Karen L. Ishizuka | |
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Education | Ph.D. in Anthropology from the University of California, Los Angeles in 2015 |
Alma mater | San Diego State University University of California, Los Angeles |
Known for | Independent writer, media producer, and chief curator of the Japanese American National Museum. |
Karen L. Ishizuka is an independent writer, curator, and documentary producer. She is a third-generation Japanese American and her family was incarcerated during World War II. [1] [2]
Ishizuka earned a Master of Social Work degree from San Diego State University. She began her Ph.D. in the late 1970s but left to do on-the-ground community work focused on Asian American history, culture and community. Over three decades later, Ishizuka went back to school, earning her Ph.D. in Anthropology from the University of California, Los Angeles in 2015. [3] [4]
She is the author of Serve the People: Making Asian America in the Long Sixties [5] and Lost and Found: Reclaiming the Japanese American Incarceration. Ishizuka was also the coeditor, alongside Patricia R. Zimmermann, of Mining the Home Movie: Excavations in Histories and Memories. [6]
Ishizuka has served as a media producer, curator, and director of the Frank H. Watase Media Arts Center at the Japanese American National Museum (JANM). She created the Photographic and Moving Image Archive at the Museum. In 2016, Ishizuka and Robert A. Nakamura, her filmmaking partner and husband, received the inaugural JANM Legacy Award. In 2018, Ishizuka was appointed to the position of Chief Curator. [7] [3]
As an advocate for home movies as an important form of documentation for people of color often overlooked by mass media, Ishizuka has produced film installations that feature home movies including Through Our Own Eyes (1992), a three-screen video installation featuring home movies taken by early Issei in America in the 1920s and 1930s, [8] and Something Strong Within (1994), which contained home movies taken by inmates in the World War II camps.
Topaz is a 1945 documentary film, shot illegally by internee Dave Tatsuno (1913–2006),, which documented life at the Topaz War Relocation Center in Utah during World War II. Tatsuno went through a unique and challenging filming process in order to produce his movie due to lack of freedom within the internment camps that hindered his ability to film his experiences.
Amateur film is the low-budget art of film practised for passion and enjoyment done without payment.
The Japanese American National Museum is located in Los Angeles, California, and dedicated to preserving the history and culture of Japanese Americans. Founded in 1992, it is located in the Little Tokyo area near downtown. The museum is an affiliate within the Smithsonian Affiliations program.
Tōyō Miyatake was a Japanese American photographer, best known for his photographs documenting the Japanese American people and the Japanese American internment at Manzanar during World War II.
The Los Angeles Asian Pacific Film Festival (LAAPFF) – formerly known as VC FilmFest – is an annual film festival presented by Visual Communications (VC). It was established in 1983 by Linda Mabalot as a vehicle to promote Asian Pacific American and Asian international cinema. The festival fulfills a unique mission in illuminating the visions and voices of Asian Pacific peoples and heritage. The festival is held in Los Angeles in May, which is Asian Pacific American Heritage Month.
An orphan film photos is a motion picture work that has been abandoned by its owner or copyright holder. The term can also sometimes refer to any film that has suffered neglect.
Robert Akira Nakamura is a filmmaker and teacher, sometimes referred to as "the Godfather of Asian American media." In 1970 he cofounded Visual Communications (VC) the oldest community-based Asian Pacific American media arts organization in the United States.
A Study in Reds (1932) is a polished amateur film by Miriam Bennett which spoofs women's clubs and the Soviet menace in the 1930s. While listening to a tedious lecture on the Soviet threat, Wisconsin Dells’ Tuesday Club members fall asleep and find themselves laboring in an all-women collective in Russia under the unflinching eye of the Soviet special police.
Lotus Long was an Asian-American film actress.
The Day of Remembrance is a day of commemoration for the incarceration of Japanese Americans during World War II. It is a day for people of Japanese descent in the U.S. to reflect upon the consequences of Executive Order 9066. The Day of Remembrance also creates a space for the facilitation of dialogue and informing the public about the repercussions of such government action. Events in numerous U.S. states, especially in the West Coast, are held on or near February 19, the day in 1942 that Executive Order 9066 was signed by President Franklin D. Roosevelt, requiring internment of all Americans of Japanese ancestry.Areas where people of Japanese descent in the U.S. were forced to relocate included Arizona, Colorado, Wyoming, Utah, Arkansas, and Idaho. There are events held in each of these states as well. Events are not only relegated to the West Coast and it is widely observed in areas such as New England, Chicago, Alaska, Philadelphia, and New York.
Estelle Ishigo, née Peck, was an American artist known for her watercolors, pencil and charcoal drawings, and sketches. During World War II she and her husband were incarcerated at the Heart Mountain Relocation Center in Wyoming. She subsequently wrote about her experiences in Lone Heart Mountain and was the subject of the Oscar winning documentary Days of Waiting: The Life & Art of Estelle Ishigo.
Hideo Date was a Japanese-born American painter active from the 1930s to the 1980s, known for combining elements of Japanese nihonga with American Synchromism. A prominent figure in the Los Angeles art scene prior to World War II, his career was interrupted by the wartime incarceration of Japanese Americans. Although he continued painting for decades after the war, Date's work remained largely ignored until he was rediscovered by a younger generation of artists and curators in the 1990s.
Joyce Nakamura Okazaki is an American citizen of Japanese heritage who was forcibly removed with her family from their Los Angeles home and placed in the Manzanar War Relocation camp in 1942. She was photographed by Ansel Adams in both 1943 and 1944 for his book, Born Free and Equal: The Story of Loyal Japanese Americans. In the 2001 reprint of the book, Okazaki's photograph appeared on the book jacket cover. She was the treasurer of the Manzanar Committee, from July 2010 to February 2021, an NGO which promotes education about the World War II incarceration of Japanese-Americans.
Eric Nakamura is a Japanese American magazine publisher, gallerist, and entrepreneur. He is the co-founder of Giant Robot, owner of the Giant Robot store and GR2 Gallery, and curator of the Giant Robot Biennales and other museum exhibitions.
Tadashi "Tad" Nakamura is an American documentary filmmaker. He is noted for films about the Asian-American and Japanese-American communities in the United States.
Lisa Sasaki is an American museum director and curator. She is the director of the Smithsonian Asian Pacific American Center. Prior to being appointed in November 2016, Sasaki was director of the Audience and Civic Engagement Center at the Oakland Museum of California and director of program development at the Japanese American National Museum. From 2001 to 2003, she was a museum curator at the Southeastern Colorado Heritage Center in Pueblo, Colorado, and assistant collections manager at the Denver Museum of Nature and Science.
Kazu Iijima was a Japanese American activist and community organizer who was a co-founder of Asian Americans for Action and the United Asian Communities Center.
Grace Aiko Nakamura was a Japanese American educator and the first Japanese American teacher to be hired in the Pasadena Unified School District.
Karen Ishizuka's eloquent, deeply moving "Toyo Miyatake: Infinite Shades of Gray" screens Wednesday through Oct. 30 in at varying hours in "Doctober," the International Documentary Assn.'s fifth annual festival of films in their Oscar-qualifying one-week runs.