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| Keep Smiling | ||||
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| Studio album by | ||||
| Released | 1983 | |||
| Recorded | 1982 | |||
| Genre | Pop, synthpop, new wave | |||
| Length | 39:26 | |||
| Language | English | |||
| Label | EMI Music Denmark Sire/Warner Bros. Records (US) | |||
| Laid Back chronology | ||||
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Keep Smiling is the second studio album released by the Danish pop group Laid Back.
Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
The Wall of Sound is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew". The intention was to exploit the possibilities of studio recording to create an unusually dense orchestral aesthetic that came across well through radios and jukeboxes of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw."
Horace Andy is a Jamaican roots reggae songwriter and singer, known for his distinctive vocals and hit songs such as "Government Land", as well as "Angel", "Spying Glass", and "Five Man Army" with English trip hop group Massive Attack. He is also famous for a cover version of "Ain't No Sunshine". Andy is often described as one of the most respected and influential singers in Jamaica.
Laid Back is a Danish electronic music duo group from Copenhagen, formed in 1979. The duo consists of John Guldberg and Tim Stahl. They are best known for the hits "Sunshine Reggae" and "White Horse" from 1983 and "Bakerman" from 1989.
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.
The Black Ark was the recording studio of reggae and dub producer Lee "Scratch" Perry, built in 1973 and located behind his family's home in the Washington Gardens neighborhood of Kingston, Jamaica. Despite the rudimentary set-up and dated equipment, it was nonetheless the breeding ground for some of Jamaica's most innovative sounds and recording techniques in the latter half of the 1970s.
People from the Caribbean have made significant contributions to British Black music for many generations.
Edmond Montague Grant is a Guyanese-British singer, songwriter and multi-instrumentalist, known for his genre-blending sound; his music has blended elements of pop, British rock, soul, funk, reggae, electronic music, African polyrhythms, and Latin music genres such as samba, among many others. In addition to this, he also helped to pioneer the genre of "Ringbang". He was a founding member of the Equals, one of the United Kingdom's first racially-mixed pop groups who are best remembered for their million-selling UK chart-topper, the Grant-penned "Baby, Come Back".
"Wonderful" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, it was their only collaboration that resulted in a love song, telling the story of a young girl's sexual awakening and its disruption of her devotion to God and her parents.
John Baxter Browning Bryant was an American singer-songwriter, whose greatest commercial popularity was before and during his early teens.
Walking on Sunshine is the third studio album by Guyanese-British musician Eddy Grant, originally released in 1978 by Ice Records. Recorded at Grant's Stamford Hill recording studio, the album was the follow-up to Message Man (1977) and fuses styles of Caribbean music like reggae, soca and calypso with other genres, including funk and pop. The musician played most of the album's instrumentation himself, and described the record as reflecting his joyousness. However, some songs feature tough cultural themes, particularly those on the first side.
"White Horse" is a song written and performed by Tim Stahl and John Guldberg of the Danish duo Laid Back. It was released as the B-side of their single "Sunshine Reggae" which became a major hit in several European countries. In the US, the A-side was mainly ignored and it was the B-side that became most successful. It was released as a single and went on to spend three weeks at number one on the Dance Charts. The single also made the top five on the R&B singles chart and peaked at number 26 on the Billboard Hot 100. Although being played in European clubs, it failed to chart there when re-released as an A-side.
Where the Action Is! Los Angeles Nuggets: 1965–1968 is the fifth box set in Rhino Records' Nuggets series, released September 22, 2009. The set's four discs each focus on a different aspect of the underground rock music scene in and around Los Angeles at the end of the 1960s. The first disc, "On the Strip", features bands that rose out of the Sunset Strip scene; disc two, "Beyond the City", focuses on bands from the surrounding areas outside the city's borders; disc three, "The Studio Scene" covers bands' attempts to exploit the Los Angeles sound for a commercial audience; while disc four presents the movement away from psychedelic and garage rock towards the country rock sound which became popular in the city late in the decade. The boxed set was compiled and curated by Los Angeles native, Andrew Sandoval. On December 1, 2010, this project was nominated for a Grammy Award in the best Historical album category.
"Reunion" is the fifth episode of the third season of American television comedy series 30 Rock, and the 41st episode of the series overall. It was written by supervising producer Matt Hubbard and directed by Beth McCarthy-Miller. The episode originally aired on NBC in the United States on December 4, 2008. Guest stars in this episode include Susan Barrett, Marceline Hugot, Robyn Lively, Janel Moloney, Diane Neal, Rip Torn, and Steve Witting.
Lei'd in Hawaii is an unfinished live album by American rock band the Beach Boys that was produced shortly after the completion of their 1967 studio album Smiley Smile. It was initially planned to include the band's first live concert performances since their tour of Europe in May 1967.
Sunshine Boy: The Unheard Studio Sessions & Demos 1971–1972 is an album by Townes Van Zandt. It was released posthumously in 2013.
"My Boy" is a song by American singer Billie Eilish. It was released by Darkroom and Interscope Records as the sixth single from Eilish's debut extended play (EP), Don't Smile at Me (2017). Eilish and her brother, Finneas O'Connell, co-wrote the song, with the latter solely handling the production. A pop track with jazz-influenced instrumentation, the song was heavily inspired by boys who broke Eilish's heart.
The Niß Puk or Nis Puk is a legendary creature, a kind of Kobold, from Danish-, Low German- and North Frisian-speaking areas of areas of Northern Germany and Southern Denmark, among them Schleswig, today divided into the German Southern Schleswig and Danish Northern Schleswig. An earlier saying says Nissen does not want to go over the Eideren, i.e. not to Holstein to the South of Schleswig. Depending on the place, it can either appear as a domestic spirit or take on the role of a being generally called Drak or Kobold in Danish and German mythology, an infernal spirit making its owner wealthy by bringing them stolen goods.
