Swordfishtrombones | ||||
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Studio album by | ||||
Released | September 1, 1983 | |||
Recorded | August 1982 | |||
Studio | Sunset Sound, Hollywood, California | |||
Genre | Experimental rock [1] | |||
Length | 41:41 | |||
Label | Island | |||
Producer | Tom Waits | |||
Tom Waits chronology | ||||
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Singles from Swordfishtrombones | ||||
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Swordfishtrombones is the eighth studio album by American singer-songwriter Tom Waits, released in 1983 on Island Records. It was the first album that Waits self-produced. Stylistically different from his previous albums, Swordfishtrombones moves away from conventional piano-based songwriting towards unusual instrumentation and a somewhat more abstract and experimental rock approach. [2] The album peaked at No. 164 on the Billboard Pop Albums and 200 albums charts.
It is often considered the first in a loose trilogy that includes Rain Dogs and Franks Wild Years . Per The Guardian , "These are records of startling originality and playfulness, of cacophonous discord and sudden heartbreaking melody, in which it seemed the artist was trying to incorporate the whole history of American song into his loose-limbed poetic storytelling." [3]
The album marks the beginning of Waits's eclectic use of instruments. As he put it in a contemporary interview: "Some of the stuff I think is a bit of a departure for me. The instrumentation is all different, and no saxophones. I used the banjo, accordion, bass-marimba, metal aunglongs, you know, African squeeze drum, a calliope, a harmonium. So some of the stuff is a little more exotic." [4]
Swordfishtrombones also represented a lyrical departure. Per AllMusic,
Lyrically, Waits' tales of the drunken and the lovelorn have been replaced by surreal accounts of people who burned down their homes and of Australian towns bypassed by the railroad -- a world (not just a neighborhood) of misfits now have his attention. The music can be primitive, moving to odd time signatures, while Waits alternately howls and wheezes in his gravelly bass voice. He seems to have moved on from Hoagy Carmichael and Louis Armstrong to Kurt Weill and Howlin' Wolf (as impersonated by Captain Beefheart). [5]
The cover art is a TinTone photograph by Michael A. Russ [6] [7] showing Waits with the actors Angelo Rossitto and Lee Kolima. [8]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Blender | [9] |
Houston Chronicle | [10] |
Mojo | [11] |
Q | [12] |
Rolling Stone | [13] |
The Rolling Stone Album Guide | [14] |
Select | 5/5 [15] |
Uncut | [16] |
The Village Voice | A− [17] |
Swordfishtrombones was ranked the second best album of 1983 by NME . [18] In 1989, Spin named Swordfishtrombones the second greatest album of all time. [19] Pitchfork ranked it at number 11 in its 2002 list of the best albums of the 1980s. [20] In 2006, Q listed it as the 36th best album of the 1980s, [21] while in 2012, Slant Magazine listed it as the decade's 26th best album. [22] In 2000, it was voted number 374 in Colin Larkin's All Time Top 1000 Albums . [23] Elvis Costello included Swordfishtrombones on his list of essential albums, highlighting "16 Shells From a Thirty-Ought-Six" and "In the Neighborhood". [24]
Jim Sclavunos recalls
Swordfishtrombones was a bombshell to say the least. That an artist with a gift for writing tunes so evocative of memories real and imagined would decisively rend the fabric of his well-established image, and trade in coolly louche atmospherics for neon-lit junkyard sonic grotesquery was a perverse strategy that I couldn’t help admiring. These no-holds-barred albums set the stage for the years of innovation upon innovation that followed. [3]
All tracks written by Tom Waits.
Side one
Side two
Chart (1983) | Peak position |
---|---|
Dutch Top 100 [25] | 48 |
UK Albums Chart [26] | 62 |
US Billboard 200 [27] | 167 |
Chart (1984) | Peak position |
New Zealand RIANZ Albums Chart [28] | 45 |
Norwegian Albums Chart [29] | 18 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [30] | Silver | 60,000^ |
^ Shipments figures based on certification alone. |
Mike, Tom, and Crow sing "Underground" on Wanda's arrival in Atlantis in the 1993 Mystery Science Theater 3000 episode "Alien from L.A.". The song was used for the Chop Shop theme in the 2005 movie Robots .
"Soldier's Things" was covered by Paul Young on his 1985 album The Secret of Association , and is used in the 2005 movie Jarhead .
Rain Dogs is the ninth studio album by American singer-songwriter Tom Waits, released in September 1985 on Island Records. A loose concept album about "the urban dispossessed" of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years.
Alice is the fourteenth studio album by Tom Waits, released in 2002 on Epitaph Records. It consists of songs written by Waits and Kathleen Brennan for the opera Alice ten years earlier. The opera was a collaboration with Robert Wilson, with whom Waits had previously worked on The Black Rider. Waits and Wilson collaborated again on Woyzeck; the songs from it were recorded and released on Blood Money at the same time as Alice.
Mule Variations is the thirteenth studio album by American musician Tom Waits, released on April 16, 1999, on the ANTI- label. It was Waits' first studio album in six years, following The Black Rider (1993). The album was backed by an extensive tour in Europe and North America during the summer and autumn of 1999, which was Waits' first proper tour since 1987. Other promotional stops included a solo performance on VH1 Storytellers.
Blood Money is the fifteenth studio album by Tom Waits, released in 2002 on the ANTI- label. It consists of songs Waits and Kathleen Brennan wrote for Robert Wilson's opera Woyzeck. Waits had worked with Wilson on two previous plays: The Black Rider and Alice. Alice was released with Blood Money simultaneously in 2002.
Bone Machine is the eleventh studio album by American singer and musician Tom Waits, released by Island Records on September 8, 1992. It won a Grammy Award for Best Alternative Music Album and features guest appearances by David Hidalgo, Les Claypool, Brain, and Keith Richards. The album marked Waits' return to studio albums, coming five years after Franks Wild Years (1987).
Franks Wild Years is the tenth studio album by Tom Waits, released 1987 on Island Records. It is the third in a loose trilogy that began with Swordfishtrombones. Subtitled "Un Operachi Romantico in Two Acts", the album contains songs written by Waits and collaborators for a play of the same name. The play had its world premiere at the Briar St. Theatre in Chicago, Illinois, on June 22, 1986, performed by the Steppenwolf Theatre Company. "If I Have to Go" was used in the play, but released only in 2006 on Orphans: Brawlers, Bawlers & Bastards. The theme from "If I Have to Go" was used under the title "Rat's Theme" in the documentary Streetwise as early as 1984. The title is derived from "Frank's Wild Years", a track from Swordfishtrombones.
Mighty Like a Rose is the 13th studio album by the British rock singer and songwriter Elvis Costello, released in 1991 on compact disc as Warner Brothers 26575. The title is presumably a reference to the pop standard "Mighty Lak' a Rose", and although that song does not appear on the album, the words of its first stanza are quoted in the booklet of the 2002 reissue. It peaked at No. 5 on the UK Albums Chart, and at No. 55 on the Billboard 200.
Whatever is the first solo album by the American singer-songwriter Aimee Mann, released in 1993.
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A Black & White Night Live is a Roy Orbison music album made posthumously by Virgin Records from the HBO television special, Roy Orbison and Friends: A Black and White Night, which was filmed in 1987 and broadcast in 1988. According to the authorised Roy Orbison biography, the album was released in October 1989 and included the song "Blue Bayou" which because of time constraints had been deleted from the televised broadcast. However, it did not include the songs "Claudette" and "Blue Angel", which were also cut from the original broadcast for the same reason.
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