The school consists of five professional schools: School of Dance, School of Design & Production (including a High School Visual Arts Program), School of Drama, School of Filmmaking, and School of Music.
History
The idea of the University of North Carolina School of the Arts was initiated in 1962 by Vittorio Giannini, a leading American Composer and teacher of Composition at Juilliard, the Curtis Institute of Music, and the Manhattan School of Music, who approached then-governor Terry Sanford and enlisted the help of author John Ehle and William Sprott Greene, Jr.[3] and Martha Dulin Muilenburg of Charlotte, North Carolina, to support his dream of an arts conservatory. State funds were appropriated, and a North Carolina Conservatory Committee was established. The School of the Arts became a constituent institution of the University of North Carolina system in 1972.[4]
Vittorio Giannini was the school's founder and first president. His vision of arts education shaped UNCSA at its beginning and continues to influence it today. Giannini served as president of the fledgling institution until his death in November 1966. A resolution dated December 3, 1966, by the board of trustees and the governor pays tribute to Giannini as the founder of the school, noting that "When it was a dream, he sought a home for it and helped bring it into being. When it was an infant institution, he gave it structure and design." The Pulitzer Prize-winning composer Robert Ward became UNCSA's second president following Giannini's death.
In 1974 Robert Suderburg became UNCSA's third chancellor following Martin Sokoloff, the administrative director, who served as interim chancellor from 1973 to 1974. During his time at UNCSA the Workplace building, containing the Semans Library, was opened on the UNCSA campus, as well as the Stevens Center, previously the Carolina Theatre, in downtown Winston-Salem. The gala opening of the Stevens Center featured the school's symphony orchestra conducted by Leonard Bernstein, with Isaac Stern as soloist and Gregory Peck as the Master of Ceremonies. Attendees included Agnes de Mille, Cliff Robertson, Governor James Hunt, President and Mrs. Gerald Ford and Lady Bird Johnson. The Stevens Center remains UNCSA's largest performance facility.[5]
Jane E. Milley became Chancellor at the School of the Arts in September 1984. In the spring of 1990, Alex C. Ewing was appointed chancellor. He assumed the position in July 1990, following Philip R. Nelson, former Dean of music at Yale University, who served as interim chancellor during the 1989–90 school year. Ewing had been associated with the school since 1985, when he became chairman of the board of visitors. In 1988 he established the Lucia Chase Endowed Fellowship for Dance at the school, in memory of his mother, a co-founder and principal dancer with American Ballet Theatre. Ewing oversaw the revitalization of the Joffrey Ballet during his tenure as general director in the 1960s. As chancellor, Ewing oversaw the school's $25 million campaign for endowment and scholarships. He also orchestrated a combination of local, state, and national support to secure the establishment of NCSA's fifth arts school, the School of Filmmaking, in 1993. Ewing took a special interest in NCSA's campus plan. Other capital projects he spearheaded included a new sculpture studio, a new fitness center, and the start of the student commons renovation. Wade Hobgood, Dean of the College of the Arts at California State University at Long Beach since 1993, was named chancellor in February 2000, assuming the position on July 1, 2000.
A 2004 state audit uncovered multiple instances of financial improprieties.
John Mauceri was UNCSA's seventh chancellor.[6] He assumed the position following Gretchen M. Bataille, former Senior Vice President for Academic Affairs of the 16-campus University of North Carolina, who served as interim chancellor during the 2005–2006 academic year.
In 2008, the institution's board of trustees voted unanimously to change the name of the school from the "North Carolina School of the Arts" to the "University of North Carolina School of the Arts" to raise its profile.[7] The name change was subsequently approved by the University of North Carolina Board of Governors, North Carolina Senate, North Carolina House of Representatives, and Governor Mike Easley.[8][9][10]
In 2011, the school settled a lawsuit brought forward by an anonymous former employee after negligently hiring a known sexual predator to its campus police department. According to the Winston-Salem Journal, the amount paid to the former employee by the school was $100,000.
Chancellor Mauceri announced in the fall of 2012 that he would retire at the conclusion of the 2012–2013 academic year. Lindsay Bierman, former editor of Southern Living magazine, served as chancellor from 2014 to 2019, overseeing the implementation of a new strategic plan, widespread campus renovations, and the launch of the largest fundraising campaign in school history.[11] Bierman departed UNCSA in 2019 to become chief executive officer of the North Carolina public television system, known then as UNC-TV and subsequently rebranded as PBS North Carolina.
In 2020, Brian Cole, who had previously served as dean of the UNCSA School of Music and interim chancellor, was named the ninth chancellor at UNCSA.[12]
The following year, Soderlund and six other dance alumni sued the school and multiple former administrators for sexual abuses perpetrated by faculty. The lawsuit, Alloways-Ramsey et al. v. Milley et al., case 21-CVS-4831 filed 29 September 2021 in the Superior Court for Forsyth County, was made possible by a special North Carolina law allowing child sexual abuse survivors to file claims through the end of the year. An investigation by the Raleigh News & Observer and the Charlotte Observer found that the school's investigation into alleged faculty misconduct in the 1990s "hid the most damning discoveries." In a subsequent refiling, 32 additional alumni joined the complaint, alleging various forms of sexual, physical and verbal abuse by faculty. 17 more alumni joined the lawsuit in late December 2021, bringing the total number of plaintiffs to 56. In May 2024, with the final number of claimants having reached 65, UNCSA and the survivors' attorneys announced a $12.5 million-dollar settlement to be paid out to the survivors incrementally over four years mostly by the State of North Carolina and partially by the university.[13]
Stephen Shipps, who worked as a violin instructor at UNCSA from 1980 to 1989 (and was also a defendant in the high school alumni lawsuit), was sentenced to five years in prison on April 14, 2022, for trafficking an underaged girl for the purpose of having sex with her back in 2002. Four decades' worth of sexual misconduct allegations against Shipps, made by women who attended both UNCSA and the University of Michigan School of Music, Theatre, & Dance, came to light as the result of an investigation by the student newspaper The Michigan Daily in 2018.
Campus
The façade of Watson Hall
The school's campus consists of 77 acres (310,000m2) in Winston-Salem, near Old Salem.[14] There are eight residence halls – six for college students, two for high school students, an on-campus student apartment complex and an off-campus student apartment complex within walking distance. The school has eleven performance and screening spaces; the ACE Exhibition Complex with three movie theaters, Crawford Recital Hall (with a Fisk Organ), deMille Theatre for dance, Hood Recital Hall, Performance Place with three theatrical spaces, the Stevens Center in downtown Winston-Salem, and Watson Chamber Music Hall. Performance Place is the home of the drama department, the ACE Theatre is the home of the filmmaking department, deMille theatre is the home of the dance department and Watson, Hood and Crawford halls are used by the music department. The Stevens Center is shared.
The school also has a fitness center with an interior basketball court, the Semans Library, the Hanes Student Commons, Workplace (adjacent to the library) which holds Visual Arts Studios as well as Offices and Studios for the School of Dance, Gray Building, which holds high school academics on the third floor and music offices and practice rooms on the first and second floors, a building holding two dance studios, a visual arts sculpting studio, a large design and production complex, a costume, wig and makeup studio, a welcome center, and several buildings for administrative offices and college academics. New studio spaces and a new apartment complex are currently under construction.
Performance opportunities
UNCSA offers many performance opportunities throughout the course of a school year. Dance students have three seasonal performances: Fall dance, Winter dance, and Spring dance. They also perform the Nutcracker every Christmas as well as many other minor performances throughout the school year. Music students have the chance to perform in front of their peers every Wednesday at performance hour, and students are usually in a large ensemble, such as jazz band, orchestra, opera, or wind ensemble. These ensembles each perform several times a year.
The School of Design and Production is responsible for the scenery, costumes, wigs, makeup, lighting, sound, and stage management for all shows produced by the School of Drama, two operas that UNCSA produces each year through the Fletcher Opera Institute, as well as dance performances, although dance costumes are provided partly by the Costume Department and also by the School of Dance's own professional costume shop. The Lighting Department each December presents a showcase entitled "Photona" which combines lighting as well as projection equipment.
The Film-making school is host to the ACE Exhibition Complex, where students can display their work and watch others. This complex, along with the Stevens Center, is host to the RiverRun International Film Festival every spring.
All-school musical
Once every four years, UNCSA produces an all-school musical – a Broadway-style production involving all five arts schools of the conservatory. All students have the opportunity to audition. Past all-school musicals have included Brigadoon, Oklahoma!, Kiss Me, Kate,Canterbury Tales, and Guys and Dolls[15] with the most recent one being Leonard Bernstein's Mass. The purpose of the all-school musicals is not only to provide the students with professional experience but also to raise money and awareness for the school. For example, for West Side Story the lead roles and Chancellor John Mauceri traveled to New York to promote the school and the school's revival of the musical.[16]West Side Story was performed at UNCSA's Stevens Center from May 3–13, 2007, and then went on tour to Chicago's Ravinia Festival[17] on June 8, 2007. The production was directed by Dean of Drama Gerald Freedman, the assistant director of the original production, and conducted by UNCSA Chancellor and world renowned conductor John Mauceri. It has also been reported that Arthur Laurents changed portions of the dialogue for the UNCSA production.[16]
In May 2011, UNCSA presented Oklahoma! as an all-school musical, once again conducted by Mauceri with direction by UNCSA alumnus Terrence Mann.[18][19][20] Notably, the production utilized archival photography, original design notes, Miles White's "swatch book", Robert Russell Bennett's original 24-piece orchestrations, and interviews with the surviving members of the original cast (including Celeste Holm and Joan Roberts) to replicate the original 1943 Broadway production as closely as possible, with the participation of the Rodgers & Hammerstein Organization and Gemze de Lappe, who also recreated Agnes de Mille's choreography.[19] The attempt was noted by Ted Chapin, the then-president of the Rodgers & Hammerstein Organization, as unprecedented in the musical's history, with theater historian Ethan Mordden highlighting the production as the first time many elements of the original design had been realized in color for modern theater audiences.[20][21] The production was professionally recorded for broadcast on UNC-TV, and won a National Educational Telecommunications Award. It was later broadcast on Oklahoma Educational Television Authority in 2012, and has since been released as a two-part video on YouTube.[22][23][24]
Although UNCSA has no officially sanctioned athletic teams, the school mascot is The Fighting Pickle.[25] The premiere athletic event from the early 1970s was an annual touch-football game between a UNCSA team versus one from a Wake Forest University fraternity.
The mascot was selected by a contest name the football team in 1972. The original name was simply "The Pickles", along with a slogan, "Sling 'Em By The Warts!" but the mascot eventually became "The Fighting Pickles". In the spring of 2010, UNCSA hosted a competition to choose the new, official "Fighting Pickle" mascot. Design entries and voting was opened to students, alumni, faculty, staff and former faculty and staff. The winner was unveiled on May 21, 2010, in the Student Union's cafe, "The Pickle Jar".[26]
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NCSA may refer to:
John Francis Mauceri is an American conductor, producer, educator and writer. Since making his professional conducting debut almost half a century ago, he has appeared with most of the world's great orchestras, guest-conducted at the premiere opera houses, produced and musically supervised Tony and Olivier Award-winning Broadway musicals, and served as university faculty and administrator. Through his varied career, he has taken the lead in the preservation and performance of many genres of music and supervised and conducted important premieres by composers as diverse as Debussy, Stockhausen, Korngold, Hindemith, Bernstein, Sibelius, Ives, Elfman and Shore. He is also a leading performer of music banned by the Third Reich and especially music of Hollywood's émigré composers.
Gerald Alan Freedman was an American theatre director, librettist, and lyricist, and a college dean.
Presenting over sixty free shows annually on the Outer Banks of North Carolina, the North Carolina School of the Arts Summer Performance Festival, funded by the State of North Carolina, is produced, performed and directed by students, alumni, faculty and staff of the University of North Carolina School of the Arts (UNCSA). The family-friendly festival offers drama, music, dance and film performances for six consecutive weeks, late June to early August, at Roanoke Island Festival Park in Manteo, North Carolina. Since its inception in 1997, the summer festival has become an important cultural resource to residents and visitors of North Carolina and an enriching educational and training experience for emerging and professional artists of UNCSA. In 2007, the festival audience grew to a record attendance of over 11,000.
Megan LeCrone is an American ballet dancer and soloist with the New York City Ballet.
The Roger L. Stevens Center is the primary performance venue in downtown Winston-Salem, North Carolina and is owned and operated by the University of North Carolina School of the Arts. It is named after the theatre producer and real estate magnate Roger L. Stevens and was opened on April 22, 1983. The venue serves the major UNCSA productions, the Winston-Salem Symphony, Piedmont Opera, and many other touring and local productions. All in all the theatre is used for rehearsal or performance all but 70 days of the year.
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Helen Greever Copenhaver "Copey" Hanes was an American promoter. She was the founder and supporter of several arts organizations across North Carolina. Hanes was a significant figure in the founding of the University of North Carolina School of the Arts. She was inducted into the North Carolina Women's Hall of Fame, and received several awards for her work.
Ralph Philip Hanes Jr., was an American businessman, conservationist, and patron of the arts. He was CEO of the Hanes Corporation from 1964 to 1976, and founder of Ampersand Inc., a consulting firm for non-profit organizations. Hanes donated the land that became Stone Mountain State Park to the state of North Carolina, served as chairman for the National Endowment for the Arts, and the University of North Carolina School of the Arts board.
Mel Alexander Tomlinson was an American dancer and choreographer. At the time of his debut with the New York City Ballet in 1981, he was the only African-American dancer in the company. Ballet choreographer Agnes de Mille referred to Tomlinson as "the most exciting black dancer in America." Throughout his ballet career, he danced with New York City Ballet, Alvin Ailey American Dance Theater, Agnes de Mille Dance Theatre, North Carolina Dance Theatre, and Boston Ballet. In his later life, Tomlinson received a degree from Carolina University of Theology and was ordained as a Baptist minister.
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↑ Mordden, Ethan (2013). "The Rodgers and Hammerstein Handbook". Anything Goes: A History of American Musical Theatre (Onlineed.). New York: Oxford Academic. p.415. ISBN9780199367696.
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