Faust (Spohr)

Last updated
Faust
Opera by Louis Spohr
Spohr Faust in London.jpg
Faust at the Royal Italian Opera, from The Illustrated London News Supplement,31 July 1852
Librettist Joseph Karl Bernard
LanguageGerman
Based onlegend of Faust
Premiere
1 September 1816 (1816-09-01)
Estates Theatre in Prague

Faust is an opera by the German composer Louis Spohr. The libretto, by Joseph Karl Bernard, is based on the legend of Faust; it is not influenced by Goethe's Faust, though Faust, Part One had been published in 1808. Instead, Bernard's libretto draws mainly on Faust plays and poems by Friedrich Maximilian Klinger and Heinrich von Kleist. [1] Spohr's Faust is an important work in the history of German Romantic opera.

Contents

Performance history

Louis Spohr Spohr-autoportrait.jpg
Louis Spohr

Spohr had left his court appointment at Gotha and taken up a post in Vienna at the Theater an der Wien, which had recently been purchased by Count Ferdinánd Pálffy de Erdöd. Spohr composed the opera in less than four months, May to September 1813 [2] but had difficulties with Count Pálffy that interfered with getting it staged in Vienna. Though he took the manuscript score privately to Giacomo Meyerbeer, who played it, with Spohr singing — supplementing his vocal range by whistling — it was not until Carl Maria von Weber took an interest in the score that it received its premiere. Weber conducted the first performance of Faust at the Estates Theatre in Prague on 1 September 1816. Meyerbeer introduced it at Berlin.

In its original form, the opera was a Singspiel in two acts. In 1851, Spohr turned the piece into a grand opera in three acts, replacing the spoken dialogue with recitative. This version (in an Italian translation) received its premiere in London at the Royal Italian Opera, Covent Garden, on 15 July 1852. [3] A performance was given by the University College Opera at the Bloomsbury Theatre in February 1984. [4] In 1993 the Bielefeld Opera also performed this form of Faust in what was claimed to be the first staged production worldwide since 1931. Conducted by Geoffrey Moull and directed by Matthias Oldag  [ de ], the opera was given eight performances and subsequently recorded for CPO. [5]

Roles

Roles, voive types, premiere cast
Role Voice type Premiere cast, 1 September 1816 [6]
Conductor: Carl Maria von Weber
Faust baritone Johann Nepomuk Schelble
Mephistofelesbaritone
Count Hugo tenor
Kunigunde his fiancée soprano Therese Grünbaum
Röschen a young girlsoprano
Kaylinger a friend of Faustbaritone
Wohlhardt a friend of Fausttenor
Wagner a friend of Fausttenor
Moor a friend of Faustbaritone
Franztenor
Gulf bass
Sycorax a witchsoprano
Count Hugo's pagespoken role

Synopsis

Faust is torn between his love for the young Röschen and his desire for Kunigunde, the fiancée of Count Hugo. He makes a pact with the devil Mefistofeles which allows him to rescue Kunigunde from the clutches of the evil knight Gulf. Faust obtains a love potion from the witch Sycorax which he gives to Kunigunde during her wedding celebrations. Outraged at the sudden passion his bride shows for Faust, Count Hugo challenges him to a duel. Faust kills Hugo and flees. Meanwhile, Faust's first love, Röschen, drowns herself in despair. Mefistofeles seizes Faust and drags him down to Hell.

Recordings

Notes

  1. "Bernard's libretto draws mainly on Faust plays and poems by Maximilian Klinger and Heinrich von Kleist." in Opera News , October 1995 (review of Bielefeld Philharmonic  [ de ] recording of the two versions).
  2. Joseph Bennett, excerpts from Spohr's memoirs, "The Great Composers, Sketched by Themselves. No. VII. Spohr (Continued)", The Musical Times and Singing Class Circular , 21 (August 1, 1880), p. 394.
  3. A steel engraving of the duel scene was featured on the cover of the Illustrated London News Supplement , 31 July 1852.
  4. Paul Griffiths (24 February 1984). "Faust" . The Arts. The Times. No. 61766. London. col f, p. 10.
  5. Theater in Bielefeld 1975–1998, Kerber Verlag, Bielefeld, Editors: Heidi Wiese, Heiner Bruns, Alexander Gruber, Fritz Stockmeier. 1998 ISBN   3-933040-03-5
  6. Casaglia, Gherardo (2005). "Faust, 1 September 1816" . L'Almanacco di Gherardo Casaglia (in Italian).
  7. "Louis Spohr: Faust (Version 1852) (2 CDS) – JPC".
  8. JW (December 1994). "Review of Capriccio Faust". Gramophone . London, UK. p. 138. Retrieved September 1, 2011.

Further reading

Related Research Articles

Mefistofele is an opera in a prologue and five acts, later reduced to four acts and an epilogue, the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera was given its premiere on 5 March 1868 at La Scala, Milan, under the baton of the composer, despite his lack of experience and skill as a conductor.

<span class="mw-page-title-main">Louis Spohr</span> German composer, violinist and conductor (1784–1859)

Louis Spohr, baptized Ludewig Spohr, later often in the modern German form of the name Ludwig was a German composer, violinist and conductor.

<i>Margherita dAnjou</i> 1820 French opera

Margherita d'Anjou is an opera semiseria in two acts by Giacomo Meyerbeer. The Italian libretto was by Felice Romani after a text based on legends around the English Wars of the Roses by René-Charles Guilbert de Pixérécourt. The title role is the Queen Margaret of Shakespeare's Henry VI plays, who also appears in Richard III. Margherita d'Anjou is the first opera by Meyerbeer to mix historical events and personages with fictional characters and situations, as his French grand operas Les Huguenots, Le prophète and L'Africaine were later to do. It is the fourth of Meyerbeer's Italian operas and was his first international success.

<i>Doktor Faust</i> Opera by Ferruccio Busoni

Doktor Faust is an opera by Ferruccio Busoni with a German libretto by the composer, based on the myth of Faust. Busoni worked on the opera, which he intended as his masterpiece, between 1916 and 1924, but it was still incomplete at the time of his death. His pupil Philipp Jarnach finished it. More recently, in 1982, Antony Beaumont completed the opera using sketches by Busoni that were previously thought to have been lost. Nancy Chamness published an analysis of the libretto to Doktor Faust and a comparison with Goethe's version.

<i>Das Märchen von der schönen Lilie</i> Opera by Giselher Klebe

Das Märchen von der schönen Lilie, Op. 55, is an opera in two acts by Giselher Klebe, with a libretto by Lore Klebe, based on Goethe's fairy tale Das Märchen. On a commission by the SWR for the Schwetzingen Festival, it was premiered on 15 May 1969 at the Schlosstheater Schwetzingen, staged by Oscar Fritz Schuh and conducted by Hans Zender. The opera was published by Bärenreiter.

<i>Die Bürgschaft</i> (opera) Opera by Kurt Weill

Die Bürgschaft is an opera in three acts by Kurt Weill. Caspar Neher wrote the German libretto after the parable Der afrikanische Rechtspruch by Johann Gottfried Herder. Composed from August to October 1931, it was premiered on 10 March 1932 at the Städtische Oper in Berlin, Germany.

<i>Amica</i> (opera) Opera by Pietro Mascagni

Amica is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel. The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere on 13 May 1905 at the Teatro Costanzi in Rome.

<i>Der Trompeter von Säckingen</i>

Der Trompeter von Säckingen is an opera in a prologue and three acts by Viktor Nessler. The German libretto was by Rudolf Bunge, based on the epic poem, Der Trompeter von Säkkingen [sic], by Joseph Victor von Scheffel.

<i>Cristoforo Colombo</i> (opera)

Cristoforo Colombo is an opera in four acts and an epilogue by Alberto Franchetti to an Italian libretto by Luigi Illica. It was written in 1892 to commemorate the 400th anniversary of Christopher Columbus' arrival in America.

<i>Günther von Schwarzburg</i> (opera) Opera by Ignaz Holzbauer

Günther von Schwarzburg is a Singspiel in three acts by Ignaz Holzbauer set to a German libretto by Anton Klein. Loosely based on events in the life of the 14th-century German king, Günther von Schwarzburg, the opera premiered on 5 January 1777 at the Hoftheater in the Mannheim Palace.

Euridice is an opera in a prologue and one act by the Italian composer Giulio Caccini. The libretto, by Ottavio Rinuccini, had already been set by Caccini's rival Jacopo Peri in 1600. Caccini's version of Euridice was first performed at the Pitti Palace, Florence, on 5 December 1602. Caccini hurriedly prepared the score for the press and published it six weeks before Peri's version appeared.

<i>Die Jagd</i> Opera by Johann Adam Hiller

Die Jagd is an opera by the German composer Johann Adam Hiller. It takes the form of a Singspiel in three acts. The libretto by Christian Felix Weiße is based on the plays La partie de chasse de Henri IV by Charles Collé, The King and the Miller of Mansfield by Robert Dodsley, and the opéra comique by Michel-Jean Sedaine. The opera was first performed at the Schlosstheater, Weimar on 29 January 1770. Die Jagd is considered one of the most important early Singspiele. It was admired by Goethe and Wagner.

<i>Il giuramento</i>

Il giuramento is an opera in three acts by Italian composer Saverio Mercadante. The libretto, by Gaetano Rossi, is based on Victor Hugo's 1835 play Angelo, Tyrant of Padua..

<span class="mw-page-title-main">Geoffrey Moull</span> Canadian professional conductor

Geoffrey Moull is a Canadian professional conductor. He was principal conductor of the Bielefeld Philharmonic Orchestra and music director of the Thunder Bay Symphony Orchestra.

<span class="mw-page-title-main">Bielefeld Opera</span>

The Bielefeld Opera is the venue of Städtische Bühnen Bielefeld in Bielefeld, Germany. It is a Dreisparten Haus, offering plays, music, and ballet. The main performance venue is the Stadttheater am Niederwall, built in 1904 and extensively renovated from 2004 to 2006. It is the largest theater in East Westphalia, offering 500 performances annually. It is under the direction of Michael Heicks; its resident orchestra is the 72-member Bielefeld Philharmonic Orchestra that also performs symphonic concerts at the Rudolf-Oetker-Halle.

<i>Medea</i> (Pacini)

Medea is an opera in three acts composed by Giovanni Pacini to a libretto by Benedetto Castiglia. It premiered on 28 November 1843 at the Teatro Carolino in Palermo, conducted by the composer with Geltrude Bortolotti in the title role. The libretto is based on the plays Medea by Euripides and Médée by Pierre Corneille.

<i>Die Kathrin</i>

Die Kathrin, Op. 28, is an opera in three acts by Erich Wolfgang Korngold with a German libretto by Ernst Décsey.

<span class="mw-page-title-main">Antonio Cagnoni</span> Italian composer

Antonio Cagnoni was an Italian composer. Primarily known for his twenty operas, his work is characterized by his use of leitmotifs and moderately dissonant harmonies. In addition to writing music for the stage, he composed a modest amount of sacred music, most notably a Requiem in 1888. He also contributed the third movement, Quid sum miser, to the Messa per Rossini, a collaborative work created by thirteen composers to honor Gioacchino Rossini.

Calisto Bassi was an Italian opera librettist.

Zum Groß-Admiral is a comic opera in three acts by Albert Lortzing; it premiered on 13 December 1847 at the Altes Theater in Leipzig.