Related Research Articles
Osiris was the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.
Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom, as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.
Aten, also Aton, Atonu, or Itn was the focus of Atenism, the religious system formally established in ancient Egypt by the late Eighteenth Dynasty pharaoh Akhenaten. Exact dating for the Eighteenth Dynasty is contested, though a general date range places the dynasty in the years 1550 to 1292 BCE. The worship of Aten and the coinciding rule of Akhenaten are major identifying characteristics of a period within the Eighteenth Dynasty referred to as the Amarna Period.
Horus, also known as Hor, in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as the god of kingship, healing, protection, the sun, and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists. These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a primeval king of Egypt, and its consequences. Osiris's murderer, his brother Set, usurps his throne. Meanwhile, Osiris's wife Isis restores her husband's body, allowing him to posthumously conceive their son, Horus. The remainder of the story focuses on Horus, the product of the union of Isis and Osiris, who is at first a vulnerable child protected by his mother and then becomes Set's rival for the throne. Their often violent conflict ends with Horus's triumph, which restores maat to Egypt after Set's unrighteous reign and completes the process of Osiris's resurrection.
Set is a god of deserts, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the god's name is given as Sēth. Set had a positive role where he accompanies Ra on his barque to repel Apep (Apophis), the serpent of Chaos. Set had a vital role as a reconciled combatant. He was lord of the Red Land (desert), where he was the balance to Horus' role as lord of the Black Land.
Neith was an ancient Egyptian deity, possibly of Libyan origin. She was connected with warfare, as indicated by her emblem of two crossed bows, and with motherhood, as shown by texts that call her the mother of particular deities, such as the sun god Ra and the crocodile god Sobek. As a mother goddess, she was sometimes said to be the creator of the world. She also had a presence in funerary religion, and this aspect of her character grew over time: she became one of the four goddesses who protected the coffin and internal organs of the deceased.
Sobek, also known as Suchus, was an ancient Egyptian deity with a complex and elastic history and nature. He is associated with the sacred and Nile crocodiles and is often represented as a crocodile-headed humanoid, if not as a crocodile outright. Sobek was also associated with pharaonic power, fertility, and military prowess, but served additionally as a protective deity with apotropaic qualities, invoked especially for protecting others from the dangers presented by the Nile.
Hathor was a major goddess in ancient Egyptian religion who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god Horus and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the pharaohs. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form, she had a vengeful aspect that protected him from his enemies. Her beneficent side represented music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of femininity. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the afterlife.
Algernon Henry Blackwood, CBE was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary critic S. T. Joshi stated, "His work is more consistently meritorious than any weird writer's except Dunsany's" and that his short story collection Incredible Adventures (1914) "may be the premier weird collection of this or any other century".
The Great Hymn to the Aten is the longest of a number of hymn-poems written to the sun-disk deity Aten. Composed in the middle of the 14th century BC, it is varyingly attributed to the 18th Dynasty Pharaoh Akhenaten or his courtiers, depending on the version, who radically changed traditional forms of Egyptian religion by replacing them with Atenism. The hymn bears a notable resemblance to the biblical Psalm 104.
The Philae temple complex is an island-based temple complex in the reservoir of the Aswan Low Dam, downstream of the Aswan Dam and Lake Nasser, Egypt.
Egypt has had a legendary image in the Western world through the Greek and Hebrew traditions. Egypt was already ancient to outsiders, and the idea of Egypt has continued to be at least as influential in the history of ideas as the actual historical Egypt itself. All Egyptian culture was transmitted to Roman and post-Roman European culture through the lens of Hellenistic conceptions of it, until the decipherment of Egyptian hieroglyphics by Jean-François Champollion in the 1820s rendered Egyptian texts legible, finally enabling an understanding of Egypt as the Egyptians themselves understood it.
Qift is a city in the Qena Governorate of Egypt about 43 km (27 mi) north of Luxor, situated a little south of latitude 26° north, on the east bank of the Nile. In ancient times its proximity to the Red Sea made it an important trading emporium between India, Punt, Arabia Felix and the North. It was important for nearby gold and quartzite mines in the Eastern Desert, and as a starting point for expeditions to Punt by way of the path through the Wadi Hammamat to the Red Sea port at Tjau.
Certain numbers were considered sacred, holy, or magical by the ancient Egyptians, particularly 2, 3, 4, 7, and their multiples and sums.
Joyce Ann Tyldesley is a British archaeologist and Egyptologist, academic, writer and broadcaster who specialises in the women of ancient Egypt. She was interviewed on the TV series 'Cunk on Earth', about Egypt's pyramids, in 2022.
Heliopolitans are a fictional group of gods, based on Ancient Egyptian deities, appearing in American comic books published by Marvel Comics.
Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, which emerged sometime in prehistory. Deities represented natural forces and phenomena, and the Egyptians supported and appeased them through offerings and rituals so that these forces would continue to function according to maat, or divine order. After the founding of the Egyptian state around 3100 BC, the authority to perform these tasks was controlled by the pharaoh, who claimed to be the gods' representative and managed the temples where the rituals were carried out.
Ra or Re was the ancient Egyptian deity of the Sun. By the Fifth Dynasty, in the 25th and 24th centuries BC, he had become one of the most important gods in ancient Egyptian religion, identified primarily with the noon-day sun. Ra ruled in all parts of the created world: the sky, the Earth, and the underworld. He was believed to have ruled as the first pharaoh of Ancient Egypt. He was the god of the sun, order, kings and the sky.
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.
References
- ↑ Catalog of Copyright Entries, 1918 Books For the Year 1918 New Series Vol 15 Part 1 pg 3385
- ↑ The Dial 1918-09-19: Vol 65 Iss 773 pg 219
- ↑ "Shorter Notices", The New Statesman, 1918-07-06: Vol 11 Iss 274 pg 276
- ↑ "The Times Literary Page", The Los Angeles Times, 918-07-28: Vol 37
- ↑ "Macmillan's New Books", The Saturday Review, 1918-06-29: Vol 125 Iss 3270
- ↑ "Book Reviews in Tabloid", The Atlanta Constitution Magazine Section, 1918-09-22: Vol 51 Iss 99
- ↑ "Books and Authors", America; A Catholic Review of the Week 1918-10-05: Vol 19 Iss 26 pg 631
- ↑ "Pupil's Performance", Richmond Guardian (Vic.), 1925-12-19, front page
- ↑ Algernon Blackwood: The Sherlock Holmes of Ghostland Current Opinion 1914-05: Vol 56 Iss 5 pg 380