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Kalynn Campbell | |
---|---|
Born | R. Kalynn Campbell Jr. January 1, 1960 |
Nationality | American |
Other names | Skip [1] |
Occupation(s) | Artist, illustrator, cartoonist and write/poet |
Years active | 1973–present |
Known for | Art and illustration, cartoons |
Notable work | Paintings in the Kustom Kulture art movement, 'She of Thorn' book of poetry [2] |
R. Kalynn Campbell Jr (born 1960), is an American artist, illustrator, cartoonist and writer/poet. He is best known for his work in the Lowbrow/Kustom Kulture movement, wherein he has been referred to as 'one of the most influential of the California Lowbrow artists'. [3] As an illustrator, he created album/CD covers for notable bands like Megadeth (Album - Capitol Punishment: The Megadeth Years), Reverend Horton Heat (Album - Lucky 7 (album)), and Social Distortion (Album - White Light, White Heat, White Trash). His political cartoons were a fixture in Paul Krassner's 'The Realist' magazine from 1985 to 2001. [4]
Campbell grew up in the small town of Jupiter, Florida. [5] As a child, he was nicknamed "Skip", a nickname he eventually dropped after moving to California. [1] At age 10, while recuperating from a tonsillectomy, a family friend brought him a stack of underground comix, a gesture that would have a lasting impact on his art. [6]
At 13, he became the cartoonist of his middle school's publication, Smoke Signals, and began selling Ed Roth-inspired hot rod drawings at local craft fairs. [1] The same year he enrolled in a mail-order cartoon course. [7] During this period, he was heavily influenced by 'freak shows and drug shows' that came to the South Florida Fair every year. [5] At age 17, Campbell was hired by the Outlaws motorcycle club to airbrush motorcycle tanks while at the same time working for a local radio station magazine as a concert photographer, photographing major stadium rock acts like Aerosmith and Van Halen. [6] After graduating high school, Campbell attended film school, but was soon expelled after a series of vandalistic 'Pranks.' [6]
After being expelled, Campbell's parents bought him a one-way ticket to San Francisco and soon after arriving in the Bay Area, he began self-publishing minicomics. [6] At a comix artist party he attended with Dori Seda, Campbell met Gay Comics editor Robert Triptow. [8] Both Triptow and Campbell worked together soon after, first on 'Pork Grease Fantasies' [9] and again on Gay Comix#8 (which featured Campbell's cover art, even though Campbell was heterosexual). [6] When underground comix artist and painter Robert Williams came to Berkeley to show his latest work, The Zombie Mystery Paintings Campbell was deeply influenced by William's work and began creating work in a similar vein. [6]
Around this time, Campbell met underground satirist Paul Krassner. Krassner offered him the job of lead cartoonist for THE REALIST magazine which Krassner was bringing back after a long hiatus. [4] Campbell took and held that position, illustrating the majority of the covers including final issue published in the spring of 2001. Campbell's relationship with Krassner went deeper than just that of The Realist and Campbell illustrated the majority of Paul's CD and book covers during this period. In 2017 Fantagraphics Books released the book The Realist Cartoons in which Campbell's work makes up the bulk of the last chapter. [4]
During the early 80's Campbell found himself attracted to Punk Rock and in 1984 started his own fanzine, 'Spastic Culture Magazine.' The magazine reflected the punk aesthetic (band interviews and show reviews) but also contained fringe art subjects such as performance art, mail art, and comix art. Among the contributors were Bill Griffith and S. Clay Wilson. [10]
A year later Campbell moved to San Francisco and attended the Academy of Art College’s fine art program where he met instructor Carl Loeffler who would become Campbell’s mentor. [6] Loeffler ran the acclaimed La Mamelle, Inc./Art Com performance space and Campbell would often do public performances in the renowned art space ahead of bands, among his performances was sawing life-sized cut-outs of actresses Marilyn Monroe and Jane Mansfield into small pieces. [6] Loeffler was also the “publisher” of the ARTCOM ELECTRONIC LINK, one of the first online art ‘magazines’ which Campbell guest edited in 1986. [11]
Loeffler introduced Campbell to the Bay Area Dadaists, of which Campbell became a member. [6] It was in this period that he became involved in creating artistamps (faux postal stamps) – some of which are now in major collections – including that of the John Held Jr. collection housed in the Museum of Modern Art Library, NY, and he is listed in the International Directory of Artistamp Creators. In 1993, Campbell's stamp art was part of a major artist stamp show at the Musee de la Poste postal art museum in Paris, the show's catalog later released as the book timbres d' artistes featuring his work. [12] In 1990, he received a Visual Grants Award to create commemorative stamps and envelopes for the city of Los Angeles as part of the opening celebration of the Metro Blue Line. [13] Campbell continues to produce artistamps, most notably is his stamp work (and show poster) for the 2018 gallery show at Sugar Press held in tandem with the 25th anniversary of the punk band Face to Face. [14]
Campbell was heavily influenced by the cognitive play of performance art as is evident in his fine arts graduation show from the Academy of Art Collage in April 1987 in which he painted large raw canvases to resemble KFC napkins then sent the canvases to selected 'celebrities' with the request they do something to it and send it back. Among the contributors to Campbell's show was artist Yoko Ono and filmmaker John Waters. [6]
Having finished art school, Campbell began working on a series of paintings resembling game-boards and dart-boards [15] and Robert Williams encouraged him to bring the work to Los Angeles, where a small movement of artists with similar visual sensibilities was slowly taking shape. [16] Campbell made the move to LA and began showing at the infamous Zero One (0-1) Gallery. [17] He was later represented by the La Luz de Jesus Gallery. [6] As part of the Lowbrow/Kustom Kulture movement, Campbell's work has been displayed in six museum shows and countless gallery shows. [3] His work has been called "American Hieroglyphics", [15] "mixing 40's style imagery with '60s hot rod aesthetics using imagery as metaphors for everyday life". [18]
As an illustrator in the music industry, he got his start with BRC in 1990, working as the assistant art director to clients Tom Petty, Michael Jackson and other major rock acts. [6]
As a writer/poet, he's written two novels and published one book of poetry, SHE OF THORN, which was written in 2015 after a love affair with a married woman and documents his personal struggle with AvPD [2]
Campbell was married in 1997 but divorced in 2011. He now lives in Hollywood, California. [3]
Robert Dennis Crumb is an American cartoonist who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
An artistamp or artist's stamp is a postage stamp-like art form used to depict or commemorate any subject its creator chooses. Artistamps are a form of Cinderella stamps in that they are not valid for postage, but they differ from forgeries or bogus Illegal stamps in that typically the creator has no intent to defraud postal authorities or stamp collectors.
Juxtapoz Art & Culture Magazine is a magazine created in 1994 by a group of artists and art collectors including Robert Williams, Fausto Vitello, C.R. Stecyk III, Greg Escalante, and Eric Swenson to both help define and celebrate urban alternative and underground contemporary art. Juxtapoz is published by High Speed Productions, the same company that publishes Thrasher skateboard magazine in San Francisco, California.
Robert L. Williams, often styled Robt. Williams, is an American painter, cartoonist, and founder of Juxtapoz Art & Culture Magazine. Williams was one of the group of artists who produced Zap Comix, along with other underground cartoonists, such as Robert Crumb, S. Clay Wilson, and Gilbert Shelton. His mix of California car culture, cinematic apocalypticism, and film noir helped to create a new genre of psychedelic imagery.
Ed "Big Daddy" Roth was an American artist, cartoonist, illustrator, pinstriper and custom car designer and builder who created the hot rod icon Rat Fink and other characters. Roth was a key figure in Southern California's Kustom Kulture and hot rod movement of the late 1950s and 1960s.
Kustom Kulture is the artworks, vehicles, hairstyles, and fashions of those who have driven and built custom cars and motorcycles in the United States of America from the 1950s through today. It was born out of the hot rod culture of Southern California of the 1960s.
Lowbrow, or lowbrow art, is an underground visual art movement that arose in the Los Angeles, California area in the late 1960s. It is a populist art movement with its cultural roots in underground comix, punk music, tiki culture, graffiti, and hot-rod cultures of the street. It is also often known by the name pop surrealism. Lowbrow art often has a sense of humor – sometimes the humor is gleeful, impish, or a sarcastic comment.
John F. Ryan IV is an American alternative comics creator, writer, and animator. He created Angry Youth Comix, a comic book published by Fantagraphics, and "Blecky Yuckerella", a comic strip which originated in the alternative newspaper the Portland Mercury and now appears on Ryan's website. He also created Pig Goat Banana Cricket, a TV show made jointly with Dave Cooper that Nickelodeon picked up. He was the story editor for Looney Tunes Cartoons. In a throwback to the days of underground comix, Ryan's oeuvre is generally an attempt to be as shocking and politically incorrect as possible.
Rat Fink is one of several hot rod characters created by artist Ed "Big Daddy" Roth, one of the originators of Kustom Kulture of automobile enthusiasts. Roth conceived Rat Fink as an anti-hero to Mickey Mouse. Rat Fink is usually portrayed as either green or gray, comically grotesque and depraved-looking with bulging, bloodshot eyes, an oversized mouth with sharp, narrow teeth, and wearing red overalls with the initials "R.F." on them. He is often seen driving cars or motorcycles.
The Realist was a magazine of "social-political-religious criticism and satire", intended as a hybrid of a grown-ups version of Mad and Lyle Stuart's anti-censorship monthly The Independent. Edited and published by Paul Krassner, and often regarded as a milestone in the American underground or countercultural press of the mid-20th century, it was a nationally-distributed newsstand publication as early as 1958. Publication was discontinued in 2001.
Coop is a hot rod artist working from Los Angeles. He was born in Tulsa, Oklahoma in 1968, and describes his occupation as "Insensitive Artiste." His work consists primarily of barely clothed or nude Bettie Page-style 1950s soft pornography and B-movie monsters, with the female characters often taking the role of "Devil-Women". The image most often associated with his work however is the face of a grinning devil with a smoking cigar clamped in its teeth.
La Luz de Jesus Gallery is a commercial art gallery located in Los Angeles, California. It is closely associated with the Lowbrow Art Movement, Kustom Kulture, and pop surrealism.
Jonathan LeVine is an American art dealer, instrumental in the proliferation of lowbrow and street art on the East Coast of the United States.
Gay Comix is an underground comics series published from 1980–1998 featuring cartoons by and for gay men and lesbians. The comic books had the tagline “Lesbians and Gay Men Put It On Paper!”
John Held Jr. , is an American mailartist, author and performance artist who has been an active participant in alternative art since 1975, particularly in the fields of rubber stamp art, zine culture, and artistamps. He is one of the most prominent and respected promoters and chroniclers of mail art.
Anna Banana is a Canadian artist known for her performance art, writing, and work as a small press publisher. She has been described as an "entrepreneur and critic", and pioneered the artistamp, a postage-stamp-sized medium. She has been prominent in the mail art movement since the early 1970s, acting as a bridge between the movement's early history and its second generation. As a publisher, Banana launched Vile magazine and the "Banana Rag" newsletter; the latter became Artistamp News in 1996.
Anthony Ausgang is an artist and writer born in Pointe-à-Pierre, Trinidad and Tobago in 1959 who lives and works in Los Angeles. Ausgang is a principal painter associated with the lowbrow art movement, one of "the first major wave of lowbrow artists" to show in Los Angeles in the early 1980s. The protagonists of his paintings are cats -- "psychedelic, wide eyed, with a kind of evil look in their eyes".
Von Franco is a self-taught American artist associated with the Lowbrow art movement and Kustom Kulture. He became involved at an early age in the burgeoning hot rod and Kustom Kulture scene of Southern California. His skill at drawing hot rod and monster art, popular in Kustom Kulture, caught the attention of Ed "Big Daddy" Roth, for whom Von Franco later worked. Von Franco became a builder of custom automobiles, gaining notoriety for building clones of Norm Grabowski's Kookie, Kookie II and Lightning Bug t-buckets, as well as a clone/expansion of the Golden Rod. Von Franco is also known for his distinctive pinstriping and hand-lettering techniques. He was also the guitarist in the surf band The Bomboras and played the vibraphone in The Hyperions.
Ginny Lloyd is an American artist, noted for her work with mail art, photocopy art, performance art and photography. She organized the Copy Art Exhibition in San Francisco in 1980 with programming devoted to promoting xerography. Her work was included in the exhibition, From Bonnard to Baselitz: A Decade of Acquisitions by the Prints Collection 1978–1988 and listed annually since 1992 in Benezit Dictionary of Artists.
Angela Bocage is a bisexual comics creator who published mainly in the 1980s and 1990s. Bocage was active in the queer comics community during these decades, publishing in collections like Gay Comix,Strip AIDS USA, and Wimmen's Comix. Bocage also created, edited, and contributed comics to Real Girl, a comics anthology published by Fantagraphics.