Company type | Private |
---|---|
Industry | Musical instruments |
Founded | 2001 |
Headquarters | Oklahoma City, Oklahoma |
Key people | Robert Keeley |
Products | Effects units |
Website | RobertKeeley.com |
Keeley Electronics is an American manufacturer of effect units for electric guitars. The company, founded by Robert Keeley and operating from Oklahoma City, Oklahoma, [1] started with the Keeley Compressor pedal along with modifications for effects by Boss and Ibanez.
After graduating in electrical engineering from the University of Oklahoma, Robert Keeley started his company from his home in Oklahoma City in 2001. He initially hoped to build guitar amplifiers (he tweaked his father's Peavey Deuce [2] ), but found the market "highly saturated and becoming more so every day". [3] Instead, while teaching at a small technical college and employing "some of his best students", [2] he rebuilt and modified old effects units, starting with a Ross compressor. The industry for makers of hand-built effects at the time had few major players (Keeley named Mike Piera of Analog Man and Mike Fuller from Fulltone as his only competitors), and his business soon took off, aided by a reputation for quality and customers such as Brad Paisley. Rebuilt versions of the Ibanez TS9 were used by Peter Frampton, Jon Herington and Ike Willis; Keeley said he got his ideas for improving and tweaking existing effect pedals by reading commentary on various forums for guitar players. Since then, he develops his own pedals, starting with a boost pedal; his most popular effect is a compressor (first built in 2001), selling more than 27,000 copies. [3]
According to Guitar World , Keeley Electronics has grown into "one of the world’s top sellers of guitar effects pedals". [4] Keeley claims that part of his success is due to carefully selecting electronic components with low tolerance. [2] [3] They opened up a second factory, where they make flight cases and guitar pickups; in 2009, the company briefly moved production of effect pedals there after a fire in the first factory. [4] [5]
Keeley still builds custom-ordered and modified effects; assignments include tweaking an MXR Phase 90 for Donald Fagen [3] and building a combined distortion/blues driver/wah for Neil Zaza. [6]
An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
Vox is a British musical equipment manufacturer founded in 1957 by Thomas Walter Jennings in Dartford, Kent, England. The company is most famous for making the Vox AC30 guitar amplifier, used by The Beatles, The Rolling Stones, The Kinks, The Yardbirds, Queen, Dire Straits, U2, and Radiohead; the Vox Continental electric organ, the Vox wah-wah pedal used by Jimi Hendrix, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm Korg.
A wah-wah pedal, or simply wah pedal, is a type of effects pedal designed for electric guitar that alters the timbre of the input signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps a band-pass filter up and down in frequency to create a spectral glide. The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in, and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used without moving the treadle as a fixed filter to alter an instrument’s timbre, or to create a "wacka-wacka" funk-styled rhythm for rhythm guitar playing.
Boss is a manufacturer of effects pedals for electric guitar and bass guitar. It is a division of the Roland Corporation, a Japanese manufacturer that specializes in musical equipment and accessories. For many years Boss has manufactured a wide range of products related to effects processing for guitars, including "compact" and "twin" effects pedals, multi-effect pedals, electronic tuners and pedal boards. In more recent times, Boss expanded their product range by including digital studios, rhythm machines, samplers and other electronic music equipment. They also are now manufacturing solid-state amplifiers and speaker heads such as the Waza and the Katana. Both feature multi-effects units meant to emulate Boss' classic effects pedals.
Dunlop Manufacturing, Inc. is a manufacturer of musical accessories, especially effects units, based in Benicia, California, United States. Founded in 1965 by Jim Dunlop Sr., the company grew from a small home operation to a large manufacturer of music gear. Dunlop has acquired several well-known effects pedal brands, including Cry Baby, MXR and Way Huge.
Morley Pedals is the name of a guitar effects pedal company, famous for manufacturing wah-wah pedals and other treadle type effects for guitar. Morley pedals use electro-optical circuitry rather than a potentiometer to control the effect. The foot treadle controls a shutter inside the pedal that in turn controls the amount of light reaching a photoresistor. The advantage to this system is that there are no potentiometers in the signal path to wear out and become "scratchy sounding" over time. Electro-optical circuitry is used throughout the classic Morley pedal line, which includes or has included volume pedals, delay pedals, chorus and phaser pedals, and many others.
Electro-Harmonix is a New York City-based company that makes electronic audio processors and sells rebranded vacuum tubes. The company was founded by Mike Matthews in 1968. It is best known for a series of guitar effects pedals introduced in the 1970s and 1990s. EHX also made a line of guitars in the 1970s.
A fuzz-wah pedal is an effects unit containing both a fuzzbox and wah-wah pedal in series, allowing the user to distort ("wah") and use "fuzz" sounds as aesthetic effects on electric guitar or bass. They were developed to combine the sounds of psychedelic bands of the late 1960s–'70s.
David Brent Keuning is an American musician, best known for being the lead guitarist of the rock band The Killers, which he founded alongside frontman Brandon Flowers in 2001 and with whom he has recorded six studio albums. Keuning played every show with The Killers since its inception up until the show at Chicago's Lollapalooza in August 2017. From 2017 to the end of 2020, Keuning was on hiatus from the band. He returned to The Killers to assist in recording their 2021 album Pressure Machine. Keuning released a solo album titled Prismism under his surname Keuning in 2019.
The Dunlop Cry Baby is a popular wah-wah pedal, manufactured by Dunlop Manufacturing, Inc. The name Cry Baby was from the original pedal from which it was copied, the Thomas Organ/Vox Cry Baby wah-wah, first manufactured in 1966. Thomas Organ/Vox failed to register the name as a trademark, leaving it open for Dunlop. More recently, Dunlop manufactured the Vox pedals under licence, although this is no longer the case.
The Ibanez Tube Screamer is a guitar overdrive pedal, made by Ibanez. The pedal has a characteristic mid-boosted tone popular with blues, rock and metal players. The Tube Screamer has been used by many guitarists to create their signature sound, and is one of the most successful, widely copied, and custom-modified ("modded") overdrive pedals in the history of the electric guitar.
Peter Hayes is an American musician and singer, best known as a member of the rock band Black Rebel Motorcycle Club.
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".
Bass effects are electronic effects units that are designed for use with an electric bass and a bass amplifier, or for an upright bass and a bass amp or PA system. Bass effects are commonly available in stompbox-style pedals, which are metal or plastic boxes with a foot-operated pedal switch or button which turns the effect on and off. Most pedals also have knobs to control the tone, volume and effect level. Some bass effects are available in 19" rackmount units, which can be mounted in a road case. As well, some bass amplifiers have built-in effects, such as compression, overdrive or chorus.
BJFE Guitar Effects is a company which manufactures effects pedals for use with instruments such as an electric guitar. These pedals are commonly used by guitarists to modify the sound of their guitar before it reaches the amp. The company is located in Sweden, and was founded in 2000 by Björn Juhl. "BJFE" stands for Björn Juhl Förstärkarelektronik. Pedal types include distortion, overdrive, "vibe" (vibrato), compression, and equalization (EQ). Due to the limited production and handbuilt nature, these pedals are considered "boutique" guitar effects.
Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound, as the name implies. Overdriving a bass signal significantly changes the timbre, adds higher overtones (harmonics), increases the sustain, and, if the gain is turned up high enough, creates a "breaking up" sound characterized by a growling, buzzy tone.
Vintage musical equipment is older music gear, including instruments, amplifiers and speakers, sound recording equipment and effects pedals, sought after, maintained and used by record producers, audio engineers and musicians who are interested in historical music genres. While any piece of equipment of sufficient age can be considered vintage, the term is typically applied to instruments and gear from the 1970s and earlier. Guitars, amps, pedals, electric keyboards, sound recording equipment from the 1950s to 1970s are particularly sought after, while musical equipment from the 1940s and earlier is generally far more expensive and sought out mainly by museums or collectors to preserve historical equipment, rather than to perform with.
JHS Pedals is a guitar effects pedals manufacturer with headquarters in Kansas City, Missouri.