Katherine Ciesinski (born October 13, 1950) is an American mezzo-soprano, stage director, and voice professor.
Ciesinski was born to Delaware Sports Hall of Famer Roman Ciesinski and Katherine Hansen Ciesinski. She is the sister of opera singer Kristine Ciesinski (1952-2018). Her early studies in piano and voice were locally in Delaware, then at Temple University and the Curtis Institute of Music with Margaret Harshaw and Dino Yannopolous. In 1974, she won the Gramma Fischer Award at the Metropolitan Opera National Council Auditions and the following year, the WGN Auditions of the Air. In 1977, she took first prize at the Concours International de Chant de Paris by unanimous decision of the jury, while a year earlier having won first prize at the Geneva International Music Competition. Her sister Kristine won the same prize the following year at the same competition.
Her professional orchestra debut was at 16, but her first professional operatic successes came at the Festival d'Aix-en-Provence in 1976 in La traviata and her first notable American performances were at the Spoleto Festival USA in 1978 as Erika in Samuel Barber's Vanessa , one of the first operas broadcast by the Great Performances series. She has performed as a guest artist at the Metropolitan Opera, at Covent Garden, with Scottish Opera, and with the Paris, San Francisco, Brussels, Canadian, Santa Fe, Frankfurt, Dallas, Houston Grand, Stuttgart, St. Louis, and Chicago Lyric Operas. She performed Countess Geschwitz in the American premiere of the completed three-act version of Lulu at Santa Fe Opera. She also portrayed the role of Cecilia March in the world premiere of Mark Adamo's Little Women with the Houston Grand Opera. Her recording with the Houston Symphony of Alban Berg's Wozzeck won the Grammy Award for Best Opera in 2018.
Ciesinski has also performed with many of the world's leading orchestras, including the Cleveland, Minnesota, and Philadelphia Orchestras, the Symphonies of Chicago, Boston, San Francisco, Houston and Toronto; and in Europe, with the Berlin and Vienna Philharmonics, L'Orchestre de Paris, the London Symphony Orchestra, the Dresden Staatskapelle, and L'Orchestre de la Suisse Romande. She has been heard in recital across the United States and in Paris, Cologne, Zurich, Milan and at the Aix-en-Provence, Geneva, Spoleto and Salzburg Festivals. Her contemporary chamber music activities have included performances at the Caramoor Festival, New York; Musica Festival, Strasbourg; Ars Musica Festival, Brussels; Festival d'Automne, Paris; Voix Nouvelles, Fondation Royaumont; and with the Ensemble InterContemporain in Paris.
One of the few master performers to also become a master teacher, her visiting lectures and master classes have taken her to conservatories and universities across the United States, Mexico, and Europe and she remains an active clinician and judge for the Metropolitan Opera Regional Council auditions. Ciesinski is an alumni fellow of Temple University and holds a Certificate of Honor from the same institution. She is also a member of Pi Kappa Lambda as well as Phi Beta Delta, and the only American ever to be invited to sit on the French National Conservatory's Voice Teacher Certification Jury. She appears in Baker's Biographical Dictionary of Musicians, the New Grove Dictionary of Opera, and the La Scala Encyclopedia of the Opera. She makes her home in Rochester, New York with the American conductor Mark Powell and is the Martin E. and Corazon D. Sanders Professor of Voice at the Eastman School of Music.
Charles Édouard Dutoit is a Swiss conductor. He is currently the principal guest conductor for the Saint Petersburg Philharmonia and co-director of the MISA Festival in Shanghai. In 2017, he became the 103rd recipient of the Royal Philharmonic Society Gold Medal Award. Dutoit held previous positions with the London Royal Philharmonic Orchestra, the Philadelphia Orchestra, the Orchestre Symphonique de Montréal, the Tokyo NHK Symphony and the Orchestre National de France. As of 2017, conductor emeritus of the Verbier Music Festival Orchestra. He is an honorary member of the Ravel Foundation in France and the Stravinsky Foundation in Switzerland. In December 2017, following allegations of sexual assault, the Boston and San Francisco Symphonies cancelled his engagements. In a statement, Dutoit denied the charges.
Renée Lynn Fleming is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nominated for 17 Grammy Awards and has won four times. Other notable awards have included the Chevalier de la Légion d'Honneur from the French government, Germany's Cross of the Order of Merit, Sweden's Polar Music Prize and honorary membership in England's Royal Academy of Music. Unusual among artists whose careers began in opera, Fleming has achieved name recognition beyond the classical music world.
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. They are often viewed as equivalent to or surpassing the American Grammy award, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
James Conlon is an American conductor. He is currently the music director of Los Angeles Opera, principal conductor of the RAI National Symphony Orchestra, and artistic advisor to the Baltimore Symphony Orchestra.
Sumi Jo, OSI is a South Korean lyric coloratura soprano known for her Grammy award-winning interpretations of the bel canto repertoire.
Sylvia McNair is an American opera singer and classical recitalist who has also achieved notable success in the Broadway and cabaret genres. McNair, a soprano, has made several critically acclaimed recordings and has won two Grammy Awards.
Armin Jordan was a Swiss conductor known for his interpretations of French music, Mozart and Wagner.
Patricia Petibon is a French soprano.
Laura Claycomb is an American lyric coloratura soprano singer.
Alessandra Marc, born Judith Borden is an American dramatic soprano who has appeared at many of the world's opera houses and orchestras. Marc is particularly known for her interpretations of the works of Richard Strauss, Richard Wagner, Giuseppe Verdi, music of the Second Viennese School, and the title role in Puccini's Turandot.
Andrea Molino is an Italian composer and conductor. He has first attracted international attention through a video/music theatre work, Those Who Speak In A Faint Voice, a project about capital punishment, and later through the multimedia music theatre projects Credo, and Winners.
D'Anna Fortunato is an American mezzo-soprano. She has long been an admired favorite on the American orchestral-concert scene, while establishing herself as a respected operatic artist as well. Of her New York City Opera debut in Handel's Alcina, the New Yorker called her "a Handelian of crisp accomplishment".
Emmanuel Villaume is a French orchestra conductor. He is currently music director of the Dallas Opera and chief conductor of the Prague Philharmonia.
Marie-Nicole Lemieux, C.M., C.Q. is a Canadian coloratura contralto. She first came to the world's attention in 2000 when she became the first Canadian to win first prize at the Queen Elisabeth International Music Competition in Belgium. Since then Lemieux has established herself as one of the finest contraltos currently singing on the classical music stage, appearing with some of the world's best orchestras and singing with many great opera companies. Lemieux is admired for possessing an unusually flexible and beautiful contralto voice that does not have the heaviness that is often associated with her particular voice type. For this reason, Lemieux has become a favourite among lovers of Baroque opera and she is noted for her portrayal of characters in the operas of Handel and Vivaldi in particular. Her voice is admired for its richness, warmth and resonance and for its expressiveness and use of many different tone colours. Lemieux is also praised by critics for her stage presence and communicative power.
Joyce DiDonato is an American lyric-coloratura mezzo-soprano. She is notable for her interpretations of operas and concert works in the 19th-century romantic era in addition to works by Handel and Mozart.
Elizabeth Norberg-Schulz is a Norwegian-Italian operatic soprano.
Anthony Dean Griffey is an American opera tenor. He is a regular presence on the stages of opera houses and concert halls around the world. Griffey has also been noted for his acting talent in addition to his voice.
Oscar Strasnoy is a French-Argentine composer, conductor and pianist. Although primarily known for his stage works, the first of which Midea (2) premiered in Spoleto in 2000, his principal compositions also include two secular cantatas and several song cycles.
Nathan Berg is an operatic bass-baritone. He is a Grammy Award winner, and four-time Grammy nominated, a Juno award winner and 2014 Juno Awards nominee
Kristine Ciesinski was an American operatic soprano who had an active international career from the late 1970s through the 2000s. She was a resident artist for many years with Theater Bremen, and was a regular singer in London opera houses during the 1980s and 1990s. She was best known for her role in ENO’s 1990 production of Verdi’s Macbeth. In the latter part of her musical career, Ciesinski taught singing more than she performed. In her later years, she took up gliding and was a pilot/instructor at Teton Aviation. Ciesinski died in a glider crash in the mountains of Wyoming on June 9, 2018.