It was released in 2001 by Cooking Vinyl in Europe and What Are Records? in the United States, and was produced by Nick Vincent. The album was generally met with favorable reviews. Though retaining the live-to-two-track method of recording of the previous two albums, this album found the band branching away from purely electric rock to incorporate acoustic guitar, pedal steel, and Rhodes Piano and Wurlitzer organ into the sonic template.
Kathleen Patricia Brennan is an Irish-American musician, songwriter, record producer, and artist. She is known for her work as a co-writer, producer, and influence on the work of her husband Tom Waits.
"I Know There's an Answer" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson, Terry Sachen, and Mike Love, the song was inspired by Wilson's experience with the drug LSD and his struggle with ego death. Musically, it is distinguished for its colorful arrangement, unorthodox structure, and bass harmonica solo. The instrumentation also includes guitars, tambourine, tack piano, banjo, clarinets, flutes, electric keyboards, and timpani. Wilson, Love, and Al Jardine trade the lead vocal, for which the melody spans two octaves.
Orphans: Brawlers, Bawlers & Bastards is a limited edition three CD set by Tom Waits, released by the ANTI- label on November 17, 2006 in Europe and on November 21, 2006 in the United States.
"Citizen Erased" is a song by English rock band Muse. It is the sixth track on their second studio album, Origin of Symmetry (2001). Written by singer and guitarist Matt Bellamy, it is a grandiose, multi-section progressive rock and space rock song that serves as the centrepiece of Origin of Symmetry. Despite having not been released as a single at first, it charted at No. 122 on the UK Singles Chart in 2007 and became a fan favourite. It was later given a new mix as part of Origin of Symmetry: XX Anniversary RemiXX in 2021 and was released as that album's lead single.
BlueBOB is the debut studio album by the American director and musician David Lynch and audio engineer John Neff. It was released in December 2001 on Absurda—Lynch's own record label—and Soulitude Records. Recorded over a 23-month period from 1998 to 2000 at Lynch's home studio, BlueBOB was originally an experiment by Lynch and Neff that evolved into a full-length album.
"It’s Different for Girls" is a song by Joe Jackson appearing on his 1979 album, I'm the Man. The song has since become one of his most successful singles, notably being the highest charting Joe Jackson single in the UK. Covers have been recorded and released by several artists.
"Hang Down Your Head" is a song by Tom Waits appearing on his 1985 album Rain Dogs and released as a single that year by Island Records. It is in the same vein as Tom Waits' earlier work, featuring a more conventional melodic structure compared to other songs on Rain Dogs, albeit featuring an idiosyncratic arrangement. Allmusic critic Stewart Mason called the song "among the most direct and effective things Waits has ever written."
