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Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Cherríe Moraga is a Xicana feminist, writer, activist, poet, essayist, and playwright. She is part of the faculty at the University of California, Santa Barbara in the Department of English since 2017, and in 2022 became a distinguished professor. Moraga is also a founding member of the social justice activist group La Red Xicana Indígena, which is network fighting for education, culture rights, and Indigenous Rights. In 2017, she co-founded, with Celia Herrera Rodríguez, Las Maestras Center for Xicana Indigenous Thought, Art, and Social Practice, located on the campus of UC Santa Barbara.
Gayle S. Rubin is an American cultural anthropologist, theorist and activist, best known for her pioneering work in feminist theory and queer studies.
Black feminism is a branch of feminism that focuses on the African-American woman's experiences and recognizes the intersectionality of racism and sexism. Black feminism philosophy centers on the idea that "Black women are inherently valuable, that liberation is a necessity not as an adjunct to somebody else's but because of our need as human persons for autonomy."
Barbara Smith is an American lesbian feminist and socialist who has played a significant role in Black feminism in the United States. Since the early 1970s, she has been active as a scholar, activist, critic, lecturer, author, and publisher of Black feminist thought. She has also taught at numerous colleges and universities for 25 years. Smith's essays, reviews, articles, short stories and literary criticism have appeared in a range of publications, including The New York Times Book Review, The Black Scholar, Ms., Gay Community News, The Guardian, The Village Voice, Conditions and The Nation. She has a twin sister, Beverly Smith, who is also a lesbian feminist activist and writer.
E. Patrick Johnson is the dean of the Northwestern University School of Communication. He is the Annenberg University Professor of Performance Studies and professor of African-American studies at Northwestern University. Johnson is the founding director of the Black Arts Consortium at Northwestern. His scholarly and artistic contributions focus on performance studies, African-American studies and women, gender and sexuality studies.
Cheryl L. Clarke is an American lesbian poet, essayist, educator and a Black feminist community activist who continues to dedicate her life to the recognition and advancement of Black and Queer people. Her scholarship focuses on African-American women's literature, black lesbian feminism, and the Black Arts Movement in the United States. For over 40 years,
Sara Ahmed is a British-Australian writer and scholar whose area of study includes the intersection of feminist theory, lesbian feminism, queer theory, affect theory, critical race theory and postcolonialism. Her foundational work, The Cultural Politics of Emotion, in which she explores the social dimension and circulation of emotions, is recognized as a foundational text in the nascent field of affect theory.
Roderick Ferguson is Professor of Women's, Gender, and Sexuality Studies and American Studies at Yale University. He was previously professor of African American and Gender and Women's Studies in the African American Studies Department at the University of Illinois, Chicago. His scholarship includes work on African-American literature, queer theory and queer studies, classical and contemporary social theory, African-American intellectual history, sociology of race and ethnic relations, and black cultural theory. Among his contributions to queer theory, Ferguson is credited with coining the term Queer of Color Critique, which he defines as "...interrogat[ion] of social formations as the intersections of race, gender, sexuality, and class, with particular interest in how those formations correspond with and diverge from nationalist ideals and practices. Queer of color analysis is a heterogeneous enterprise made up of women of color feminism, materialist analysis, poststructuralist theory, and queer critique." Ferguson is also known for his critique of the modern university and the corporatization of higher education.
Allyson Mitchell is a Toronto-based maximalist artist, working predominantly in sculpture, installation and film. Her practice melds feminism and pop culture to trouble contemporary representations of women, sexuality and the body largely through the use of reclaimed textile and abandoned craft. Throughout her career, Mitchell has critiqued socio-historical phobias of femininity, feminine bodies and colonial histories, as well as ventured into topics of consumption under capitalism, queer feelings, queer love, fat being, fatphobia, genital fears and cultural practices. Her work is rooted in a Deep Lez methodology, which merges lesbian feminism with contemporary queer politics.
Sheena C. Howard is an African-American academic, author and producer. She is a professor of communication at Rider University. She is also the past chair of the Black Caucus and the founder of Power Your Research, and academic branding company. Howard is the recipient of the 2014 Eisner Award for her first book Black Comics: Politics of Race and Representation (2013).
Zethu Matebeni is a sociologist, activist, writer, documentary film maker, Professor and South Africa Research Chair in Sexualities, Genders and Queer Studies at the University of Fort Hare. She has held positions at the University of the Western Cape and has been senior researcher at the Institute for Humanities in Africa (HUMA) at UCT. She has been a visiting Professor Yale University and has received a number of research fellowships including those from African Humanities Program, Ford Foundation, the Fogarty International Centre and the National Research Foundation.
Kara Keeling is an American humanities academic. As of 2016 she is Associate Professor at the University of Southern California in the Critical Studies of Cinematic Arts and in the Department of American Studies and Ethnicity.
Juana María Rodríguez is a Cuban-American professor of Ethnic Studies, Gender and Women's Studies, and Performance Studies at the University of California, Berkeley. Her scholarly writing in queer theory, critical race theory, and performance studies highlights the intersection of race, gender, sexuality and embodiment in constructing subjectivity.
In the United States, LGBT youth of colour are marginalized adolescents in the LGBT community. Social issues include homelessness; cyberbullying; physical, verbal and sexual abuse; suicide; drug addiction; street violence; immigration surveillance; engagement in high-risk sexual activity; self-harm, and depression. The rights of LGBT youth of colour are reportedly not addressed in discussions of sexuality and race in the larger context of LGBT rights.
Feminist comedy refers to comedic acts and styles that further feminist principles, including gender equality and awareness of the social experience of gender. Comedy, the creative works with the intention of humor, has been historically dominated by men. The current comedy culture climate remains male-focused and is currently accepting of women comedians. The conversation surrounding gender-aware comedy has included articles and opinions from many male comedians and fans that are rooted in the idea that women aren’t funny, despite protest from successful female comedians and audiences. However, there is a difference between female humor and feminist humor. As a practice, feminist comedy is not solely comedy performed by women, as many women, especially early female comics, “served to reinforce… cultural stereotypes” and patriarchal views about women and gender. While some scholars have argued that this is because feminism may be antithetical to comedy, which is often described as an aggressive, necessarily masculine act in which the performer centers themselves, others have argued that humor's inclination to subvert hierarchies makes it a particularly effective communication platform for feminist comedians. Feminist comedy frequently references and discusses female-gendered issues and topics such as menstruation, rape, gender inequality, beauty norms, and machismo. Along the lines of intersectionality, which suggests that social identities and systems of oppression are interrelated, many feminist comedians also discuss homophobia, racism, and transphobia.
Angela Bowen was an American dance teacher, English professor, writer, and a lesbian rights activist. She was also the subject of an award-winning 2016 documentary.
Adia Harvey Wingfield is a professor of sociology at Washington University in St. Louis and the 2018 President of Sociologists for Women in Society. She is the author of several books, including No More Invisible Man: Race and Gender in Men's Work, and articles in peer-reviewed journals including Social Problems, Gender & Society, and Ethnic and Racial Studies. She has lectured internationally on her research.
Emma Pérez is an American author and professor, known for her work in queer Chicana feminist studies.
Lesbian erasure is a form of lesbophobia that involves the tendency to ignore, remove, falsify, or reexplain evidence of lesbian women or relationships in history, academia, the news media, and other primary sources. Lesbian erasure also refers to instances wherein lesbian issues, activism, and identity is deemphasized or ignored within feminist groups or the LGBT community.
References
- 1 2 "Story, Kaila Adia, 1980-". Library of Congress . Retrieved July 10, 2017.
- 1 2 3 4 5 6 Moore, Darnell L. (March 29, 2013). "Feminists We Love: Kaila Adia Story". The Feminist Wire. Retrieved July 10, 2017.
- 1 2 3 4 5 6 7 8 9 10 11 12 Rosenblatt, Kalhan (June 25, 2017). "#Pride30: Professor Kaila Story Is Opening Hearts and Minds in Kentucky". NBC News . Retrieved July 10, 2017.
- 1 2 3 4 5 6 "Kaila Story - Department of Women's and Gender Studies". University of Louisville . Retrieved July 10, 2017.
- 1 2 Sisk, Remy (June 13, 2017). "Modern Vows: Modern's 2017 Wedding Issue". LEO Weekly. Retrieved July 10, 2017.
- ↑ Doligale, Kellie (September 28, 2016). "The Importance of Understanding". LEO Weekly . Retrieved July 10, 2017.
- ↑ "Are we seeing Black feminism on prime time TV?". Minnesota Spokesman-Recorder. March 26, 2015. Retrieved July 10, 2017.
- ↑ Keel, Eli (June 20, 2017). "'Strange Fruit' podcast celebrates 200 episodes". Insider Louisville . Archived from the original on September 22, 2017. Retrieved July 10, 2017.
- ↑ "Louisville Public Media's 'Strange Fruit' Celebrates 200 Episodes". Louisville Public Media . 2017-06-07. Retrieved July 10, 2017.
- ↑ Shafer, Sheldon S. (September 25, 2015). "Fairness Campaign lists 2015 honorees". Courier-Journal . Retrieved July 10, 2017.
- 1 2 Kelso, Alicia (June 28, 2017). "UofL professor the focus of NBC Pride series". UofL News. University of Louisville. Retrieved July 10, 2017.
