Katita Waldo | |
---|---|
Born | Kathryn Cristine Waldo Grey April 9, 1968 Madrid, Spain |
Education | University of North Carolina School of the Arts Washington Ballet San Francisco Ballet School |
Occupation |
|
Spouse | Marshall Crutcher (m. 1989) |
Children | 1 |
Current group | San Francisco Ballet |
Katita Waldo (born Kathryn Cristine Waldo Grey; April 9, 1968) is a Spanish ballet dancer and ballet master. She joined the San Francisco Ballet in 1988, was promoted to principal dancer in 1994, and retired from performing in 2010, but remains in the company as a ballet master.
Kathryn Cristine Waldo Grey was born on April 9, 1968, in Madrid. [1] At age five, after her parents took her to see Swan Lake , she was sent to dance classes at Escuela de Danza Classica. While she initially disliked dancing, her parents had already paid for a year, so she had to stay. However, by the end of the year, she found herself enjoying performing and continued her dance training. [1]
In 1979, when Waldo was eleven, she and her family moved to Ithaca, New York, and she continued her training at Ithaca Ballet. She also attended public school between the ages of eleven and twelve, and later recalled she was "demoralized" there. Due to her experience in public school and the desire to have better dance training, she auditioned for the University of North Carolina School of the Arts, which accepted her when she was thirteen and provided a scholarship. [1] Her parents had avoided sending her to the School of American Ballet after learning of hip injuries suffered by students there. [2] However, in her first year at the school, she started developing a tendinitis in her hips, which worsened during the second year and forced her to drop out. She received therapy in New York, covered by an award she received, and returned to school eight months later. [1] In 1984, she started studying at the Washington Ballet, then in 1986, she moved to San Francisco to train at the San Francisco Ballet School. [1]
In 1987, she became an apprentice with the San Francisco Ballet, directed by Helgi Tomasson. The following year, she joined the company as a member of the corps de ballet. She was promoted to soloist in 1990 and principal dancer in 1997. [1] Her repertory include classical ballets, and works by August Bournonville, George Balanchine, Jerome Robbins, Lew Christensen, William Forsythe, Mark Morris, Christopher Wheeldon, Wayne McGregor and Renato Zanella. [2] [3]
In 1999, after photographer Lucy Gray met Waldo and her infant son, Gray then asked Waldo to work on a long-term photography project about her experience as a dancer and mother, which her colleagues Tina LeBlanc and Kristin Long also participated. The project lasted fourteen years, and the photographs were published in the 2015 book Balancing Acts: Three Prima Ballerinas Becoming Mothers. [4] [5]
In 2002, Waldo and fellow San Francisco Ballet dancers Long, LeBlanc, Roman Rykine and Gennadi Nedvigin won the Isadora Duncan Dance Award for Ensemble Performance, for their performances in Forsythe's The Vertiginous Thrill of Exactitude . She won the award again the following year with Joanna Berman and Julie Diana for Robbins' Dances at a Gathering . [6]
In 2004, 2006 and 2007, Waldo worked as ballet master and choreographer's assistant for Christopher Wheeldon and Yuri Posskhov at the Bolshoi Ballet, including for Possokhov's Magrittomania. [1] [2] Then, in the San Francisco Ballet New Works Festival in 2008, she served as choreographer's assistant to Wheeldon again, while also helping company artistic director Helgi Tomasson. [7]
Waldo retired from performing in 2010, after a 22-year career, making her the last dancer hired or promoted by Tomasson in late 1980s to retire. [2] While retiring dancers usually don't create roles in new ballets, Waldo was cast in Zanella's Underskin as dancer Vitor Luiz needed a partner. Therefore, Underskin became part of her farewell program. [2] She remains in the San Francisco Ballet as a ballet master. [7] In 2013, she briefly came out of retirement to perform in Wheeldon's Cinderella as the stepmother. [8]
In 1989, Waldo married Marshall Crutcher, a composer. Their son was born in 1999. [3]
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois, it became the resident ballet company of the Royal Opera House in 1946, and has purpose built facilities within these premises and was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
San Francisco Ballet is the oldest ballet company in the United States, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Francisco, and effective December 2022 under the direction of Tamara Rojo. It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet. Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today".
Sara Webb was an American professional ballet dancer and a principal dancer with the Houston Ballet (1997–2018).
Wendy Whelan is an American ballet dancer. She was principal dancer with the New York City Ballet and performed with the company for 30 years, and toured in the U.S., Europe, and Asia. Whelan has also been an influential guest artist with Morphoses/The Wheeldon Company. In 2019, Whelan was named Associate Artistic Director of New York City Ballet.
Leanne Faye Benjamin is a retired Australian ballet dancer who was a principal dancer with the Royal Ballet in London.
Helgi Tomasson is an Icelandic artistic director and principal choreographer for San Francisco Ballet, and a former professional ballet dancer. Since assuming leadership of San Francisco Ballet, he has helped transform the company from a respected regional troupe to one of the world's great classical ballet companies. He is originally from Iceland.
Sarah Van Patten is an American ballet dancer. She began an apprenticeship at the Royal Danish Ballet at age 15. In 2001, at age 17, she became the youngest ever dancer to receive a contract at the company. Later that year, she joined the San Francisco Ballet as a soloist, and was promoted to principal dancer in 2007. She is set to retire from performing in 2022.
Maria Olegovna Kochetkova is a Russian ballet dancer. She was a principal dancer with the San Francisco Ballet between 2007 and 2018, and with the American Ballet Theatre between 2015 and 2017. After that, she became a freelance dancer for several years, before joining the Finnish National Ballet in the 2020/21 season.
Gonzalo Garcia is a Spanish American ballet dancer. He joined the San Francisco Ballet in 1998, and was promoted to principal in 2002, at age 22. In 2007, he left the company and joined the New York City Ballet. He retired from performing in 2022 and remains in the company as a repertory director.
Yuan Yuan Tan is a Chinese ballet dancer who is principal dancer with the San Francisco Ballet. She entered Shanghai Dance School at the age of 11. Initially her father opposed this, as he wanted her to become a medical doctor. Her mother, however, was very supportive. Her fate was settled by a coin toss - the coin landed on heads and Yuan Yuan Tan started her dancing career.
Tina LeBlanc is an American ballet dancer, teacher and ballet master. She joined the Joffrey Ballet in 1988. In 1992, she joined the San Francisco Ballet as a principal dancer. She retired in 2009, then joined the faculty of the San Francisco Ballet School, before returning to the San Francisco Ballet as a ballet master in 2019.
Lorena Feijóo is a Cuban former ballet dancer. Her dance career started in 1988 at the Cuban National Ballet, but left Cuba two years later for more opportunities. After stints at Ballet de Monterrey, Royal Ballet of Flanders and Joffrey Ballet, she joined the San Francisco Ballet in 1999 as a principal dancer, and retired in 2017. She then became an associate artistic director of Bay Area Houston Ballet & Theatre. Her sister, Lorna Feijóo, was also a ballet dancer.
Christopher Stowell is an American ballet dancer and choreographer. He is currently the associate artistic director of the National Ballet of Canada. He was previously the artistic director of the Oregon Ballet Theatre. Before that, he danced professionally with the San Francisco Ballet for sixteen years.
Evelyn Cisneros-Legate is an American ballerina. Evelyn, who is Mexican American, is considered the first prima ballerina in the United States of Hispanic heritage. She holds an honorary doctorate from Mills College and the University of California at Monterey Bay.
Julie Diana Hench is an American ballet dancer, teacher, writer and arts administrator. She joined the San Francisco Ballet in 1993, and was promoted to principal dancer in 2000. In 2004, she joined the Pennsylvania Ballet, where she remained until her retirement from performing in 2014, though she remained in the company for another year as a ballet master. In 2015, she became the executive director at Juneau Dance Theatre. In 2017, she was named executive director of the American Repertory Ballet and Princeton Ballet School. She has written for various dance publications.