Alias Nick Beal | |
---|---|
Directed by | John Farrow |
Screenplay by | Jonathan Latimer |
Story by | Mindret Lord |
Produced by | Endre Bohem |
Starring | Ray Milland Audrey Totter Thomas Mitchell George Macready |
Cinematography | Lionel Lindon |
Edited by | Eda Warren |
Music by | Franz Waxman |
Production company | Paramount Pictures |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 93 minutes |
Country | United States |
Language | English |
Alias Nick Beal is a 1949 American film noir mystery starring Ray Milland, Audrey Totter and Thomas Mitchell (although third-billed, Mitchell plays the leading role). Directed by John Farrow, it is a retelling of the Faust myth, [1] and is also known as Dark Circle, Strange Temptation and Alias Nicky Beal.
Joseph Foster is an honest district attorney who wants to clean up the criminal underworld, but cannot catch their leader, Frankie Faulkner, no matter how hard he tries. After a foiled attempt to obtain critical evidence to convict an underling of Faulkner's named Hanson, Foster is left reeling.
In exasperation at another frustrated attempt, he cries out that he would sell his soul to put Faulkner behind bars. At that moment he receives an invitation to meet with a smooth talking stranger named Nick Beal at a seedy bar beside the docks. With Beal's aid he gets evidence to convict Faulkner's cohort Hanson.
Foster is encouraged by a circle of powerful admirers to run for governor. He accepts, with Beal acting as a Mr. Fixit, despite the uneasiness of his wife Martha and his good friend Reverend Garfield. Foster begins his rise to power in the company of Donna Allen, a fallen woman who is sent by Nick to entice him. Foster gets elected but resigns, sickened by the compromises he has made at Beal's instigation, forfeiting his soul. As he is preparing to leave with Beal for the Island of Lost Souls, his wife and Garfield arrive and are able to thwart Foster’s promise to Beal to accompany him. Beal then disappears into the foggy darkness from whence he came.
A 1949 review of the film in The New York Times held that, "Due to the fine acting and the wily direction, the story plays exceptionally well, but the script tends to be somewhat wobbly and indecisive upon reflection." [2]
A contemporary review by Film4 contended "Milland is outstanding as the personification of evil—a talent often obscured by his charm and early juvenile good looks." [3]
Kino Lorber released a region A Blu-ray edition of the film through their Kino Lorber Studio Classics label on July 13, 2021. [4]
Ray Milland was a Welsh-American actor and film director. He is often remembered for his portrayal of an alcoholic writer in Billy Wilder's The Lost Weekend (1945), which won him Best Actor at Cannes, a Golden Globe Award, and ultimately an Academy Award—the first such accolades for any Welsh actor.
King: A Filmed Record... Montgomery to Memphis is a 1970 American documentary film biography of Martin Luther King Jr. and his creation and leadership of the nonviolent campaign for civil rights and social and economic justice in the Civil Rights Movement.
The year 1949 in film involved some significant events.
Easy Living is a 1937 American screwball comedy film, directed by Mitchell Leisen, written by Preston Sturges from a story by Vera Caspary, and starring Jean Arthur, Edward Arnold, and Ray Milland. Many of the supporting players became a major part of Sturges' regular stock company of character actors in his subsequent films.
Audrey Mary Totter was an American radio, film, and television actress and Metro-Goldwyn-Mayer contract player in the 1940s.
The Romantic Englishwoman is a 1975 British film directed by Joseph Losey and starring Michael Caine, Glenda Jackson, Helmut Berger. It marks the feature-length screen debut for Kate Nelligan. The screenplay was written by Tom Stoppard and Thomas Wiseman, based on the novel by the same title by Thomas Wiseman.
Frederick Leonard Clark was an American film and television character actor, often cast in authoritative roles.
Body and Soul is a 1925 race film produced, written, directed, and distributed by Oscar Micheaux and starring Paul Robeson in his motion picture debut. In 2019, the film was selected by the Library of Congress for inclusion in the National Film Registry for being "culturally, historically, or aesthetically significant".
Losin' It is a 1983 comedy film directed by Curtis Hanson, and starring Tom Cruise, Shelley Long, Jackie Earle Haley and John Stockwell. The film follows four teenagers trying to lose their virginity. It was filmed largely in Calexico, California.
A Foreign Affair is a 1948 American romantic comedy-drama film directed by Billy Wilder and starring Jean Arthur, Marlene Dietrich, and John Lund. The screenplay by Charles Brackett, Wilder, and Richard L. Breen is based on a story by David Shaw adapted by Robert Harari.
I Walk Alone is a 1947 film noir directed by Byron Haskin and starring Burt Lancaster and Lizabeth Scott, with a supporting cast featuring Wendell Corey and Kirk Douglas.
It Happens Every Spring is a 1949 American comedy film directed by Lloyd Bacon and starring Ray Milland, Jean Peters and Paul Douglas.
Ganja & Hess is a 1973 American black horror film written and directed by Bill Gunn and starring Marlene Clark and Duane Jones. The film follows the exploits of anthropologist Dr. Hess Green (Jones), who becomes a vampire after his intelligent but unstable assistant (Gunn) stabs him with an ancient cursed dagger. Green falls in love with his assistant's widow, Ganja (Clark), who learns Green's dark secret.
Tartuffe is a German silent film produced by Erich Pommer for UFA and released in 1926. It was directed by F. W. Murnau, photographed by Karl Freund and written by Carl Mayer from Molière's original play. It was shot at the Tempelhof Studios in Berlin. Set design and costumes were by Robert Herlth and Walter Röhrig.
Cotton Comes to Harlem is a 1970 American neo-noir action comedy film co-written and directed by Ossie Davis and starring Godfrey Cambridge, Raymond St. Jacques, and Redd Foxx. The film, later cited as an early example of the blaxploitation genre, is based on Chester Himes' novel of the same name. The opening theme, "Ain't Now But It's Gonna Be," was written by Ossie Davis and performed by Melba Moore. The film was one of the many black films that appeared in the 1970s and became overnight hits. It was followed two years later by the sequel Come Back, Charleston Blue.
Little Lord Fauntleroy is a 1936 American drama film based on the 1886 novel of the same name by Frances Hodgson Burnett. The film stars Freddie Bartholomew, Dolores Costello, and C. Aubrey Smith. The first film produced by David O. Selznick's Selznick International Pictures, it was the studio's most profitable film until Gone with the Wind. The film is directed by John Cromwell.
A Bullet for Joey is a 1955 film noir directed by Lewis Allen and starring Edward G. Robinson and George Raft. The picture involves a gangster who sneaks into Canada to kidnap a scientist for the communists. The supporting cast features Audrey Totter, Peter van Eyck, George Dolenz, and Peter Hansen.
The Champagne Murders is a 1967 French suspense thriller mystery film based on a story William Benjamin, directed by Claude Chabrol and starring Anthony Perkins. It was the first of two films that Chabrol made with Perkins.
So Evil My Love is a 1948 British and American Gothic psychological thriller film directed by Lewis Allen and starring Ray Milland, Ann Todd and Geraldine Fitzgerald.
We Who Are About to Die is a 1937 American crime drama film directed by Christy Cabanne and starring Preston Foster, Ann Dvorak, and John Beal. It was based on a book by David Lamson, who was tried four times for murdering his wife before being set free.