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Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
Joan Takayama-Ogawa is a sansei (third-generation) Japanese-American ceramic artist and currently professor at Otis College of Art and Design in Los Angeles, California. Takayama-Ogawa's heritage since the 15th century of Japanese ceramic art influences her work, that usually explores beauty, decoration, ornamentation and narrative while also introducing a dialogue that rejects the traditional role of women in Japanese culture. Her most recent work addresses issues like climate change.
Edith Kiertzner Heath was an American studio potter and founder of Heath Ceramics. The company, well known for its mid-century modern ceramic tableware, including "Heathware," and architectural tiles, is still operating in Sausalito, California, after being founded in 1948.
John Mason was an American artist who did experimental work with ceramics. Mason's work focused on exploring the physical properties of clay and its "extreme plasticity". One of a group of artists who had studied under the pioneering ceramicist Peter Voulkos, he created wall reliefs and expressionistic sculptures, often on a monumental scale.
Ralph Bacerra was a ceramic artist and career educator. He lived and worked in Los Angeles, California.
David Kuraoka is an American ceramic artist. He was born in Lihue, Hawaii, grew up on the island of Kauai, Hawaii in Hanamaulu and Lihue, and graduated from Kauai High School in 1964. Kuraoka spent his formative years in Hanamaulu where he lived with his parents in his paternal grandmother's home in a plantation labor camp. His father, one of seven children and the only son, became a journalist, writing a weekly column published on Wednesdays, and the Kauai campaign manager for local politician Hiram Fong and Richard Nixon. His mother, Emiko Kuraoka, was a school teacher. He is married to Carol Kuraoka. Kuraoka moved to California in 1964 to study architecture at San Jose City College, eventually transferring to San José State University where he received his BA in 1970 and MA 1971. After completing graduate work that focused on ceramics, Kuraoka joined the faculty at San Francisco State University, eventually rising to head its ceramics department.
Laura Andreson was an American ceramic artist and educator at University of California Los Angeles.
Viola Frey was an American artist working in sculpture, painting and drawing, and professor emerita at California College of the Arts. She lived and worked in the San Francisco Bay Area and was renowned for her larger-than-life, colorfully glazed clay sculptures of men and women, which expanded the traditional boundaries of ceramic sculpture.
Cheryl Tall is an American visual artist whose work is primarily in the medium of sculpture and large wall installations in addition to, mixed-media, oil and acrylic painting. Tall is most notable for her intricate sculptures and her works have been in prominent and private collections all over the world. She has an MFA from the University of Miami and her present art studio is in Leucadia, CA.
Monica E. Rudquist is a ceramic artist working out of Minneapolis, Minnesota. She is known for her distinctive "spiraling shapes" and works primarily in porcelain. In addition, her work features wheel-thrown functional wares as well as large-scale, abstract wall installations.
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Harrison Edward McIntosh was an American ceramic artist. He was an exponent of the Mid-century Modern style of ceramics, featuring simple symmetrical forms. His work has been exhibited in venues in the United States including the Smithsonian and internationally including at the Louvre in France.
John Parker Glick was an American ceramicist. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. His experience working with ceramics led him to publish several articles about the craft. In addition to producing pottery, Glick began making "landscape oriented" wall panels during the latter part of his career. Known as "the people's potter," he is primarily remembered for his contributions to art and the field of ceramics.
Chris Gustin is an American ceramicist. Gustin models his work on the human form, which is shown through the shape, color, and size of the pieces.
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Susi Singer, also known as Selma Singer-Schinnerl, was an Austrian-American Jewish ceramic artist known for her bright and detailed figurines.
Michael Frimkess is an American ceramic artist who lives in Venice, California. In the 1950s and 60s, he was a pupil of Peter Voulkos, a prominent figure in the California Clay Movement. Frimkess' pottery is noted for its classical style, employing forms from Greek, Chinese, and Indigenous American antiquity. His wife and collaborator, Magdalena Suarez Frimkess, paints his ceramic pieces often using anachronistic, contemporary images like Minnie Mouse or Condorito. He is also well-known for his innovative wheel-throwing and firing techniques.
Nan Bangs McKinnell (1913–2012) was an American ceramicist and educator. Nan was a founding member of the National Council on Education for the Ceramic Arts, a member of the American Craft Council College of Fellows, along with receiving several awards for her work. James "Jim" McKinnell (1919–2005), her spouse, was also a ceramicist and they made some collaborative work.
Nancy Selvin is an American sculptor, recognized for ceramic works and tableaux that explore the vessel form and balance an interplay of materials, minimal forms, and expressive processes. She emerged in the late 1960s among a "second generation" of Bay Area ceramic artists who followed the California Clay Movement and continued to challenge ceramic traditions involving expression, form and function, and an art-world that placed the medium outside its established hierarchy. Her work has been exhibited at the Los Angeles County Museum of Art (LACMA), Denver Art Museum, Daum Museum of Contemporary Art and Kohler Arts Center, and belongs to the public art collections of LACMA, the Smithsonian Institution, Oakland Museum of California, and Crocker Art Museum, among others. Critic David Roth has written, "Selvin's position in the top rank of ceramic artists has come through a process of rigorous self-examination … what differentiates [her] is that she eschews realism and functionality, indicating a level of intellectual engagement not always found among ceramicists." Writer and curator Jo Lauria described Selvin's tableaux as "elegiac and stylistically unified" works that serve as "forceful essays on the relationship between realism and abstraction, object and subject, decoration and use." Selvin lives and works in the Berkeley, California area.
Marie Woo is a Chinese-American ceramicist and educator.
References
- 1 2 3 4 5 6 7 Levin, Elaine. "Keiko Fukazawa and Joan Takayama-Ogawa: A Confluence of American and Japanese Cultures", Ceramics Monthly , Dec. 1994.
- 1 2 3 4 "Made in China: New Ceramic Works by Keiko Fukazawa: January 24 - May 8, 2016", Craft & Folk Art Museum .
- 1 2 3 Kiderra, Inga. "Graffiti Goes to the Gallery", Chronicle (University of Southern California) , 2 September 2002.
- 1 2 3 "Keiko Fukazawa: Exhibitions", MutualArt.com . Retrieved on 16 Feb. 2017.
- ↑ "Keiko Fukazawa", City of Los Angeles Department of Cultural Affairs , 24 January 2017. Retrieved on 16 February 2017.
- ↑ "Pasadena City College Executive Committee Meeting Minutes" (PDF). May 8, 2019.
- ↑ "Sculptured Viewpoints", Ceramics Monthly , January 1988.
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