Kader Attia | |
---|---|
Born | Dugny, France | 30 December 1970
Known for | Visual art |
Kader Attia (born 30 December 1970) is an Algerian-French artist. [1] [2] [note 1]
Attia was born in Dugny, France to Algerian parents and was raised in Paris and Algeria. [4] [5] He studied at the l'école Duperré de Paris, l'école des arts appliqués La Massana de Barcelone and graduated from the Ecole nationale superieure des arts decoratifs Paris, in 1998. [6] [7] [8]
Attia's work often examines social injustice, marginalized communities and postcolonialism. [9] [10] [11]
In 2016, Attia founded La Colonie , a gallery near Paris' Gare du Nord train station. [12] [13] [14] In March 2020, La Colonie closed permanently due to the coronavirus pandemic. [15] In March 2021, Attia was announced as the curator for the 12th Berlin Biennale. [16] He is the first artist to curate the biennale since New-York based collective DIS, who presented the 9th edition in 2016. [15] In November 2021, he had an exhibition entitled "On Silence" at the Mathaf: Arab Museum of Modern Art in Doha. [17]
Attia's work is included in the permanent collections of:
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Oil and Sugar #2 is a work of art created by Algerian-French artist Kader Attia. It is a film of small, rectangular blocks of white sugar stacked in the shape of a cube on a decoratively rimmed silver plate. Petroleum oil is poured from a vessel and splashed onto the cube nonuniformly. The oil stains the white sugar cubes in streaks of black as it penetrates the porous sugar blocks and pools on the plate. Eventually, the stacks of sugar begin to collapse from saturation, with the entire cube folding in on itself. The end result is a dissolving, distorted black mass of sugar cubes soaked in oil.