Kavalappara Narayanan Nair (1882–1948) was a prominent 20th-century Kathakali artiste and tutor who specialised in the Hanuman roles of the classical dance-drama from Kerala in south India.[ citation needed ]
Kathakali is one of the major forms of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colorful make-up, costumes and facemasks that the traditionally male actor-dancers wear. Kathakali is a Hindu performance art in the Malayalam-speaking southwestern region of India (Kerala).
In Hinduism, Hanuman is an ardent devotee of Lord Rama. Lord Hanuman, known as the Lord of Celibacy was an ideal "Brahmachari" or called Naistika Brahmachari in Sanskrit and is one of the central characters of the Indian Epic Ramayana. As one of the Chiranjivi, he is also mentioned in several other texts, such as the Mahabharata and the various Puranas. Hanuman is the son of Anjani and Kesari and is also son of the wind-god Vayu, who according to several stories, played a role in his birth.
Kerala, locally known as Keralam, is a state on the southwestern, Malabar Coast of India. It was formed on 1 November 1956, following passage of the States Reorganisation Act, by combining Malayalam-speaking regions. Spread over 38,863 km2 (15,005 sq mi), Kerala is the twenty-second largest Indian state by area. It is bordered by Karnataka to the north and northeast, Tamil Nadu to the east and south, and the Lakshadweep Sea and Arabian Sea to the west. With 33,387,677 inhabitants as per the 2011 Census, Kerala is the thirteenth-largest Indian state by population. It is divided into 14 districts with the capital being Thiruvananthapuram. Malayalam is the most widely spoken language and is also the official language of the state.
A contemporary of greats like Pattikkamthodi Ravunni Menon and Guru Kunchu Kurup, Narayanan Nair also shone in virtuous slots like Bahukan and Brihannala, anti-hero roles like Shishupalan and Keechakan, grotesque characters like Raudra Bhiman and even minor roles like Mannaan, Aanakkaran, Narasimham, Bheeru and Yavanan. His ability to instantaneously improvise on the stage by employing realistic touches to facial expressions and hand gestures won him massive following in south Kerala's Travancore belt as well. In fact, Narayanan Nair was the only northerner Kathakali artiste to figure on the regular pay rolls of the royal palace in Thiruvananthapuram.
Pattikkamthodi Ravunni Menon (1880-1948) was a pivotal figure in the history of Kathakali, having played a crucial role in remoulding and refining its grammar in the famed Kalluvazhi tradition of the classical dance-drama from Kerala in south India. He was trained in the art form at a culture-patronising Namboodiri mansion in Vellinezhi near his home, even as his genius ensured that Menon later redrew the aesthetics of Kathakali and its future profile altogether.
Shishupala was the son of Damaghosha, king of Chedi, by Srutashrava, sister of Vasudeva and Kunti. He was slain by Krishna, his cousin and an avatar of Vishnu, at the great coronation ceremony of Yudhishthira in punishment for the opprobrious abuse made against his august personage. He was also called Chaidya, being a member of Chedi kingdom.
In Hindu mythology, Bhima is the second born of the Pandavas. The Mahabharata relates many events which portray the might of Bhima. Bhima is responsible for slaying all hundred Kaurava brothers in the Kurukshetra War. He had power of 10,000 elephants.
His white-beard (vella thaadi) roles in the form of the monkey-god Hanuman gained him fame, and even inspired Malayalam poet Edasseri Govindan Nair to pen a poem titled "Lavanasuravadhathile Hanuman".
Malayalam is a Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (Mahé) by the Malayali people, and it is one of 22 scheduled languages of India. Malayalam has official language status in the state of Kerala and in the union territories of Lakshadweep and Puducherry (Mahé) and is spoken by 38 million people worldwide. Malayalam is also spoken by linguistic minorities in the neighbouring states; with significant number of speakers in the Nilgiris, Kanyakumari, and Coimbatore districts of Tamil Nadu, and Kodagu and Dakshina Kannada districts of Karnataka. Due to Malayali expatriates in the Persian Gulf, the language is also widely spoken in Gulf countries.
Edasseri Govindan Nair was an Indian poet and playwright of Malayalam literature. Known as one of the major poets of Malayalam, Edasseri was a recipient of the Sahitya Akademi Award and the Kerala Sahitya Akademi Award for Poetry. He was also a recipient of Asan Smaraka Kavitha Puraskaram, which was awarded posthumously.
Narayanan Nair, a native of Kavalappara east of Shoranur in Palakkad district, was primarily trained under his guru Puthenveettil Sekhara Menon at the local Kaliyogam (Kathakali school) run by the Kavalappara palace.[ citation needed ] He had been an instructor with leading performing arts institutes like Kerala Kalamandalam, PSV Natyasangham in Kottakkal and Kadathanattu Kaliyogam.
Shoranur is a town and a municipality located in the Palakkad district, in the Indian state of Kerala, located on the banks of the Bharathapuzha River. Shoranur Junction Railway Station is the largest Railway Station in Kerala. It covers 32.28 km2.
Palakkad
Kalamandalam Ramankutty Nair was a flag-bearing disciple of Kavalappara, having worked on his guru's portrayal of Hanuman roles. His other prominent disciples include Kalamandalam Krishnan Nair, Guru Gopinath, [1] Kottakkal Krishnankutty Nair, Ananda Sivaram and Kelu Nair. Kudamaloor Karunakaran Nair too had his northern-style classes under Naraynan Nair.
Kalamandalam Krishnan Nair was one of the most renowned Kathakali artists of any time, and arguably the greatest in the history of the four-century-old classical dance-drama from Kerala in southern India. He had fleshy, flexible and clean-cut facial features that were powerful to launch any emotion with amazing power and ease, and was intelligent enough to acquire and exhibit varied styles of Kathakali that were in vogue across Kerala during his lifetime.
Perumanoor Gopinathan Pillai, more popularly known as Guru Gopinath was a well known actor-cum-dancer. He is well regarded as the greatest preserver of the dance tradition. He is a recipient of the Sangeet Natak Akademi Award.
Kudamaloor Karunakaran Nair (1916-2000) was a pioneering Kathakali artiste who brought to prominence female characters in the classical dance-drama from Kerala in south India.
Kerala Natanam is a new style of dance that is now recognised as a distinct art form evolved from Kathakali, a form of Indian dance-drama. The Indian dancer Guru Gopinath a well-trained Kathakali artist and his wife Thankamani Gopinath who was the first student of Mohiniyattam in Kerala Kalamandalam developed a unique structure for teaching and performing classical dance forms of India whose origins are from Kathakali. Solo, duets, dance dramas and traditional folk dances were the material they chose.
Guru Kunju Kurup (1881-1970) was one of the most famous Kathakali artistes to have born and celebrated in south Kerala, and gained popularity in central and north Kerala as well.
Guru Chenganoor Raman Pillai, also spelt Chengannur Raman Pillai (1886–1980), was a celebrated Kathakali artist from Kerala in south India. He was known for his brilliant portrayal of the anti-heroic Kathi roles on stage, and was the head of palace kathakali yogam to the Travancore Maharaja in a career spanning almost 65 years.
Kottakkal Sivaraman was a performing artiste who revolutionised the portrayal of female roles in Kathakali, the classical dance-drama from Kerala in southern India.
Vadakke Manalath Govindan Nair, popularly known as Kalamandalam Gopi, is an exponent of the classical dance-drama style known as Kathakali.
Kalamandalam Ramankutty Nair was a performer of Kathakali, who practiced the Kerala art form for more than seven decades.
Gandhi Seva Sadan is a Kathakali institution located in Perur village, some 12 kilometres east of Ottapalam in Palakkad district of north-central Kerala in southern India. It was founded in 1953 by the (late) Gandhian and freedom fighter K. Kumaran, equally known for his unflagging devotion to the promotion of the arts.
Keezhpadam Kumaran Nair (1916–2007) was a Kathakali artists from Kerala, India. Endowed with a life profile that also exposed him to several traditional Indian performing arts other than Kathakali, his stage presentation infused a fresh breath into the four-century-old art form, thanks also to his broad and deep view about the Puranas that spurred from a constant pursuit of knowledge through reading books and engaging in talks in scholars.
Vazhenkada is a village, known for its Kathakali heritage, on the banks of the river Thootha in Malappuram district of Kerala in southern India. The nearest small towns are Cherpulassery to its south and Perintalmanna to its north, both eight kilometres away.
Kalamandalam Neelakantan Nambisan (1919–85) was a trend-setter Kathakali musician who played a crucial role in remoulding the aesthetics of singing for the classical dance-drama of Kerala, south India. Nambisan imbibed a set of fresh musical ideas from his epoch-making guru Mundaya Venkitakrishna Bhagavatar, developed them to sound even better and handed them over to a set of disciples, most of whom gained name and fame sooner or later.
Kalamandalam Padmanabhan Nair (1928–2007) was an eminent Kathakali exponent, equally known for his capacities as a tutor, theoretician and author of a few authentic texts on the classical dance-drama from Kerala in south India. A son of the Kathakali guru Pattikkamthodi Ravunni Menon, Padmanabhan Nair was one of the early-batch students in Kerala Kalamandalam, where he subsequently joined as a teacher and retired as its principal in 1990. He died on 3 April 2007, at his home in Shoranur, near his alma mater, where he led his post-professorial life with wife and Mohiniyattam exponent and guru, Kalamandalam Satyabhama.
Vazhenkada Kunchu Nair, also spelt Kunju Nair, (1909-1981) was an outstanding Kathakali mastero of the 20th century. He was a unique legendary personality who was a brilliant performer, an excellent guru (teacher) and a scholar in Sanskrit that nobody could match in the world of Kathakali. He mainly served in two of the great institutions of Kathakali in Kerala as their Guru, first in PSV Natya Sangham, Kottakkal Since 1946 and from 1960 to 1972 at Kerala Kalamandalam. He was the first principal of Kerala Kalamandalam, the premier performing arts institute of Kerala in south India. A Padma Shri and Sangeet Natak Akademi Awardee, Kunchu Nair was a frontline disciple of the legendary Pattikkamthodi Ramunni Menon, and was noted for his subdued portrayal of lead Kathakali roles like Nalan, Rukmangadan, Dharmaputrar, Bhiman, Arjunan, Brahmanan and Parasuraman (Sitaswayamvaram) besides in anti-hero slots like Ravanan and Duryodhanan.
Kalamandalam Vasu Pisharody is a leading Kathakali artiste known for his restrained portrayal of character roles in the classical dance-drama of Kerala in south India. A frontline disciple of Padma Shri Vazhenkada Kunchu Nair, he excels in virtuous pachcha, anti-hero Kathi and the semi-realistic minukku roles alike. Nalan, Bahukan, Arjunan, Bhiman, Dharmaputrar, Rugmangadan, Narakaasuran, Ravanan, Parashuraman and Brahmanan are his masterpieces.
Kottakkal Chandrasekharan is a senior Kathakali artiste known for his portrayal of the virtuous pachcha and anti-heroic Kathi roles in the classical dance-drama from Kerala in south India. Born at Naduvattam near Pattambi in Palakkad district in 1945, he is a prominent disciple of the late Padma Shri Vazhenkada Kunchu Nair and Kottakkal Krishnankutty Nair. His father is A.M. Kumaraswami Bhattathiripad and mother is P.V. Parukkutty Warassiar.
Margi Vijayakumar is a noted Kathakali artiste who has specialised in female roles in the classical dance-drama from Kerala, south India. A prominent disciple of the late Padma Shri Kalamandalam Krishnan Nair, he has gained name in his poised handling of Purana characters like Damayanti, Panchali, Mohini and Kunti, mostly opposite star dancer Kalamandalam Gopi.
Kalamandalam Gangadhran was a prominent Kathakali musician from Kerala. His unique tenor and accent has earned him a large audience both within and outside Kerala. He was the most prominent disciple of Kalamandalam Neelakandan Nambeesan, and the Master of the many later generations of Kathakali Musicians. He was a visiting professor at Margi, an organization dedicated to the revival of Kathakali and Kutiyattom, two classical art forms of Kerala. In 2006, he was honoured by the Sangeet Natak Akademi Award.