"Kaleidoscope World" | |
---|---|
Song by The Chills | |
from the album Kaleidoscope World | |
Written | 1982 |
Released | June 1982 |
Recorded | March 1982 |
Studio | Likely Sydenham, Christchurch |
Genre | |
Length | 3:45 |
Label | |
Songwriter(s) | Martin Phillipps, Terry Moore, Alan Haig, Frazer Batts |
Producer(s) |
|
"Kaleidoscope World" is an early song by New Zealand band The Chills. It was first released in June 1982 as part of Dunedin Double , an early Flying Nun compilation EP featuring The Chills, as well as Sneaky Feelings, The Stones, and The Verlaines.
"Kaleidoscope World" appeared as the first track on Dunedin Double , a seminal EP shared between four bands, which launched those bands' careers nationally and internationally (the other bands were Sneaky Feelings, The Verlaines, and The Stones). The track was recorded in Christchurch in March 1982, possibly in Toy Love bassist Paul Kean’s home in Longfellow Street in Sydenham, [1] though Sneaky Feelings' Matthew Bannister recalls the recordings as having been done in a flat in Barbadoes Street. [2]
While not strictly a single, and never released as such, Kaleidoscope World is regarded as an early Chills manifesto. [3] Written by Chills frontman Martin Phillipps, "Kaleidoscope World" was, like many other early releases from the Flying Nun label, recorded in very lo-fi surroundings, on Chris Knox's four-track tape by Doug Hood in a room at Paul Kean's house. [4] The line-up of the Chills that recorded the song consisted of Martin Phillipps (guitar/vocals), Alan Haig (guitar), Frazer Batts (keyboards) and Terry Moore (bass).
The song features a swirl of jingle-jangle guitar over a background bass pulse and quiet synth, and is a prototype and epitome of what came to be known as the "Dunedin sound". The EP, and "Kaleidoscope World" in particular, were the launching pad for Dunedin's acceptance as an important source of New Zealand music. As engineer Doug Hood said of the track: "It was the one that made you think, boy, there's really something special happening here." [5]
A music video was subsequently produced for the song. Directed by Peter James, it features the band performing in an attic with a bubble machine. [6]
The song became the title track of The Chills' 1986 compilation Kaleidoscope World , which collated all the band's early single and EP releases.
The song's title was borrowed for a major 2021 exhibition of Flying Nun-related art and ephemera to commemorate the label's 40th anniversary, at Dunedin's Hocken Library. [7]
Flying Nun Records is a New Zealand independent record label formed in Christchurch in 1981 by music store manager Roger Shepherd. Described by The Guardian as "one of the world's great independent labels", Flying Nun is notable for bringing global attention to the Dunedin sound, a cultural and musical movement in early 1980s Dunedin.
The Dunedin sound was a musical and cultural movement in Dunedin, Otago, New Zealand, in the early 1980s. It helped found indie rock as a genre. The scene is associated with Flying Nun Records, an independent label.
Toy Love were a New Zealand new wave and punk rock band that originated in Dunedin and was active from 1978 to 1980. Members included Chris Knox, Alec Bathgate and Paul Kean.
The Verlaines are a New Zealand rock band from Dunedin. Formed in 1981 by Graeme Downes, Craig Easton, Anita Pillai, Phillip Higham and Greg Kerr, the band went through multiple line-ups.
Sneaky Feelings are a New Zealand pop rock band which releases on the Flying Nun Records music label. The band formed in 1980 with the line-up of Matthew Bannister, David Pine, Kat Tyrie and Martin Durrant. Tyrie was replaced by John Kelcher in 1984. Durrant was temporarily replaced by Ross Burge in 1988 for the band's second tour of Europe.
Matthew Bannister is a Scottish-born New Zealand musician, journalist and academic.
The Clean was a New Zealand indie rock band formed in Dunedin in 1978. They have been described as the most influential band to come from the Flying Nun label, which recorded many artists associated with the "Dunedin sound", and one of the first bands to be described as "indie rock".
The Chills are a New Zealand indie rock band that formed in Dunedin in 1980. The band were fronted by founding mainstay singer-songwriter, guitarist Martin Phillipps. During the mid-1990s they were billed as Martin Phillipps & the Chills. Their top ten studio albums in their homeland are Submarine Bells (1990), Soft Bomb (1992), Snow Bound (2018) and Scatterbrain (2021). The Chills were a cult band in other parts of the world as one of the earliest proponents of the Dunedin sound. Their top 20 singles are "Pink Frost", "Doledrums", "I Love My Leather Jacket" (1986), "Heavenly Pop Hit" (1990) and "Male Monster from the Id" (1992).
Straitjacket Fits were a four-piece alternative indie rock band that formed in Dunedin, New Zealand, in 1986 and broke up in 1994. They released three studio albums, Hail (1988), Melt (1990), and Blow (1993), and several EPs. Their line-up for their first two albums consisted of Shayne Carter, John Collie (drums), David Wood (bass), and Andrew Brough. Brough departed the band in 1991 and was replaced for the band's final album by Mark Petersen.
The Bats are an influential New Zealand rock band formed in 1982 in Christchurch by Paul Kean (bass), Malcolm Grant (drums), Robert Scott and Kaye Woodward. Though primarily a Christchurch band, The Bats have strong links to Dunedin and are usually grouped in with the Dunedin sound musicians that emerged in the early 1980s. The band has retained the same four members from 1982 to the present day.
Able Tasmans were an indie pop band from Auckland, New Zealand, initially formed as a duo in 1983. They released four albums and two EPs on Flying Nun Records before splitting up in 1996.
The Stones were a New Zealand band from Dunedin named after the Rolling Stones. One of the earliest bands to record on the Flying Nun label, they helped form the style of music known as the Dunedin sound, along with label mates such as the Chills, the Verlaines and Sneaky Feelings, all of whom appeared alongside the Stones on the seminal Flying Nun release the Dunedin Double EP.
"Death and the Maiden" is a song by New Zealand rock band The Verlaines, who are one of a number of 1980s bands signed to Flying Nun Records and attributed to the Dunedin Sound. It was released as a single in 1983 and is arguably the most popular song in their discography. The 'B' side of the record was "CD, Jimmy Jazz & Me."
The Dunedin Double EP is a 1982 compilation EP by The Chills, Sneaky Feelings, The Stones, and The Verlaines, released on the Christchurch label Flying Nun. An unusual format, it contain two 45rpm 12" discs. At nearly 50 minutes length, it was longer than many compilations of the time period. The EP's release publicised Flying Nun as a major alternative record label for the first time. It has become regarded as one of the earliest seminal works of the Dunedin sound, which heavily influenced the development of indie rock.
Sentimental Education is an album by the New Zealand group Sneaky Feelings. First released as an LP in 1986, it was re-released with extra tracks as a CD the following year. Several of the extra tracks had previously been released as singles, including the band's biggest single, "'Husband House".
Jane Dodd is a New Zealand musician and contemporary jeweller. She is well known for her role as a bass player in early Dunedin-based Flying Nun Records groups The Chills and The Verlaines, was a long-standing member of Auckland group Able Tasmans, and occasionally played with side-project The Lure of Shoes.
Send You is the first studio album by Sneaky Feelings. It was released in 1984 via Flying Nun Records.
"Pink Frost" is a song by New Zealand band The Chills. The song was originally recorded in 1982. It was released as a single in 1984. Its B-side was the instrumental track "Purple Girl". It reached number 17 on the New Zealand singles chart.
Martin John James Phillipps was a New Zealand singer-songwriter and musician. He was the lead singer and rhythm guitarist for The Chills. As part of the Dunedin sound, Phillipps and the Chills helped lay the groundwork for modern indie rock, and the band's innovative approach to alternative rock and lo-fi formed his legacy. After he died suddenly in 2024, Split Enz and Crowded House frontman Neil Finn said Phillips was a "true original, fascinated by and devoted to the magic and mystery of music".
Douglas Henry Hood was a New Zealand music producer and engineer. One of the leading figures behind the Flying Nun Records label, he was recording engineer on many of the label's hits.